Requisites
Trumpeter Dizzy Gillespie recorded the live bebop album Jazz At Massey Hall on May 15, 1953 in Toronto, Canada. With him on this date were bassist Charles Mingus, drummer Max Roach, pianist Bud Powell and saxophonist Charlie Parker who is billed as Charlie Chan for contractual reasons, an allusion to the fictional detective and to Parker’s wife Chan. It was the only time these five men recorded as a unit and the last recorded meeting of Parker and Gillespie.
The session was produced by Charles Mingus, and was originally released on Mingus’s label Debut, from a recording made by the Toronto New Jazz Society. Due to under-recording of the bass lines, Mingus took the recording to New York where he and Max Roach dubbed in the bass lines on most of the tunes, exchanging Mingus soloing on All The Things You Are. However, a 2004 reissue, Complete Jazz At Massey Hall contains the full concert without the overdubbing.
The original issue was as a two 10” LPs, 46:54 in length and and the cover design had five playing cards, with Gillespie as the Joker. The set on Volume 1 contains the tracks Perdido, Salt Peanuts, All The Things You Are and 52nd Street Theme. Volume 3 has Wee, Hot House and A Night In Tunisia. Volume 2 consisted of the trio recordings of Powell, Mingus and Roach from the same date all but I’ve Got You Under My Skin and one track by Billy Taylor with Mingus and Roach from a later date.
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Three Wishes
The Baroness requested three wishes from Randy Weston and he offered the following answers…
- “Complete freedom throughout the world.”
- “More emphasis on art, music and painting.”
- “Elimination of poverty and disease.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
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Requisites
In Town is the 1965 release by Romanian-German pianist and vocalist Eugen Cicero. Recorded for the MPS label, the cover design was by Grafisches Atelier C. Revellio and the photograph was taken by Sepp Werkmeister.
Three songs made up Side A: It’s De-Lovely, Autumn Leaves and Und Bach?. Side B has Hello Dolly, Little Niles and Por Favor. The album is 29:36 long and gives a great representation of his talent.
The trio was comprised of Eugen Cicero on piano, Peter Witte on bass and drummer Charly Antolini. The session was produced by Hans Georg Brunner-Schwer.
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Requisites
Zoller Koller Solal is a contemporary and cool jazz album recorded in Villingen Germany in January 1965 by guitarist Attila Zoller, tenor saxophonist Hans Koller and pianist Martial Solal. Remaining unreleased until 1966 on the SABA label, it contains nine songs with three composed by Zoller, one by Koller and five standards. There are five tracks on Side A and four tracks on the B Side.
Mr. Heine’s Blues – Attila Zoller, The End Of A Love Affair – Edward C. Redding, Stella By Starlight – Washington & Young, After Glow – Attila Zoller, My Old Flame – Arthur Johnston & Sam Coslow, Away From The Crowd – Attila Zoller, All The Things You Are – Jerome Kern and Oscar Hammerstein II, Stompin’ At The Savoy – Razaf, Goodman, Webb & Samson and H.-J.. Meets M. A. H. – Hans Koller.
The session engineer was Rolf Donner, the producer was Joachim-Ernst Berendt, and was recorded by Hans Georg Brunner-Schwer and Willi Fruth. The gatefold cover with liner notes in english and german by written by Joachim E. Behrend.
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Requisites
Jazz Suite Inspired by Dylan Thomas’ “Under Milk Wood” is a 1965 album by the English pianist Stan Tracey and his quartet, that was released by the Columbia subsidiary of EMI. The music was written in response to the 1953 BBC radio play Under Milk Wood, by the Welsh poet Dylan Thomas. It has often been cited as one of the best jazz recordings made in the United Kingdom.
Since the original 1965 mono LP on Columbia, the album has been released on a number of labels, including Blue Note. The album was reissued in 2010 on his son, Clark Tracey’s ReSteamed Records label as “Under Milk Wood: Jazz Suite”. A live version was recorded in 1976 on RCA records, which included a voice narration from the Welsh actor, Donald Houston.
The personnel on the session were Stan Tracey – piano, Bobby Wellins – tenor saxophone, Jeff Clyne – bass and Jackie Dougan – drums. The cover photograph and design are by Patrick Gwynn-Jones and Denis Preston, respectively.
All of the compositions are by Tracey and are Cockle Row, Starless and Bible Black, I Lost My Step in Nantucket, No Good Boyo, Penpals, Llareggub, Under Milk Wood and A.M. Mayhem.
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