Daily Dose Of Jazz…
George Colligan was born on December 29, 1969 in New Jersey and raised in Columbia, Maryland, a suburb of Baltimore. He attended the Peabody Institute, majoring in classical trumpet and music education. In high school he learned to play the drums and later switched to piano.
Moving to New York City he quickly became an in-demand sideman working with Phil Woods, Billy Higgins, Gary Bartz, Nicholas Payton, Buster Williams, Don Byron, Vanessa Rubin, Christian McBride and Cassandra Wilson and many others.
George’s eclectic style incorporates everything from show tunes to funk, from free improvisation to modern classical music. He performs at festivals all over the world, including the North Sea Jazz Festival, the Edinburgh Jazz & Blues Festival, Vancouver International Jazz Festival, and the Cancun Jazz Festival.
As an educator, Colligan has taught at the Juilliard School of Music, the University of Manitoba, was the songwriter-in-residence at Aqua Books and has taught jazz history, piano, drums, trumpet, and led many different master classes. Continuing to perform and record, George Colligan is currently an Assistant Professor and Jazz Ensembles Coordinator at Portland State University in Oregon.
Daily Dose Of Jazz…
Earl “Fatha” Hines was born Earl Kenneth Hines on December 28, 1903 in Duquesne, Pennsylvania. The youngster took classical piano lessons and by eleven was playing organ in his local Baptist church. Having a “good ear and a good memory” he could re-play songs and numbers he heard in theaters and park concerts. At 17, with his father’s approval, Hines moved away from home to take a job playing piano in a Pittsburgh nightclub with baritone Lois Deppe & his Symphonian Serenaders. He would accompany Deppe on his concert trips to New York and record his first four sides for Gennett Records in 1923 that included Hines’ composition Congaine.
In 1925 Hines moved to Chicago, Illinois, then the world’s “jazz” capital, home to Jelly Roll Morton and King Oliver. He started in The Elite no. 2 Club but soon joined Carroll Dickerson’s band, touring with him on the Pantages Theatre Circuit to Los Angeles. He met Louis Armstrong in the poolroom at Chicago’s Musicians’ Union and becoming good friends played together Louis was astounded by Hines’s avant-garde “trumpet-style” piano playing. They played together in Dickerson’s band, Louis’ Hot Five and The Unholy Three.
Hines joined clarinetist Jimmy Noone, recorded his first piano solos for QRS Records in 1928, then for Okeh in Chicago. In Chicago he lead his own big band at the Capone controlled Grand Terrace Café, working continuously through the Great Depression. He influenced or taught Nat “King” Cole, Jay McShann and Art Tatum. Fatha brought along in his band Dizzy Gillespie, Budd Johnson, Ray Nance, Trummy Young, Harry “Pee Wee” Jackson, Charlie Parker, Scoops Carry, Teddy Wilson, Omer Simeon and Nat “King” Cole, along with vocalists Sarah Vaughan and Billy Eckstine among others.
He laid the seeds for bebop bringing modern players like Gene Ammons, Benny Carter Wardell Gray, Bennie Green and shadow Wilson to name a few. Earl would hire and all-women group during WWII, fronted Duke Ellington’s band when he was ill, and had a serious head injury from a car crash that affected his eyesight for the rest of his life.
Earl “Fatha” Hines was one of the most influential figures in the development of modern jazz piano and according to one major source, is “one of a small number of pianists whose playing shaped the history of jazz”. To name a few would be an injustice to those unmentioned as his list of recordings with jazz notables runs endlessly.
Over the course of his career Earl joined up again with Armstrong in what became the hugely successful “Louis Armstrong and his All-Stars small-band”, he won Downbeat Magazine’s Hall of Fame “International Critics Poll” and elected him the world’s “No. 1 Jazz Pianist”, made a hour long documentary at Blues Alley in Washington, DC, played solo at the White House and for The Pope, and played and sang his last show in San Francisco a few days before he died in Oakland, California on August 22.1983. On his tombstone is the inscription: “Piano Man”.
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Daily Dose Of Jazz…
Eddie Wilcox was born in Method, North Carolina on December 27, 1907. He studied at Fisk University, where he met Jimmie Lunceford and played with him in college bands and then professionally in the mid-1920s. In 1929 he became the main arranger for the ensemble, and remained so until Lunceford’s death in 1947.
Wilcox was named co-leader with Joe Thomas after Lunceford died, and became sole leader in January 1949, where he remained until the group disbanded early in the 1950s.
His 1952 recording of the Bennie Benjamin and George David Weiss composition “Wheel of Fortune” became a hit in the U.S., peaking at #14. Following this Wilcox played solo at the Cafe Riviera in New York City for nearly a decade.
He and Teddy McRae founded the Raecox record label in the 1950s that produced and released R&B music. He also worked as an executive for Riviera and Derby record labels. Working with jazz trombonist Big Chief Russell Moore shortly before his death, pianist and arranger Eddie Wilcox passed away on September 29, 1968.
Daily Dose Of Jazz…
Pete Rugolo was born Pietro Rugolo in San Piero Patti, Sicily, Italy on December 25, 1915. His family emigrated to the U.S. in 1920 and settled in Santa Rosa, California. He began his career in music playing the baritone saxophone, like his father, but he quickly branched out into other instruments, notably the French horn and the piano. He received a bachelor’s degree from San Francisco State College and then went on to study composition at Mills College in Oakland, earning his master’s degree.
After graduation, he was hired as an arranger and composer by guitarist and bandleader Johnny Richards and spent World War II playing with altoist Paul Desmond in an army band. After WWII, Rugolo worked for Stan Kenton, providing arrangements and original compositions that drew on his knowledge of 20th century music, sometimes blurring the boundaries between jazz and classical music.
While Rugolo continued to work occasionally with Kenton in the 1950s, he spent more time creating arrangements for pop and jazz vocalists, most extensively with former Kenton singer June Christy and others like Ernestine Anderson, Harry Belafonte, Nat King Cole, Billy Eckstine, Peggy Lee, The Four Freshman, Mel Torme to name a few.
He would work on MGM film musicals, serve as A&R director for Mercury Records and produce a handful of self-titled albums. Pete’s scores for television and film on The Fugitive, Leave It To Beaver, Run For Your Life and Where The Boys Are often demanded that he suppress his highly original style. However, there are some striking examples of his work in both TV and film such as the soundtrack for his last movie, This World, Then the Fireworks demonstrates his gift for writing music that is both sophisticated and expressive. Pete Rugolo, jazz composer and arranger, died, aged 95, on October 16, 2011 in Sherman Oaks, California.
Daily Dose Of Jazz…
Pete Levin was born on December 20, 1942 in Boston, Massachusetts and started his musical journey on the French horn under the direction John Corley, director of the MIT concert band. Inspired by his teacher, he enrolled at Julliard School of Music in New York City.
Moving to New York in the 70s, Pete began a 15-year association with the Gil Evans Orchestra as both a French horn and electric keyboardist, receiving two Grammy awards during his tenure. This he followed with eight years with Jimmy Giuffre.
As a bandleader, he signed his first record deal with Grammavision Records in 1990, releasing his solo jazz project “Party In The Basement” followed by “Solitary Man” the following year. He went on to release four new age albums and produced the album Deacon Blues in 2007.
He plays Hammond organ, clavinet and Moog synthesizer, has performed, composed or arranged for such film and television scores as Missing In Action, Lean On Me, The Color of Money, The Guiding Light, Spin City, America’s Most Wanted, Star Trek and the Discovery Channel’s Secret of the Humpback Whales among others.
As a sideman Levin has performed with Carla Bley, The Brubeck Brothers, Jimmy Cobb, Hiram Bullock, Rachelle Ferrell, Chuck Mangione, Gregory Hines, Wayne Shorter, David Sanborn, Miles Davis, Vanessa Williams, Lenny White, Lew Soloff and Gerry Mulligan on the short list. He continues to perform, record, arrange and tour.