Daily Dose Of Jazz…
Harold Vick was born on April 3, 1936 in Rocky Mount, North Carolina. His uncle, reed player Prince Robinson gave him a clarinet when he was thirteen and two years later he switched to the tenor saxophone. He rose to prominence playing with organ combos in the mid-60s performing and recording with Jack McDuff, Jimmy McGriff and Big John Patton among others.
During this period in his career Harold also performed and recorded as a leader releasing eight albums between 1963 and 1977. He would work with the likes of Blue Mitchell, Ben Dixon, John Patton, Bobby Hutcherson, Walter Bishop Jr., Grady Tate and Teddy Charles, just to name a few. Also working as a sideman he performed and recorded with Grant Green, Shirley Scott, Nat Adderley, Aretha Franklin, Dizzy Gillespie, Mercer Ellington, Sarah Vaughan, Billy Taylor, Donald Byrd, Horace Silver, Ray Charles and Gene Ammons.
He played in films such as “Stardust Memories” and “Cotton Club”, in which he played a musician. He also was in the Spike Lee film “School Days” and was featured on the soundtrack for “She’s Gotta Have It”.
Harold Vick, tenor saxophonist and flautist in the hard bop and soul jazz genres passed away on November 13, 1987.
Daily Dose Of Jazz…
Benjamin Francis Webster was born on March 27, 1909 in Kansas City, Missouri and learned to play piano and violin at an early age, before learning to play the saxophone, although he did return to the piano from time to time, even recording on the instrument occasionally. But it was Budd Johnson who showed him some basics on the saxophone. Webster began to play that instrument in the Young Family Band that at the time included Lester Young.
Kansas City at this point was a melting pot from which emerged some of the biggest names in 1930s jazz and Webster spent time with the Andy Kirk orchestra, joined Bennie Moten’s legendary 1932 band that included Count Basie, Oran Page and Walter Page, Fletcher Henderson’s Orchestra, then Benny Carter, Willie Bryant, Cab Calloway and the Teddy Wilson orchestras.
Also known as “The Brute” or “Frog”, Ben was an influential jazz tenor saxophonist who had a tough, raspy, and brutal tone on stomps (with his own distinctive growls), yet on ballads he played with warmth and sentiment. Stylistically he was indebted to alto star Johnny Hodges, who, he said, taught him to play his instrument.
By the mid thirties he was playing with the Duke Ellington Orchestra as the featured tenor on recordings of Cotton Tail and All Too Soon. His contribution to the band, along with bassist Jimmy Blanton, was so important that Ellington’s orchestra during that period is known as the Blanton-Webster band.
After Ellington in 1943, Webster worked on 52nd Street in New York City; recorded frequently as both a leader and a sideman. He worked with jazz giants Jay McShann, Oscar Peterson, Sid Catlett, Herb Ellis, Coleman Hawkins, Ray Brown, Alvin Stoller and Art Tatum, to name a few.
Webster generally worked steadily but in 1964 he moved permanently to join other American jazz musicians in Copenhagen, Denmark, where he played when he pleased during his last decade. In 1971 Webster reunited with Duke Ellington Big Band and he recorded “live” in France with Earl Hines.
Tenorist Ben Webster died in Amsterdam, The Netherlands on September 20, 1973. He remained rooted in the blues and swing-era ballads but he could swing with the best.
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Daily Dose Of Jazz…
Lew Tabackin was born March 26, 1940 in Philadelphia, Pennsylvania. Tabackin studied flute at the Philadelphia Conservatory of Music and also studied music with composer Vincent Persichetti. Graduating in he did a stint with the Army, and then worked with Tal Farlow. He also worked in a combo that included Elvin Jones, Donald Byrd and Roland Hanna. He eventually took a chair in the band of the Dick Cavett Show.
He formed a quartet with Toshiko Akiyoshi in the late 1960s, and in 1973 co-founded the Toshiko Akiyoshi – Lew Tabackin Big Band that would later transform into the Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. He would be the principal soloist for the big band/orchestra from 1973 through 2003. The orchestra would play bebop in the Duke Ellington-influenced arrangements and compositions by Akiyoshi.
Tabackin has become a great supporter of The Jazz Foundation of America in their mission to save the homes and the lives of America’s elderly jazz and blues musicians including musicians that survived Hurricane Katrina. He has been seated on the Advisory Committee of the Foundation since 2002.
Saxophonist Lew Tabackin has some 54 albums under his belt as a leader and co-leader as well as another twenty-eight in his catalogue as a sideman. He has been a Down Beat Critic’s and Reader’s Poll winner numerous times for Jazz Album of the Year, Big Band and Flute, has been nominated for a Grammy for Best Jazz Instrumental Performance – Big Band ten times as well as Stereo Review magazine Jazz Album of the Year and recognition in Japan winning four Gold and Silver Disks from Swing Journal. He continues to perform and record.
Daily Dose Of Jazz…
Paul Horn was born March 17, 1930 in New York City and began playing piano at the age of 4 and the saxophone at 12. He studied the flute in 1952 at the Oberlin Conservatory of Music in Ohio and then earned a master’s degree from the Manhattan School of Music.
Moving to Los Angeles in 1956 Paul played with Chico Hamilton’s Quintet till 1958 and two years later recorded his debut album “Something Blue”. By now an established West Coast session player he played on the Duke
Ellington Orchestra’s Suite Thursday and during this period worked with Nat King Cole, Tony Bennett and others. In 1970, he moved Vancouver Island, formed his own and has recorded film scores for the National Film Board of Canada.
Widely known for his innovations on both metal and traditional wood flutes, Horn has recorded some truly exotic albums. Perhaps most famous of these are his “Inside” recordings, which feature airy, echoing sounds created in places of spiritual importance. While he is undoubtedly a jazz musician, many of his works defy categorization. As well as the Inside series, he has recorded other albums of jazz with musicians from a range of cultures and backgrounds including China and Africa. He continues to perform and record.
Daily Dose Of Jazz…
Herschel “Tex” Evans was born March 9, 1909 in Denton, Texas but spent much of his childhood in Kansas City, Kansas learning to play alto saxophone. It was his trombone and guitar-playing cousin, Eddie Dunham who convince him to switch to the tenor, which ultimately established his reputation.
After perfecting his craft in the famous jam sessions held in the jazz district between 12th and 18th streets in Kansas City, Evans returned to Texas in the 1920s and joined the Troy Floyd orchestra in San Antonio in 1929. He stayed with the band until it dispersed in 1932. Evans performed for a time with Lionel Hampton and Buck Clayton in Los Angeles, and in the mid-1930s returned to Kansas City to become a featured soloist in Count Basie’s big band.
For the next three years Herschel’s reputation as a tenor saxophonist was at its peak. His musical duels with fellow band member Lester Young are considered jazz classics. Count Basie’s popular “One O’Clock Jump” featured the contrasting styles of the two musicians and brought to each the praise of both critics and the general public. Evans’s greatest single success was his featured solo on Basie’s hit “Blue and Sentimental”.
Evans also made records with such notable jazz figures as Harry James, Teddy Wilson and Lionel Hampton. Evans has been credited with influencing fellow tenorists Buddy Tate, Illinois Jacquet, and Arnett Cobb. Although not a prolific composer, Evans wrote a number of popular works including the hits “Texas Shuffle” and “Doggin’ Around”. On February 9, 1939, at the age of 29, he died of heart disease in New York City.
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