Daily Dose Of Jazz…
Jutta Hipp was born on February 4, 1925 in Leipzig, Germany. She first studied painting in Germany, but later played jazz during the war and she indicated jazz was important to her during that period. After the war she moved to West Germany due to the Soviet Union working with Hans Zoller and leading a quintet.
In 1954 Jutta played with Attila Zoller where critic Leonard Feather was so impressed with her work that soon after she moved to New York City. She drew some criticism initially from critics who felt she was too similar to her sponsor Horace Silver. In 1956 she played the Newport Jazz Festival and cut a studio album with Zoot Sims that is considered possibly her best.
Hipp went on to work in New York based trios determined to be accepted as an equal amongst her male counterparts, but felt intense nervousness and the anxiety led to her abandoning jazz in 1958. From then on she made her living primarily as a seamstress and returned to her first interest of painting and her portraits of various jazz musicians became popular with musicians.
Although she maintained some contact with musicians like Lee Konitz, she cut herself off from the music industry to the point that by 2000 Blue Note did not know where to send her royalty checks. Jazz pianist Jutta Hipp, who primarily played in the bebop and cool jazz genres during her short musical career, gained new interest after her passing in Queens on April 7, 2003 as a woman instrumentalist in the New York Jazz scene.
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Daily Dose Of Jazz…
Jeannine “Mimi” Perrin was born February 2, 1926 in France and began private music instruction including piano as a child and pursued English studies at the Sorbonne. Recovering from tuberculosis, in 1949 she hit the French jazz scene in the cabarets of Saint-Germain-des-Pres and came to prominence with her trio. Towards the end of the 50s she worked as a studio background vocalist but was also a member of Blossom Dearie’s vocal group Blue Stars of France.
In 1959, she formed the vocal sextet Les Double Six, alluding to the fact that the group used overdubbing in the studio to sing twelve-part songs. The group became successful in the Sixties patterning itself to the vocalise of King Pleasure and Lambert, Hendricks & Ross. Mimi toured her group throughout Europe and North America recording with Quincy Jones, Dizzy Gillespie and Ray Charles.
Perrin was the leader and principal soloist in the group and established herself as a soloist and one of the great jazz singers with John Coltrane’s “Naima”. A later group, founded in 1966 by Perrin, did not achieve her previous success, and she abandoned music after another bout of tuberculosis.
From 1972 onwards, she worked as a translator of science fiction and fantasy and in the 1980s and 1990, she translated such novels Dean Koontz and John LeCarre as well as Alice Walker’s The Color Purple, along with the biographies of Nina Simone, Dizzy Gillespie, Quincy Jones and Steven Spielberg. Vocalist and pianist Mimi Perrin passed away on November 16, 2010 in Paris, France.
Daily Dose Of Jazz…
Joseph Leslie Sample was born February 1, 1939 in Houston, Texas and began playing piano at age five, taking lessons from organ and piano great, Curtis Mayo. While in high school during the 1950s, Sample teamed up with two friends, saxophonist Wilton Felder and drummer Stix Hooper and formed the group “Swingsters”. While studying piano at Texas Southern University he added trombonist Wayne Henderson and several other players to the Swingsters, which evolved into the Modern Jazz Sextet and then the Jazz Crusaders in emulation of Art Blakey’s Jazz Messengers. Prior to graduation in 1960 the Jazz Crusader moved to Los Angeles.
The group quickly found opportunities on the West Coast, making its first recording, Freedom Sounds in 1961 and releasing up to four albums a year over much of the 1960s. The Jazz Crusaders played at first in the dominant hard bop style of the day, standing out by virtue of their unusual front-line combination of saxophone and trombone. Another distinctive quality was the funky, rhythmically appealing acoustic piano playing of Sample, who helped steer the group’s sound into a fusion between jazz and soul[2] in the late 1960s.
In 1969 Sample made his first recording under his own name titled Fancy Dance that was followed by a string of albums such as Rainbow Seeker and Street Life. He continued to record and perform as a solo artist while maintaining steerage of The Crusaders into jazz fusion, changing the name in 1971 which it remained until the group disbanded in 1987.
Sample has had a very successful career working and recording with the likes of Miles Davis, George Benson, Joni Mitchell, Jimmy Witherspoon, B.B. King, Eric Clapton, Steely Dan, The Supremes, Minnie Riperton, Marvin Gaye, Ray Brown, Shelly Manne, Randy Crawford, Anita Baker, Lalah Hathaway, Howard Hewitt, George Duke and Lizz Wright, well into the new millennium.
His song “One Day I’ll Fly Away” was sung by Nicole Kidman in the film Moulin Rouge; and “Rainbow Seeker” is included on the Weather Channel Presents: Smooth Jazz II. Pianist, keyboardist and composer Joe Sample, who has played through various genres of jazz, continued to perform, record and tour with the Coryell Auger Sample Trio with his son Nicklas, who plays bass, until his passing on September 12, 2014 at age 75 in Houston, Texas.
Daily Dose Of Jazz…
Don Walbridge Shirley was born January 29, 1927 in Kingston, Jamaica and under the tutelage of his mother began playing piano at 2½ and made his first public performance at the age of 3. By nine he was invited to study theory with Mittolovski at the Leningrad Conservatory of Music, later studying with organist Conrad Bernier, followed by study of advanced composition with both Bernier and Dr. Thaddeus Jones at Catholic University in Washington D. C.
Don’s music is hard to categorize treating every arrangement as a new composition, playing standards in a non-standard way, and playing everything from show tunes, to ballads, to his personal arrangements of Negro spirituals, to jazz, and always with the overtone of a classically-trained musician who has utmost respect for the music.
He has performed at the Exposition International du Bi-Centenaire De Port-au-Prince, with Arthur Fiedler and the Boston Pops, with the Detroit, Chicago, Cleveland and National Symphony Orchestras, in concert with his own trio for about 95 dates annually. During the 1950s and 60s he cut some 16 albums for Cadence Records, played around New York City, performed at Basin Street East, appeared on the Arthur Godfrey Show and his career was launch nationwide.
As an educator, Don holds a Doctorate of Music, Doctorate of Psychology (and Doctorate in Liturgical Arts, speaks eight languages fluently, and is considered an expert painter as well. The jazz pianist and composer continued to perform and record until his death of heart disease on April 6, 2013 in Manhattan, New York at the age of 86.
Daily Dose Of Jazz…
Jason Moran was born January 21, 1975 and grew up in Houston, Texas. He began playing the piano when he was six, though he had no love for the instrument until, at the age of 13, he first heard the song “Round Midnight” by Thelonious Monk and switched his efforts from classical music to jazz. He attended Houston’s High School for the Performing and Visual Arts, and then enrolled at the Manhattan School of Music where he studied with pianist Jaki Byard. While still in college Moran also received instruction from other avant-garde pianists including Muhal Richard Abrams and Andrew Hill.
In 1997, when Moran was a senior at the Manhattan School of Music he was invited to join the band of saxophonist Greg Osby for a European tour. Osby liked his playing and Moran continued to play with the group upon their return to the United States, making his first recorded appearance on Osby’s 1997 “Further Ado” for Blue Note, subsequently appearing on several Osby albums. This led to Blue Note signing Moran and his debut “Soundtrack to Human Motion” was released in 1999.
He has since released several albums playing with contemporaries Stefon Harris, Lonnie Plaxico, Eric Harland, Tarus Mateen, Nasheet Waits, Sam Rivers and Marvin Sewell as well as collaborations with Charles Lloyd, Cassandra Wilson, Joe Lovano, Don Byron, Lee Konitz, Steve Coleman, Ravi Coltrane, Von Freeman and Christian McBride.
Jason has been commissioned to create a number of works by the Walker Art Center, the Dia Art Foundation and Jazz at Lincoln Center. He has been voted Up-n-Coming Jazz Musician by the Jazz Journalists Association, Down Beat’s critics poll voted him Rising Star Jazz Artist, Rising Star Pianist, and Rising Star Composer for three years straight from 2003-2005, named Jazz Artist of the Year in 2007 by Playboy, and was named a USA Prudential Fellow.
Pianist Jason Moran is currently working on a multimedia project “In My Mind” inspired by Thelonious Monk’s 1959 large band concert at Town Hall. He serves as music advisor to the Kennedy Center, serves on the faculty of the New England Conservatory of Music and the Manhattan School of Music, as he continues to compose, perform, tour and record.