
Daily Dose Of Jazz…
Joachim Kühn was born March 15, 1944 in Leipzig, Germany. He was a musical prodigy and made his debut as a concert pianist, having studied classical piano and composition. Influenced by his elder brother, clarinetist Rolf Kühn, he simultaneously got interested in jazz and in 1961 he became a professional jazz musician.
He put together a trio in 1964 and presented the first free jazz in East Germany. In 1966 he left the country and settled in Hamburg and together with his brother played the Newport Jazz Festival and recorded with Jimmy Garrison on the Impulse Record label.
Kühn moved to Paris in 1968 and has since worked with Don Cherry, Karl Berger, Slide Hampton, Phil Woods and Jean-Luc Ponty among others. As a member of Association P.C. he turned to electronic keyboards and during the second half of the 70’s he lived in California and joined the West Coast fusion scene. This period saw him recording with Alphonse Mouzon, Billy Cobham, Michael Brecker and Eddie Gomez.
Returning to Europe and settled near Paris again, he has played in an acoustic trio with Jean-Francois Jenny-Clark and Daniel Humair since 1985. In the summer of 1996, he joined Ornette Coleman for two concerts at the Verona and Leipzig festivals, which opened the way for his Diminished Augmented System. He continues to perform and record.
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Daily Dose Of Jazz…
Billy Childs was born William Edward Childs on March 8, 1957 in Los Angeles, California and began piano lessons when he was six. By age 16 he started attending the Community School of the Performing Arts, a prestigious music program sponsored by the University of Southern California, in which he ultimately attended in 1975.
Playing professionally as a teenager, he made his recording debut in 1977 with the J. J. Johnson Quintet’s Yokohama Concert during a tour of Japan. He would gain significant attention during his six-year stint playing with trumpeter Freddie Hubbard’s group from 1978 to ’84.
His early playing influences were Herbie Hancock, Keith Emerson and Chick Corea and in his composing came by Paul Hindemith, Maurice Ravel and Igor Stravinsky. Adept in both the jazz and classical idioms, Childs develop his own voice with an original conception near the start of his career. His solo recording career began in 1988 with the release of Take for Example, This… the first of four critically Windham Hill Jazz label. He would go on to record two albums for Stretch/GRP and Shanachie.
In 2000 Childs arranged, orchestrated and conducted for Dianne Reeves’ project The Calling: Celebrating Sarah Vaughan that won a Grammy for Best Jazz Vocal. He has also arranged for Sting, Yo-Yo Ma, Chris Botti, Gladys Knight, Michael Bublé, David Foster, Phil Ramone and Claudia Acuna.
Billy’s 2005 “Lyric, Jazz-Chamber Music, Vol. 1”, a jazz chamber music ensemble recording, influenced by the Laura Nyro-Alice Coltrane collaboration, garnered three Grammy nominations. He has received a Guggenheim Fellowship, and Chamber music grant, and has been commissioned for more than a dozen jazz and classical compositions and arrangements.
Pianist Billy Childs has been nominated for seven Grammys, of which he has won six. He has fifteen albums to his leader roster with his latest album, The Winds Of Change, was released in 2024. He continues to make music on stage and in the studio.
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TOMI BERRY & OMAR ASKEW
Tomi Berry is a beautiful performer, inside and out, brings natural grace, a rich soulful voice, and spiritual essence to her performances throughout the Atlanta area and beyond. Wherever she sings, she spreads joy, whether singing smooth R&B, swinging jazz, or sultry ballads, she holds an audience in rapt attention. A spiritual song-stylist, she engages her listeners in musical conversation.
Omar Askew, a 19-year-old student at Kennesaw State University, is dedicated to studying Jazz Performance on the piano. Constantly striving for self-improvement, he aims to excel every time he touches his instrument. In lessons, Omar pushes his students to become the best pianists they can be, helping them achieve their personal goals.
Cover & Parking: Free
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Daily Dose Of Jazz…
Bheki Mseleku was born Bhekumuzi Hyacinth Mseleku on March 3, 1955 in South Africa. Entirely self-taught, though his father was a musician and teacher, his religious belief denied musical access to his children. Growing up in Apartheid he was subjected to restricted healthcare and lost the upper joints of two fingers in a go-karting accident.
His musical career began in Johannesburg in 1975 as an electric organ player for the R&B band Spirits Rejoice. After performing at the Newport Jazz Festival in 1977, Mseleku settled in Botswana for a time, then moved to London in the late 1970s. He attempted to settle into the jazz scene in Stockholm from 1980 to 1983, but returned to London. It was not until 1987 that Bheki made his debut at Ronnie Scott’s Jazz Club, playing piano unaccompanied by other musicians, with a saxophone in his lap that a wider audience became familiar.
With the release and notoriety of his 1991 debut album Celebration, and subsequent nomination for a Mercury Music Prize that Verve Records signed him for several albums. The first of these featured Joe Henderson, Abbey Lincoln, and Elvin Jones.
Twelve years and five albums later Bheki recorded his final session “Home at Last” in 2003, having spent most of his last years in South Africa. He never found an outlet for his skills and established a new band in London that was very well received by fans. Over the course of his life Bheki Mseleku lived with diabetes and on September 9, 2008 the pianist, saxophonist, guitarist, composer and arranger passed away in his London flat at age 53.

ARTEMIS
ARTEMIS is a powerful ensemble of modern jazz masters, founded in 2017 by pianist and musical director Renee Rosnes. Each musician is a bandleader and composer and every performance encompasses inspired arrangements of classics and originals. Performances across North America and Europe at major venues and festivals have garnered high praise from audiences and critics alike.
It is no wonder that ARTEMIS has been awarded #1 Group of the Year in the Annual Downbeat Readers Poll in 2023, 2024 and 2025! Their third recording “Arboresque” was released February 28, 2025. The album is testament to the group’s evolving musical landscape featuring stellar arrangements and riveting originals contributed by all members of the band. Come hear ARTEMIS perform with joy, passion, and high-wire intensity – there’s no other band like it!
Renee Rosnes – piano & keyboard
Ingrid Jensen – trumpet
Nicole Glover – tenor saxophone
Noriko Ueda – bass
Allison Miller – drums
Tickets: $35.00 ~ $45.00 +fee | Streaming: $15.00 +fee
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