Daily Dose Of Jazz…

Herbie Hancock was born Herbert Jeffrey Hancock on April 12, 1940 in Chicago, Illinois. Starting with a classical music education, he was considered a child prodigy, studied from age seven and played the first movement of Mozart’s Piano Concerto No. 5 with the Chicago Symphony at age eleven.

Through his teens he was influenced by the vocal group Hi-Lo’s, Herbie never had a jazz teacher, developing his ear and sense of harmony. Influenced by Clare Fischer, Bill Evans, Ravel and Gil Evans, his harmonic guru was Chris Anderson with whom he studied. In the Sixties he attended Grinnell College, moved to Chicago, began working with Donald Byrd and Coleman Hawkins, studied at the Manhattan School of Music, quickly gained a reputation and played sessions with Oliver Nelson and Phil Woods.

In 1962 Hancock recorded his first solo album Takin’ Off for Blue Note Records that contained the hit for both Hancock and Mongo Santamaria – Watermelon Man. More importantly it caught the ear of Miles Davis and landed him an introduction by Tony Williams and membership of the second great quintet in 1963. It was during the Davis years that Herbie found his voice and subsequently produced two of the decade’s most influential albums, Empyrean Isles and Maiden Voyage.

He has recorded a catalogue of nearly sixty albums as a leader dozens of sessions as a sideman, working with the likes of Wayne Shorter, Tony Williams, Grant Green, Bobby Hutcherson, Sam Rivers, Donald Byrd, George Coleman, Kenny Dorham, Hank Mobley, Lee Morgan and Freddie Hubbard among others. He has been the subject of five films, won an Oscar for “Round Midnight soundtrack, received 14 Grammy Awards, five Playboy Music Polls and was honored as a NEA Jazz Master in 2004 along with a host of other recognitions. He is currently occupies the Creative Chair for Jazz with the Los Angeles Philharmonic.

Hancock joined the University of California, Los Angeles faculty as a professor in the UCLA music department where he teaches jazz music. He has received a Kennedy Center Honors Award for achievement in the performing arts, won 14 Grammy Awards, 1 Oscar for the Original Soundtrack of ‘Round Midnight and has been honored as an NEA Jazz Master among numerous other accolades.

He is the 2014 Charles Eliot Norton Professor of Poetry at Harvard University. Holders of the chair deliver a series of six lectures on poetry, “The Norton Lectures”, poetry being “interpreted in the broadest sense, including all poetic expression in language, music, or fine arts.” His theme is “The Ethics of Jazz. Pianist Herbie Hancock continues to advance the jazz genre in new directions.

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Daily Dose Of Jazz…

Omar Sosa was born on April 10, 1965 in Camaguey, Cuba and began studying marimba at age eight, then switched to piano and studied jazz while attending the Escuela Nacional de Musica in Havana.

In 1993 Omar moved to Quito, Ecuador, then San Francisco, California two years later. The following years saw him deeply involved in the local Latin jazz scene and a long collaboration with percussionist John Santos. He made a series of recordings with producer Greg Landau, including the groundbreaking Oaktown Irawo, featuring Tower of Power drummer Dave Garibaldi, Cuban saxophonist Yosvany Terry and Cuban percussionist Jesus Diaz.

Omar works outside jazz and Afro-Cuban traditions incorporating Latin rhythms, North African percussions, spoken word, rap and classical music. He music ranges from big band, improvisation and world to free jazz and avant-garde.

He won The 10th Annual Independent Music Awards in the Jazz Album category for Ceremony in 2011. Inspired by various musical elements and motifs from Kind Of Blue, Sosa wrote a suite of music honoring the spirit of freedom in Davis’ seminal work. The CD received a nomination for Best Latin Jazz Album at the 56th annual Grammy Awards.

In 2015 he returned to his Cuban roots with the release of Ilé. Joining him on the project were three musicians with whom Omar shares a close connection: fellow Camagüeyanos, Ernesto Simpson on drums, and Leandro Saint-Hill on alto saxophone, flute and clarinet, and Mozambican electric bassist Childo Tomas – collectively known as Quarteto AfroCubano. Pianist, composer and bandleader Omar Sosa has recorded with Carlos “Patato” Valdes, Pancho Quinto and numerous world musicians, worked on several film scores, and now lives in Barcelona, Spain.

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Daily Dose Of Jazz…

Dorothy Donegan was born on April 6, 1922 and grew up in Chicago, Illinois.  She began studying piano at the age of eight taking her first lessons from West Indian pianist Alfred N. Simms. Graduating from DuSable High School she went on to study at the Chicago Musical College and the University of Southern California.

In 1942 she made her recording debut, appeared in Sensations of 1945 with Cab Calloway, Gene Rodgers and W.C. Fields, worked in Chicago nightclubs and was Art Tatum’s protégé.

Dorothy’s flamboyance helped her find work in a field that was largely hostile to women. To a certain extent, it was also her downfall; her concerts were often criticized for having an excess of personality. Her outspoken view of sexism, along with her insistence on being paid the same rates as male musicians, limited her career. However limited, her career would overshadow her recordings until the 80s when recognition of her jazz recordings would gain notice.

Pianist Dorothy Donegan, who played stride piano, boogie-woogie, bop, swing and classical music was the first Black woman to play at Chicago’s Orchestra Hall, was a recipient of an American Jazz Master” fellowship from the National Endowment for the Arts and an honorary doctorate from Roosevelt University, passed away of cancer on May 19, 1998 in Los Angeles, California.

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Daily Dose Of Jazz…

Michel Camilo was born on April 4, 1954 in Santo Domingo, Dominican Republic and as a young child showed aptitude for the accordion but it was his grandparents’ piano that sparked his interest. At age 9 he asked his parents to buy him one, they first send him to the Elementary Music School of the National Conservancy, and a year later to grant his wish.

Camilo learned to play in the classical style and by 16 was playing with the National Symphony Orchestra of the Dominican Republic. During his 13 years of study at the National Conservatory, Herbie Hancock, Keith Jarrett, Chick Corea, Horace Silver, Errol Garner and Scott Joplin influenced him. Moving to New York in 1979 he studied at Mannes College and Julliard, and broke onto the international stage in 1983 with Tito Puente.

Michel became a star with his debut at Carnegie Hall in 1985, toured Europe with Paquito D’Rivera and recorded his first album “Why Not?” that same year. His debut release on the Sony label, Michel Camilo, held the top jazz album spot for ten consecutive weeks.

He has performed with Dizzy Gillespie, Tania Maria, Stanley Turrentine, Randy Brecker, Jon Faddis, Gonzalo Rubalcaba, David Sanchez, Leny Andrade, Roy Hargrove and Billy Taylor on the very short list, recorded twenty-three albums, has written film scores for several Spanish films, has won an Emmy, a Grammy for the Live at the Blue Note album, and Best Latin Jazz Album at the Latin Grammy Awards for Spain. Pianist Michel Camilo holds honorary degrees at Berklee College of Music, continues to tour extensively, lecture in Europe, the US, and Puerto Rico.

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Daily Dose Of Jazz…

Marilyn Crispell was born March 30, 1947 in Philadelphia, Pennsylvania and studied classical piano and composition at the New England Conservatory of Music. She discovered jazz through the music of John Coltrane, Cecil Taylor and other contemporary jazz players and composers like Paul Bley and Leo Smith.

For ten years Marilyn was a member of Anthony Braxton’s Quartet and the Reggie Workman Ensemble. She has worked with the Barry Guy New Orchestra as well as a member of the Henry Grimes Trio, the European Quartet Noir and Anders Jormin’s Bortom Quintet.

A resident of Woodstock, New York since 1977 when she came to study and teach at Karl Berger’s Creative Music Studio, in 2005 she performed and recorded with the NOW Orchestra, a year later she was co-director of the Vancouver Creative Music Institute and a faculty member at the Banff Centre International Workshop in Jazz.

Crispell has performed and recorded nearly two-dozen albums as a soloist and leader of her own groups as well as with John Cage, Pauline Oliveros, Robert Cogan, Pozzi Escot, Manfred Niehaus, Larry Ochs, Reggie Workman,Roscoe Mitchell, Wadada Leo Smith, Anthony Braxton,  Steve lacy and Anthony Davis with the New York City Opera, among numerous others.

Pianist Marilyn Crispell, the recipient of a Guggenheim Fellowship, continues to perform, record and teach throughout the U.S., Europe, Canada and New Zealand, and collaborate with videographers, filmmakers, dancers and poets.

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