BILL CHARLAP, AARON DIEHL, ISAIAH J. THOMPSON, CAELAN CARDELLO
The present – and future – of jazz piano convenes on the stage that has hosted legends of the art form from Thelonious Monk to Hank Jones to Chick Corea.
Jazz in July artistic director Bill Charlap is joined by a dynamic virtuoso of modern jazz piano, the sublimely talented Aaron Diehl, and two fast-rising piano stars of the next generation. Isaiah J. Thompson, winner of the 2023 American Pianists Awards, has been hailed by NPR as, “a young musician and composer with a mature touch and rare combination of talent, creativity, humility, and honesty.” Caelan Cardello is the recipient of the 2021 BMI Foundation’s Future Jazz Master Award, and has played with such major artists as Jimmy Cobb, Rufus Reid, and Christian McBride. Hear them all in solo, trio, and two-piano performances, with the masterful rhythm team of bassist Noriko Ueda and drummer Carl Allen.
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BILL CHARLAP TRIO
Special Guests: Dee Dee Bridgewater & Nicholas Payton
“There are certain gigs that remind you why you fell in love with jazz in the first place. Vocalist Dee Dee Bridgewater and pianomeister Bill Charlap did just that Friday night at Catalina’s,” wrote Jazz Weekly following a 2022 performance at the famed LA jazz club.
The NEA Jazz Master and triple Grammy Award winner teams with Grammy-winning trumpeter Nicholas Payton and the Grammy-winning Bill Charlap Trio – Peter Washington on bass, Kenny Washington on drums – to open the 2023 Jazz in July season. They bring the artistic alchemy that has made their collaborations a joyride of spontaneous storytelling and improvisation, making this opening concert one not to miss.
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Daily Dose Of Jazz…
John Lee was born June 28, 1952, in Boston, Massachusetts. He is the son of a minister and a social worker. Growing up in Greenwich, Connecticut, Amityville, New York, and Philadelphia, Pennsylvania he began string bass lessons at 10 with Carolyn Lush. At Philadelphia’s Overbrook High School he met drummer Gerry Brown, who together studied at the Philadelphia Musical Academy for two years.
In 1971 Lee began performing with Carlos Garnett and Joe Henderson, and toured with Max Roach thru the spring of 1972 while still a student in Philadelphia. The same year he and Brown relocated to Europe with Den Haag, Holland as their base. Together they toured Europe and recorded in bands led by Chris Hinze, Charlie Mariano, Philip Catherine, Joachim Kühn, and Jasper Van’t Hof.
Moving to New York City in 1974, John played with Joe Henderson, Lonnie Liston Smith, and Norman Connors before joining The Eleventh House with Larry Coryell. The following year he and Gerry Brown signed a recording contract with Blue Note Records and formed a working band. In 1977 they moved over to Columbia Records and began producing records the same year.
From 1982 to 1984, Lee worked with McCoy Tyner, then became Dizzy Gillespie’s bassist, touring and recording with Dizzy’s Quintet, his Big Band, his Grammy winning United Nation Orchestra and the Back to the Future Band that Dizzy co-lead with Miriam Makeba until 1993 when Makeba died.
Lee has performed in over 100 countries around the world and has toured in the bands of Sonny Rollins, James Moody, Jimmy Heath, Pharoah Sanders, Jackie McLean, Gary Bartz, Hank Jones, Walter Davis Jr., Wolfgang Lackerschmid, Alphonse Mouzon, Claudio Roditi, Jon Faddis, Slide Hampton, Roy Hargrove, and Roberta Gambarini, as well as Aretha Franklin and Gregory Hines.
He is a founding member of The Fantasy Band with Chuck Loeb, Marion Meadows, and Dave Samuels. In 1996, at the bequest of Dizzy’s wife Lorraine Gillespie and the Dizzy Gillespie Estate, he became the director and bassist of the Dizzy Gillespie Alumni All-Stars as well as the Dizzy Gillespie All-Star Big Band, and the Dizzy Gillespie Afro-Cuban Experience. They have recorded five albums and toured extensively around the world.
In 2009 he co-founded the jazz recording label JLP (Jazz Legacy Productions), with partner Lisa Broderick. As a producer he has produced over 60 albums and CDs, and as a recording engineer he has recorded and mixed over 100 albums and CDs.
Bassist John Lee, who is a Grammy winning record producer and audio engineer, continues to explore the boundaries of music.
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Three Wishes
Baroness Pannonica asked Ben Riley if granted what would be his three wishes and this is what he responded:
- “Just one wish, and I can do the rest. I want to do something I like to do. Not anything with money, like everyone else is doing. I would really like to feel good and not have to pay for it.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Kenneth John Moule was born on June 26, 1925 in Barking, Essex, England and was the only child of Frederick and Ethal Moule. Surviving an early childhood illness, left him with a cadaverous look which went well with his ridiculous sense of humor.
In the Forties Moule played piano with the Johnny Dankworth Quartet before leaving to join Oscar Rabin in 1945. He would go on to perform with Remo Cavalotti for a summer season and Joe Daniels before working on the Queen Mary in Bobby Kevin’s Band, with Ronnie Scott and Johnny Dankworth. He closed out the decade working with several bands including Jiver Hutchinson, Bert Ambrose, Frank Weir and Ken Mackintosh.
During the early 1950s Ken worked with Raymonde’s Orchestra, again with Ambrose and then with Frank Weir on several occasions. 1954 saw him form under his own name a septet, which was comprised of two-tenor, baritone, trumpet and three rhythm group. He resigned from the septet in 1955 and from 1956–1959 he arranged for Ted Heath’s orchestra. During this time he composed the suite Jazz at Toad Hall, and was released on Decca Records in 1958. He worked in Sweden and toured Europe with Kurt Weill’s Band until 1960.
The 1960s saw his return to England and worked freelance as an arranger, especially with Lionel Bart. He was the musical director for the shows Fings Ain’t Wot They Used T’Be and Twang!!. From 1962 he broadcast regularly with his 15 piece orchestra, and later broadcasted and recorded with a larger band called The Full Score. His Adam’s Rib Suite was recorded by the London Jazz Chamber Group in 1970 with Kenny Wheeler on the recording issued on Ember Records.
He scored Cole Porter songs for the musical Cole! performed at the Mermaid Theatre in 1974, and worked with Dankworth again around that time with his London Symphony Orchestra collaborations. He worked out of Germany for part of the 1970s before ill health caused him to move to the warmer climate of Spain.
Pianist, composer and arranger Ken Moule transitioned in Marbella in January 27, 1986, aged 60.
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