JOE ALTERMAN
Joe Alterman Album Release Show
Atlanta native Joe Alterman expresses a certain upbeat naivete, with a broad smile and bright eyes that make you feel welcome. One would not guess that this is a man hailed by greats; Ramsey Lewis describes his music as “happy music with tasty meat on the bones,” Les McCann states “Joe’s on a ‘blow your mind’ level,” and Ahmad Jamal calls him “a very special artist.” Journalist Nat Hentoff championed three of Alterman’s albums, as well as his writing (Joe wrote liner notes to three Wynton Marsalis/JLCO albums), calling one of Joe’s columns “one of the very best pieces on the essence of jazz, the spirit of jazz, that I’ve ever read, and I’m not exaggerating.”
Joe Alterman began at NYU with a BA and Masters in Jazz Piano from NYU and has since performed at many world renowned venues including the Kennedy Center, Lincoln Center, Birdland and Blue Note alongside Houston Person, Les McCann, Dick Gregory, Ramsey Lewis, and his own trio, among others. Downbeat describes his sound as “rooted in the blues, and with a touch reminiscent of the great pianists of the 1950s—Red Garland, Ahmad Jamal, Bill Evans.” It is clear Joe hits all of the necessary points for Jazz critics and fans alike.
But there is more to the story, of course. The 21st century has brought another transition for this thing called jazz; in one moment we see the push and pull between tradition and progression, and in another we see Pop and Hip-Hop musicians emulating and sampling. In Joe Alterman we find none of this struggle; the music just sounds good. Our conscious faculties are instantly disabled as we tap our feet, feeling the intent and joy of his playing. An old classic is new when you feel good in the moment. Or, as Hentoff wrote about Alterman in the Wall Street Journal, “Alterman’s continually evolving presence on the jazz scene surely makes people smile and, if the room is right, dance. There’ll be no need for any last rites of jazz.”
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Requisites
Two Loves is an album led by pianist Duke Jordan recorded on November 25th and December 2, 1973, at Sound Track in Copenhagen, Denmark. My Old Flame, Wait And See, and I’ll Remember April was recorded during the December session. The album was released the following year in 1974 on the Danish label, SteepleChase.
The producer was Nils Winther, the engineer was Ole Hansen, the liner notes were written by Roland Baggenæs and the photography, design, and cover was taken and created by Lissa Winther.
A bebopper of the first generation, this album is evidence of Jordan’s gentle touch, his simply constructed chords, and his preference for medium tempos.
Track List | 40:55 ~ 62:27 with CD Bonus Tracks-
- Subway Inn – 8:11
- My Old Flame (Sam Coslow, Arthur Johnston) – 8:45
- Blue Monk (Thelonious Monk) – 5:14
- Two Loves – 3:05
- Embraceable You (George Gershwin, Ira Gershwin) – 7:15
- Wait And See – 2:44
- I’ll Remember April (Gene de Paul, Patricia Johnston, Don Raye) – 5:34
- Lady Dingbat – 4:08
- Jordu – 5:19
- Duke Jordan – piano
- Mads Vinding – bass
- Ed Thigpen – drums
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Daily Dose Of Jazz…
Thomas Robert Talbert was born on August 4, 1924 in Crystal Bay, Minnesota and grew up listening to big band music on the radio. He learned to play piano before he became a composer. He got started as a band leader when he was drafted in the Army in 1943, becoming composer for a military band at Fort Ord, California, performing for War Bond drives throughout California.
In the late 1940s he led his own big band on the West Coast, much of his work foreshadowing what became known as West Coast jazz. During the decade in Los Angeles he worked with Johnny Richards, Lucky Thompson, Dodo Marmarosa, Hal McKusick, Al Killian, Art Pepper, Steve White and Claude Williamson…….
Moving to New York in the early 1950s after being denied a recording contract in Los Angeles, California he worked with Marian McPartland, Kai Winding, Don Elliott, Johnny Smith, Oscar Pettiford, Herb Geller, Joe Wilder, Eddie Bert, Barry Galbraith, Aaron Sachs and Claude Thornhill. In 1956, Talbert recorded two records that would become his best known works, Wednesday’s Child and Bix Duke Fats, which gained him fleeting fame.
When rock and roll eclipsed jazz in popularity, in 1960 he moved to his parents’ home in Minnesota. He tried his hand at cattle ranching in Wisconsin but eventually moved back to Los Angeles and a musical career in 1975. As a sideman he recorded with the Boyd Raeburn Orchestra, Johnny Richards, and Patty McGovern.
In addition to composing for TV and movie studios, he became involved in music education, and set up a foundation to help talented young musicians, with one of the first recipients in 1996 was Maria Schneider.
Pianist, composer and band leader Thomas Talbert, who recorded eighteen albums as a leader, transitioned on July 2, 2005 in Los Angeles.
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Three Wishes
Dwike MItchell was hanging out at the house of the Baroness when she questioned his three wishes and told her:
- “To be able to play for people every night, that is my very special wish. To be able to play consistently well for everyone, to be able to give the best of myself every day. Love me like I love you, darling! For every day is different. Today is dark and black. And if one could give one’s best to everyone, that would be the greatest wish of every musician.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Requisites
Catalonian Nights, Vol. 1 ~ Tete Montoliu Trio | By Eddie Carter
The Tete Montoliu Trio enters the spotlight with a 1980 live trio date, Catalonian Nights, Vol. 1 (SteepleChase Records SCS-1148). It came out a year later and is the first of three releases by the group from the Zeleste Club. Tete was born blind in Barcelona and learned braille music at age seven. His father was a professional musician, and his mother loved jazz, inspiring him to learn the piano. Montoliu attended the Barcelona Conservatori Superior de Música del Liceu at age thirteen. Tete met a few jazz musicians and learned about jam sessions while studying at the music college. He’s joined here by John Heard on bass and Albert Tootie Heath on drums. My copy is the original U.S. Stereo album.
D & E is from the pen of Milt Jackson and gets the set underway with the trio’s medium melody. Everyone has a lengthy canvas to work on, and Tete lets his fingers do the talking on the lead interpretation. John follows, walking his bass as if on a Sunday stroll, then Albert converses with Tete ahead of the close. Montoliu showcases his swinging style on Lady Bird by Tadd Dameron next, beginning with a solo introduction that grows into the ensemble’s spirited melody. Tete’s opening solo is off to an adventurous start; then Heath joins the pianist for a vigorous exchange leading to the theme’s reprise and robust ending.
Autumn In New York by Vernon Duke begins with a beautiful piano introduction that blossoms into a gorgeous ensemble theme. Tete begins the opening statement quietly, then picks up the pace to improvise freely into a satisfying summation. John delivers the following solo with exquisite sensitivity, preceding the closing chorus and tender climax. Kenny Dorham’s Blue Bossa takes off with the trio’s bossa-nova melody. Montoliu makes his entrance with an intriguing interpretation that delivers the goods. Heard speaks his piece next, then Tete and Heath share the finale leading to the melody’s reprise and exit. The trio wraps everything up in short order with The Theme.
Freddy Hansson and Josep Maria Rodon recorded this live performance, and Nils Winther produced it. Catalonian Nights, Vol. 1, is an excellent recording with a superb soundstage that makes listeners feel like they are in the club audience as the trio performs. I first heard The Tete Montoliu Trio on Gentle Ben with Ben Webster and was immediately impressed by his playing. Now that I’ve discovered this album, I’ll be on the lookout for Catalonian Nights, Vol. 2 and Vol. 3. If you’re in the mood for an excellent live album, I offer for your consideration Catalonian Nights, Vol. 1 by The Tete Montoliu Trio. It’s a great release that I highly recommend and a welcome addition to any library!
~ Catalonian Nights, Vol 2 (SteepleChase Records SCS 1241), Catalonian Nights, Vol. 3 (SteepleChase SCCD 31433), Gentle Ben (Ensayo ENY-301) – Source: Discogs.com ~ Autumn In New York – Source: JazzStandards.com ~ Blue Bossa, Lady Bird – Source: Wikipedia.org © 2023 by Edward Thomas Carter
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