MAUREESE ITSON
Maureese Itson is a renowned, up and coming Inspirational Saxophonist in the Seattle area. His desire is to inspire people to “Love God, Love People, and Live Amazing” through the gift of music. “It amazes me to see the joy and feel the love from people through music. Music awakens my soul”. He began his love for music growing up in Atlanta, GA. He is a retired Air Force veteran where he spent 20+ years serving. He has a lovely wife and daughter that he loves dearly.
Maureese has been featured on the local Trinity Broadcast Network “Seattle Praise the Lord”, The Washington State Fair, Argosy cruises, the Islander Yacht, and the Gaillard in Charleston, SC. He has performed and shared the stage with artist Michael Bolton, The Mighty Clouds of Joy, Gospel Jazz Artist Ben Tankard, Saxophonist Tom Braxton, Contemporary Christian artists “The Benions”, Jazz Trumpeter Bobby Medina, The Jazz Disciples, Toyin Adekale to name a few. Keep a look out for up coming events in the Seattle area, nationally and abroad from this sought after artist.
Suggested Donation: $5.00 | 25 & Younger: Free | Youth Arive At 6:00pm For Free Dinner
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THE LEGENDARY COUNT BASIE ORCHESTRA
Music In The Meadow
The Count Basie Orchestra, today directed by Scotty Barnhart, has won every respected jazz poll in the world at least once, won 18 Grammy Awards. In the history of Jazz music, there is only one bandleader that has the distinction of having his orchestra still performing sold out concerts all over the world, with members personally chosen by him, for over 30 years after his passing. Pianist and bandleader William James “Count” Basie was and still is an American institution that personifies the grandeur and excellence of Jazz. The Count Basie Orchestra, today directed by Scotty Barnhart, has won every respected jazz poll in the world at least once, won 18 Grammy Awards, performed for Kings, Queens, and other world Royalty, appeared in several movies, television shows, at every major jazz festival and major concert hall in the world.
Guest Vocalist: Carmen Bradford
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TOMI BERRY
Nights Over Egypt: A Jazz/R&B Oasis!
Wherever Tomi Berry sings, she spreads joy. Whether singing smooth R&B, swinging jazz, or sultry ballads, she holds an audience in rapt attention. A spiritual song-stylist, she engages her listeners in musical conversation. The 2016 42nd Annual Lawrence Award Winner for “Best Seasoned Performer” and the runner up for the 2016’s inaugural Atlanta’s Top Vocalist competition, Susan “Tomi” Berry has an extensive background in performing and public speaking.
An accomplished, classically trained singer, Tomi has performed most of her life in multiple music genres, starting formally in gospel and spiritual church choirs in her hometown of Montclair, NJ. She continued to perform throughout college in classical and madrigal choirs, chorale and was the first soloist to sing with the college jazz band. She also performed with a campus band that did pop and R&B tunes for campus events and private functions.
In Atlanta, she performed with the Hillside Chapel and Truth Center Choir and Jubilee Singers and was a member of the “neo-spiritual” group I Am Unlimited. She has been a member and briefly served on the board of Southeastern Organization for Jazz Arts (SOJA) where she performed a two-woman show with vocalist Nina Carl, with support from Terry Harper on piano, Danny Harper on trumpet and Delbert Felix on contrabass.
She also had the opportunity to perform with jazz pianist/songwriter, Donald Brown during an in-home performance in the Atlanta area and has been supported by jazz pianist/musician/songwriter Takana Miyamoto on multiple projects as well as by pianist Rodney Martino Avery. She was the featured performer at The Velvet Note Acoustic Living Room in 2013 where she performed two shows featuring GRAMMY Award winning, Atlanta-based producer/keyboardist, Phil Davis, bassist. Trey Gilbert, and drummer, Joey Williams. Tomi continues to perform at clubs in the Atlanta metro area like Riley’s on the Square, church and community events and frequents the local jam sessions including Venkman’s and The Velvet Note Acoustic Living Room.
Also performing live is Indigokat Soul, Dance Grooves by DJ Lane.
Attire: Sophisticated, Black with Bling and Dressy
Admission/Secure Reservation : $IndigoKat58 via CashApp by 8.25.23
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Requisites
Groovin’ ~ Idrees Sulieman, Per Goldschmidt, Horace Parlan, Mads Vinding, Billy Hart | By Eddie Carter
It happened like this; I’d recently been revisiting several SteepleChase albums in my library. One of those titles led me to this morning’s discussion. Groovin’ (SteepleChase Records SCS 1218) is a 1985 straight-ahead-blowing session. It was the third album Idrees Sulieman recorded for the Danish label and was made five days before his sixty-second birthday. I’ve enjoyed the trumpeter’s playing since hearing him on Tenor and Flute, The Cats, and The Hawk Flies High. Here, he’s working with Per Goldschmidt on baritone sax (tracks: A1, A3, B1, B3) and tenor sax (A2, B2), Horace Parlan on piano, Mads Vinding on bass, and Billy Hart on drums. My copy is the original 1986 Danish Stereo album.
Groovin’ High by Dizzy Gillespie starts the first side with the quintet’s collective melody at a relaxing beat. Idrees gets things going with a delightful solo. Per comes next with an effectively carefree reading. Horace’s following statement is as refreshing as a cool drink on a muggy day. Mads delivers an inspired interpretation next; Billy closes with an interesting exchange with the front line into the ending theme. Tell Me What’s Your Name is a pretty tune by Kathe Laursen that begins with a delicate melody by Sulieman, who Goldschmidt joins as it unfolds. The two horns work together to give warmth and tenderness in the song’s only solo, which draws to a conclusion in a gentle climax.
If I Only Knew, the first of two tunes by Idrees Sulieman, closes Side One. Billy’s brief introduction brings the song to life, segueing into the medium melody. Mads goes to work first, then Idrees shows off his gentle side. Horace states his case with graceful lines next; then Per delivers a warm, friendly and intimate finale leading to the theme’s restatement. Lipstick by Kathe Laursen continues the ensemble’s medium groove with a collective melody. Sulieman sets the stage on the first statement, then Parlan offers an equally significant reading. Sulieman shares a few thoughts with Hart in the finale preceding the closing chorus.
The ensemble takes a stroll to The Center of Copenhagen next. Idrees Sulieman’s second original begins with the group’s theme in unison. Idrees and Per provide the spotlight in an entertaining exchange, then Horace delivers a captivating closer ahead of the quintet’s reprise and exit. Per Goldschmidt’s Happy Ending finishes the album on a lively note with the group’s spirited melody. Sulieman takes off first with a lightning-fast interpretation, followed by Goldschmidt, who’s equally quick in the second reading. Hart has a vigorous conversation with the front line ahead of the reprise and the song’s climax.
Nils Winther produced Groovin’, and Ole Hansen was the recording engineer of this digital recording. The album has an excellent soundstage with exceptionally clear fidelity that brings the musicians to your listening room. The record is also incredibly quiet until the music starts. I happily recommend Groovin’ on your next record hunt if you’re in the mood for jazz to help you unwind after a busy day or week. It’s a hidden treasure with a stellar lineup; Idrees Sulieman, Per Goldschmidt, Horace Parlan, Mads Vinding and Billy Hart. Every tune is a pleasure to hear, and it’s a very enjoyable album I’m sure you’ll be glad to have in your library!
~ Tenor and Flute (Riverside RLP 12-240), The Cats (New Jazz NJLP 8217), The Hawk Flies High (Riverside RLP 12-233) – Source: Discogs.com ~ Groovin’ High – Source: JazzStandards.com ~ © 2023 by Edward Thomas Carter
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EUGENIE JONES JAZZ QUARTET
2nd Annual Jazz Black & White Party | Black and/or White Attire Suggested
Through inspiration and an inexhaustible work ethic Eugenie Jones has transformed herself into a jazz vocalist of impeccable quality, with a respect for the jazz tradition and the courage to try something she had never imagined.
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