Daily Dose Of Jazz…

Keg Johnson was born Frederic Homer Johnson on November 19, 1908 in Dallas, Texas. His father was a choir director and he and his younger brother, Budd began their musical careers singing and playing first with their father and later with Portia Pittman, daughter of Booker T. Washington. They played in Dallas-area bands like the Blue Moon Chasers, then with Ben Smith’s Music Makers, eventually performing with Gene Coy and The Happy Black Aces.

Playing a variety of instruments but most noted as a trombonist, around 1928, in Kansas City, Missouri they played in several bands but by 1930 Keg left for Chicago, Illinois to play with Louis Armstrong, recording his first solo on Armstrong’s Basin Street Blues album. His move to New York City in 1933 Keg played with Fletcher Henderson, Benny Carter, and Cab Calloway at the Cotton Club, remaining with Cab for 15 years.

Leaving New York City for Los Angeles, California he briefly changed careers renovating houses. During the 1950s he returned to New York City where he and his brother reunited and recorded the album Let’s Swing. In 1961, he began playing with Ray Charles and was still in his band when trombonist Keg Johnson passed away in Chicago on November 8, 1967.

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Daily Dose Of Jazz…

Victor Sproles was born on November 18, 1927 in Chicago, Illinois. During worked in the 1950s with Red Rodney and Ira Sullivan and appears on the Sun Ra recordings Super-Sonic Jazz, Sound of Joy and Deep Purple.

>As a session player he recorded with Stan Getz and Chet Baker on the 1957 Verve album Stan Meets Chet. In 1960 he joined Johnny Griffin’s Big Soul Band and the following year he played in Muhal Richard Abrams’ Experimental Band.

1964 saw him joining Art Blakey’s Jazz Messengers, recording the album ‘SMake It for Limelight, Lee Morgan and his old Sun Ra bandmate John Gilmore were in the group. He recorded two more albums with the Messengers after Gilmore left. This led to his subsequent appearance on Morgan’s Blue Note albums The Rumproller and The Sixth Sense.

In 1974 he played in Clark Terry’s big band and appeared on Buddy DeFranco’s album Free Fall. He recorded sixteen albums as a leader and another fifteen as a sideman. Bassist Victor Sproles passed away on May 13, 2005.

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Three Wishes

Baby Laurence responded to the Baroness’ question of this wishes with these answers:  

  1. “That show business~not Negro or white show business, but show business~would come back like it used to be.”
  2. “That the American people would have a better appreciation of art.”
  3. “That pretty soon again, you won’t see a presentation show without a jazz tap dancer.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

GRIOTS GALLERY

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Daily Dose Of Jazz…

Clarence “Shorty” Sherock was born on November 17, 1915 in Minneapolis, Minnesota and attended the Illinois Military Academy. In the 1930s he was a soloist with the Jimmy Dorsey Orchestra and with the Gene Krupa Orchestra. He led a big band in the 1940s. In 1944 he was a featured soloist in Los Angeles, California at the first Jazz at the Philharmonic concert, a series started by Norman Granz. The concert included Nat King Cole, Illinois Jacquet, J. J. Johnson, Jack McVea, and Les Paul.

1946, Sherock recorded Leonard Feather’s composition Snafu, and in 1955 he recorded three tracks for Freddie Slack’s Boogie Woogie on the 88. As a member of the Nelson Riddle Orchestra, he recorded with Dean Martin, Frank Sinatra, Ella Fitzgerald, Van Alexander, Benny Carter, Bobby Darin, Bing Crosby, Pete Fountain, Mel Henke, Freddy Martin, Matty Matlock, and Mavis Rivers.

He only recorded two albums as a leader during his career. Swing trumpeter passed away on February 19, 1980 in Northridge, Los Angeles, California.

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Daily Dose Of Jazz…

Albert Bennington Lucas was born on November 16, 1912 in Brantford, Ontario, Canada and took piano lessons as a child from his mother, Francis Bradley Lucas, a concert pianist. By the age of twelve, he had switched to bass and tuba. After his move to New York City in 1933, he played with Kaiser Marshall before joining the Royal Sunset Orchestra, where he played until 1942.

During the 1940s Albert appeared on record with Hot Lips Page, Coleman Hawkins, Eddie Heywood, Duke Ellington, Mary Lou Williams, James P. Johnson, J.J. Johnson, Ben Webster, Erroll Garner, and Eddie South.

Throughout his career he toured and recorded with Illinois Jacquet from 1947–53, recording in Detroit with Jacquet’s all-star band which included Sonny Stitt, Leo Parker, Sir Charles Thompson, Maurice Simon and Shadow Wilson before returning to play with Heywood again from 1954–56. He also recorded in the 1950s with Ruby Braff, Charlie Byrd, Teddy Wilson, Bill Doggett, Dexter Gordon, Oliver Nelson.

Working primarily as a studio musician in his last two decades, backing up groups at Apollo Theater performances, he played jazz only occasionally. Double-bassist Albert Lucas passed away on June 19, 1983, in New York City.

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