CHRISTIAN MCBRIDE’S NEW JAWN
Eight-time Grammy Award-winning jazz bassist Christian McBride is a force of nature, fusing the fire and fury of a virtuoso with the depth and grounding of a seasoned journeyman. Powered by a relentless energy and a boundless love of swing, McBride’s path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. Drawing from the lexicon of his hometown, Philadelphia, McBride calls his pianoless quartet The New Jawn.
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CÉCILE MCLORIN SALVANT
In just under a decade, Cécile McLorin Salvant has emerged as one of the most prescient and fearless voices in music today, evolving from a competition winner and favorite of jazz critics, to a three-time Grammy Award winner and MacArthur fellow. Her recording The Window topped best of the year lists everywhere from Jazzwise magazine and Rolling Stone to the NPR Music Jazz Critics Poll and The New York Times and her latest recording Ghost Song is sure to follow a similar path. Be there for her triumphant return to the DACAMERA stage, where she debuted early in her career in 2014.
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BRANFORD MARSALIS
After four decades in the international spotlight, the achievements of saxophonist Branford Marsalis continue to grow. He is an instrumentalist, composer and bandleader to be reckoned with, crossing stylistic boundaries while maintaining an unwavering creative integrity. With three Grammys and a citation by the National Endowment for the Arts as a Jazz Master, he is an avatar of contemporary artistic excellence.
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SARAH VAUGHAN INTERNATIONAL JAZZ VOCAL COMPETITION
The divine Sarah Vaughan—Newark’s greatest musical gift to the world—got her start as the winner of a talent contest. NJPAC honors her legacy every year with The Sarah Vaughan International Jazz Vocal Competition. Now entering its second decade, “The SASSY Awards” is the only international jazz vocal competition of its kind, open to all genders. At this public performance, you’ll witness the next generation of powerhouse jazz vocalists ready to take their rightful place in the global spotlight. This is the 11th year.
The 5 Finalists: Ekep Nkwelle | Kristin Lash | Allan Harris | Lucía Gutiérrez Rebolloso | Lucy Yeghiazaryan
The 5 Judges: Regina Carter | Christian McBride | T.S. Monk | Pat Prescott | Maria Schneider
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TONY HIGHTOWER
Singer/Songwriter Tony Hightower is taking up the mantle to be a bridge that ushers R&B audiences into Jazz…Real Jazz. With years of experience as a musical performer and actor with familial roots that place him firmly within the music’s firmament, Atlanta-native Hightower is still just getting started on this benevolent turn in his journey. And he is bringing a lot of young people with him.
His sophomore project, LEGACY, finds Hightower exploring Jazz vocal stylings from a dazzling prism of angles. The 10-song album moves confidently and assuredly from original compositions such as the soulful scat-laced “All to the Good,” the seductive Brazilian bossa nova of “Rendezvous” and the tender carnal Jarreau-esque love beg “I Need You” to swingin’ covers of Earth, Wind & Fire’s classic Skip Scarborough-penned “Can’t Hide Love,” a mean shuffle boogie groove through Al Green’s “Love and Happiness” and a smoldering upright bass accompanied tiptoe through the 1929 Andy Razaf standard “Gee, Baby, Ain’t I Good To You” made further famous in 1944 by one of Hightower’s greatest and earliest Jazz vocal heroes, Nat “King” Cole. That one’ll make the women wiggle.
“I didn’t have a choice about doing this music,” Hightower confesses. “My mother, Theresa Hightower, lived her life onstage. She was a fiery and versatile vocal pro by age 16 and had me when she was 19. So, you could say I’ve been performing since the womb.” And though he did not know his father, Ralph Baker, well, the man’s DNA pulsed within his being as Hightower inherited the percussionist’s keen sense of fascinating rhythm, which led to Tony’s first pro gig at age 14 playing drums in the stage band for “The Dinah Washington Story” at the 14th Street Playhouse.
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