The Quarantined Jazz Voyager

The Gene Ammons Story: Gentle Jug

October 6, 1992 was the Fantasy reissued compact disc release date of the original Prestige/Moodsville Records is my next exploration into one of the world’s great bop, cool jazz, and soul-jazz tenor saxophonists to keep me company during this pandemic. The Gene Ammons Story: Gentle Jug is a compilation reissue of sixteen songs recorded on two separate dates. A master at interpreting ballads, Gene Ammons presents lyrical music that is quite enjoyable.

The album was produced and original photography taken by Esmond Edwards, recorded by Rudy Van Gelder at Van Gelder Studio in Hackensack, New Jersey, and the art direction was contributed by Phil Carroll. The reissue producer and writer of the liner notes was Bob Porter and the album was remastered by Phil De Lancie.

A compilation of two previously released albums, 1961’s Nice an’ Cool” (1 to 8) recorded on January 26, 1961, and 1962’s The Soulful Mood of Gene Ammons (9 to 16) recorded April 14, 1962. Tracks 1 to 8, originally issued on Prestige / Moodsville 18 as Gene Ammons – Nice An’ Cool Tracks 9 to 16, originally issued on Prestige / Moodsville 28 as Gene Ammons – The Soulful Moods Of Gene Ammons.

Tracklist
Nice An’ Cool
  1. Till There Was You (Meredith Wilson ~ 7:08
  2. Answer Me, My Love (Rauch, Winkler) ~ 4:35
  3. Willow Weep For Me (Ann Ronell) ~ 4:00
  4. Little Girl Blue (Richard Rodgers, Lorenz Hart) ~ 4:55
  5. Something I Dreamed Last Night (Magidson, Yellen, Fain) ~ 7:41
  6. Something Wonderful (Riodgers, Hammerstein) ~ 3:03
  7. I Remember You (Mercer, Schertzinger) ~ 4:21
  8. Someone To Watch Over Me (Gershwin, Gershwin) ~ 3:48
The Soulful Moods Of Gene Ammons
  1. Two Different Worlds (Frisch, Wayne) ~ 4:53
  2. But Beautiful (Burke, Van Heusen) ~ 4:27
  3. Skylark (Carmichael, Mercer) ~ 6:19
  4. Three Little Words (Kalmar, Ruby) ~ 3:49
  5. On The Street Of Dreams (Lewis, Young) ~ 3:09
  6. You’d Be So Nice To Come Home (Cole Porter) ~ 4:17
  7. Under A Blanket Of Blue (Neiburg, Livington, Symes) ~ 5:12
  8. I’m Glad There’s You (Dorsey, Mertz) ~ 6:02
Personnel
  • Gene Ammons ~ Tenor Saxophone
  • Patti Bown (tracks: 9 to 16) | Richard Wyands (tracks: 1 to 8) ~ Piano
  • Doug Watkins (tracks: 1 to 8) | George Duvivier (tracks: 9 to 16) ~ Bass
  • Ed Shaughnessy (tracks: 9 to 16) | J.C. Heard (tracks: 1 to 8) ~ Drums

When the curtain goes up and the pandemic is controlled I will return to flying around the globe discovering the best of jazz. Until that time arrives stay safe and healthy.

CALIFORNIA JAZZ FOUNDATION

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The Quarantined Jazz Voyager

The continual disregard of the health and safety of others during this medical state of our country by certain factions who want the recently removed days of old by contributing new surges in Covid cases, gives me added incentive to remain sequestered and listening to great music. This week I am turning to a resident of Cannes, France and pulling from the shelves the March 12, 1991 released album Rooms In My Fatha’s House by Vinx.

To claim him as a vocalist would be an injustice, Vinx owns the songs on this debut release, where up is the only way he can go. His unique, interpretive phrasing and melodic presentation expresses so much more that I was taken from the first note of his voice, which is why I have enjoyed this over the years and recommend it for your listening pleasure.

The session was produced by Greg Poree, John Eden, Sting, and by Vinx on track 2. It was released on the Pangea record label and distributed by Capitol Records-EMI Of Canada.

Tracklist | 54:43
  1. Tell My Feet ~ 4:44
  2. I Should Have Told Her ~ 3:41
  3. My TV ~ 4:19
  4. While The City Sleeps ~ 4:46
  5. I’ll Give My All To You ~ 4:23
  6. Captain’s Song ~ 4:32
  7. Somehow Did You Know ~ 4:44
  8. Little Queen ~ 3:44
  9. Temporary Love ~ 4:07
  10. Porch Light ~ 6:02
  11. Don’t Got to Be That Way ~ 5:16
  12. A Little Bit More ~ 6:24
PERSONNEL
  • Sting ~ Bass, Backing Vocals
  • Herbie Hancock ~  Piano
  • Sheryl Crow ~ Vocal, Guitar
  • Taj Mahal ~  Guitar, Vocal
  • Branford Marsalis ~ Saxophone

When the curtain goes up and the pandemic is controlled I will return to flying around the globe discovering the best of jazz. Until that time arrives, stay safe and healthy.

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The Quarantined Jazz Voyager

Maintaining my social distancing, wearing my mask when I have to go grocery shopping or to my doctor’s office, I remain in quarantine. Pulling down off the shelves is an August 30, 1960 recording titled South Side Soul. It is the debut album by jazz pianist John Wright which was released in 1960 on the Prestige label. The supervising producer on this swinging soulful hard bop date was Esmond Edwards and engineering the session recorded at Van Gelder Studios in Englewood Cliffs, New Jersey was Rudy Van Gelder.

TRACKS | 36:06

  1. South Side Soul (Esmond Edwards) ~ 5:02
  2. 47th and Calumet (John Wright) ~ 3:57
  3. La Salle St After Hours (Armond Jackson) ~ 5:21
  4. 63rd and Cottage Grove (Wright) ~ 4:06
  5. 35th St Blues (Wendell Roberts) ~ 7:00
  6. Sin Corner (Jackson) ~ 5:30
  7. Amen Corner (Roberts) ~ 5:30
PERSONNEL
  • John Wright – piano
  • Wendell Roberts – bass
  • Walter McCants – drums

During this sabbatical from flying and investigating jazz around the globe, this Quarantined Jazz Voyager wants you to know that live music in clubs and I will be back.

GRIOTS GALLERY

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The Quarantined Jazz Voyager

Kicking back in my quarantined room I have a hankering to listen to one of my favorite voices of our time in recent years. My indulgences are taking me to pull down from the stacks Sound Of Red by René Marie for this week’s listening session. The album is filled with personal insights and wisdom that cross the emotional borders of human consciousness, allowing us to investigate our own frailties and rejoices.

Recorded in 2016 and produced by Marie and Quentin Baxter, and released on the Motéma Music label. This is her first album of entirely self-penned, provocative originals, that has garnered her a Best Jazz Vocal Album Grammy nomination. Drawing from jazz, folk, R&B, and country, proves to be a compelling exploration in sound.

The album is produced by René Marie and Quentin Baxter who also plays drums on the album. Sound of Red contains all original songs by René Marie.

Track Listing | 64:34 1. Sound Of Red ~ 6:00 2. If You Were Mine ~ 6:33 3. Go Home ~ 5:46 4. Lost ~ 10:36 5. Stronger Than You ~ 4:36 6. Certaldo ~ 7:04 7. Colorado River Spring ~ 3:21 8. This Is Not A Protest Song ~ 5:41 9. Many Years Ago ~ 4:50 10. Joy Of Jazz ~ 4:12 11. Blessings ~ 5:55 Personnel 

  • René Marie ~ Vocal, Producer
  • John Chin ~ Piano
  • Elias Bailey ~ Bass
  • Quentin E. Baxter ~ Drums, Producer
  • Sherman Irby ~ Alto Saxophone (tracks: 1)
  • Romero Lubambo ~ Guitar (tracks: 6)
  • Etienne Charles ~ Trumpet (tracks: 2, 10)
  • Shayna Steele ~ Backing Vocals (tracks: 8, 11)

As you listen I hope you enjoy this great addition to the jazz catalog. Continue your vigilance of social distancing, wear your masks, and stay healthy. During this sabbatical from flying and investigating jazz around the globe, this Quarantined Jazz Voyager will enjoy it with you and know that the music, world and I have not gone anywhere.

CALIFORNIA JAZZ FOUNDATION

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The Quarantined Jazz Voyager

The pandemic has given me time to indulge in listening to a variety of music but for this post, Soul Finger is the album I’ve chosen for this week’s edition of The Quarantined Jazz Voyager. The album was recorded by drummer Art Blakey And The Jazz Messengers recorded on May 12 & 13, 1965 in New York City and its original release date was in August of the same year on the Limelight label. The sessions were produced by Jack Tracy.

On the 2009 CD edition, Gary Bartz, whose recording debut this was, was left off the credits – he is the alto saxophonist for 5 of the 6 cuts. Lucky Thompson is only on one cut, playing soprano saxophone on Spot Session with the quartet of Blakey, John Hicks, and Victor Sproles.

A sixth cut from the Bartz sessions was used on the later Hold On, I’m Coming album. This recording was trumpeter Lee Morgan’s last recording with Art Blakey after a seven-year association; Freddie Hubbard would return to tour with Blakey’s group again in the 1980s.

Track Listing | 36:42

  1. Soul Finger (Freddie Hubbard, Lee Morgan) ~ 3:17
  2. Buh’s Bossa (Morgan) ~ 5:33
  3. Spot Session (Lucky Thompson) ~ 7:21
  4. Freedom Monday (Art Blakey) ~ 6:15
  5. A Quiet Thing (Fred Ebb, John Kander) ~ 6:56
  6. The Hub (Hubbard) ~ 7:20
Personnel 
  • Art Blakey ~ drums
  • Freddie Hubbard, Lee Morgan ~ trumpet (except on “Spot Session”)
  • Gary Bartz – alto saxophone (except on “Spot Session”)
  • Lucky Thompson – soprano sax (on “Spot Session”)
  • John Hicks – piano
  • Victor Sproles – bass

As you listen I hope you enjoy this great addition to the jazz catalog. Continue your vigilance of social distancing, wear your masks, and stay healthy. During this sabbatical from flying and investigating jazz around the globe, this Quarantined Jazz Voyager is looking forward to listening to this lineup of talented musicians and enjoy the listen and know that the world and I will be back.

CALIFORNIA JAZZ FOUNDATION

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