Requisites

Straight No Filter ~ Hank Mobley | By Eddie Carter 5.4.25

This morning’s album from the library is one of my favorites by tenor man Hank Mobley. Straight No Filter (BlueNote BST 84435) is a 1986 release of previously unreleased tracks culled from three sessions in 1963, 1965, and 1966. Hank composed all the tracks on this album. He’s joined by Donald Byrd (track: B3), Freddie Hubbard (B1,B2), and Lee Morgan (A1 to A3) on trumpet, Herbie Hancock (B3), Barry Harris (B1, B2), and McCoy Tyner (A1 to A3), Paul Chambers (B1, B2), Bob Cranshaw (A1 to A3), and Butch Warren (B3) on bass, Billy Higgins (A1 to B2), and Philly Joe Jones (B3) on drums. My copy is the U.S. Direct Metal Mastering stereo release.

The title track, Straight No Filter, kicks off the album with the rhythm section’s lively introduction to the ensemble’s melody. Hank launches into the opening statement. Lee maintains the spirited groove in the following solo, and then McCoy takes the energy to a new level. Hank and Lee exchange a few choruses, leading back to the theme and climax. Chain Reaction starts swiftly from the trio’s introduction into the front line’s uptempo theme. Tyner leads the way with an infectiously energetic solo. Morgan swings into the second solo with considerable zest and a bright tone, then Mobley soars briskly through the finale into the theme’s restatement and a slow fade.

Soft Impressions opens with the rhythm section setting a soothing mood for the quintet’s theme. Hank establishes a smooth and easy groove in the opening statement. Lee adds to the relaxing atmosphere in the second interpretation, and then McCoy’s closing solo is as refreshing as an oasis in the desert until the theme’s reprise and climax. Third Time Around begins the second side with Chambers’s introduction ahead of the group’s medium melody. Mobley gets right down to business in the lead solo, then Hubbard provides a beautifully executed statement. Harris provides a pleasantly relaxing reading next, and Chambers walks with a bluesy bounce before the closing ensemble exits.

Hank’s Waltz is a catchy blues that Barry introduces ahead of the ensemble’s entrance. Hank breaks the ice with an infectious swing, then Lee adds a spicy touch in the second solo. Barry further elevates the mood in the final statement, before the theme is revisited and the rhythm section gently fades out. The group serves up a delicious plate of Syrup and Biscuits for the album’s finale. After the engaging theme is established, Mobley fires up the joyful energy in the opening solo. Byrd maintains a cheerful vibe in the following performance. Both horns engage in a vibrant exchange preceding the closing chorus.

Alfred Lion produced the original sessions, and Michael Cuscuna produced this release. Rudy Van Gelder was behind the dials on each date. The album boasts an excellent soundstage, transporting the musicians to the sweet spot in your listening room. Mobley was one of the best tenor men in jazz, with an outstanding discography as both leader and sideman. If you enjoy hard bop, consider adding Straight No Filter by Hank Mobley to your list on your next vinyl hunt. It’s a delightful surprise featuring some excellent playing by Hank and his bandmates across three stellar sessions, making it a highly recommended addition to any jazz library!

© 2025 by Edward Thomas Carter

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ATLANTA JAZZ FESTIVAL

The 48th annual Atlanta Jazz Festival will take place in Piedmont Park, Midtown Atlanta, on Memorial Day Weekend from May 24th ~ 26th. The festival is free and open to the public, offering a celebration of jazz music, culture, and art. 

1:00pm  ~ Brandon Woody | Trumpet

3:00pm ~ Tyreek McDole | Vocal

5:00pm ~ Charles McPherson | Saxophone

7:00pm ~ Dianne Reeves | Vocal

9:00pm ~ Joe Gransden Big Band | Trumpet

More Posts: adventure,bandleader,festival,genius,jazz,music,preserving,saxophone,travel,trumpet,vocal

ATLANTA JAZZ FESTIVAL

The 48th annual Atlanta Jazz Festival will take place in Piedmont Park, Midtown Atlanta, on Memorial Day Weekend from May 24th ~ 26th. The festival is free and open to the public, offering a celebration of jazz music, culture, and art. 

1:00pm  ~ Kenny Banks Jr. | Piano

3:00pm ~ Jarrod Lawson | Vocal, Piano

5:00pm ~ Ravi Coltrane | Tenor & Soprano Saxophone, Clarinet

7:00pm ~ Andromeda Turre | Vocal

9:00pm ~ Russell Gunn & Blackhawk | Trumpet

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DON ALIQUO

Saxophonist Don Aliquo Presents Bebop Live and explores the various elements, depths and history of bebop jazz. In the early 1940’s when the younger generation of jazz musicians expanded the creative possibilities of jazz and bebop music first hit the jazz scene it wasn’t everyone’s cup of tea. It was rooted in swing but with fast paced tempos and experimental elements, adventurous improvisation, complex harmonies and chord progressions and a focus on individual virtuosity, and it was not very danceable. Rather than playing heavily arranged music as was common at the time, bebop was a shift from an entertainment focused music to a more cerebral and intellectual art form, with a heavy focus on sections where musicians would improvise over complex chord progressions. Some of the most influential and well known bebop musicians include Charlie Parker, Dexter Gordon, Sonny Rollins, Miles Davis, Dizzy Gillespie, Bud Powell, Thelonious Monk, Charlie Christian, Max Roach and Art Blakey.

Don Aliquo’s playing has been described as “smooth as silk…with an unfailing feel for breath and phrasing” while extremely supple in the addressing of his axe but always zeroed in on what he’s describing”.

“Growth” his newest release, explores new territory with intriguing compositions and ample solo space for Aliquo’s inspired improvisations. The eight originals are both complex and open, which shows him expanding his boundaries not only as an instrumentalist and improviser, but also as a composer. The music is an electrifying modern outing with one foot in the future and one in the tradition.

Aliquo has released six solo projects and has worked collaboratively or performed as a sideman on many others. His previous solo cd “Sun and Shield” features veteran jazz masters Rufus Reid, Jim McNeely, and the dynamic Obed Calvaire.

Cover: $14.00

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Daily Dose Of Jazz…

David J. White was born May 3, 1968 in Houston, Texas and became a saxophone student at age eight. His love for jazz was nurtured by musicians and educators Conrad O. Johnson, Craig Green, and Dr. Robert Morgan. By the time he was sixteen he was playing with local bands in clubs and other musical events. While in high school he appeared in Saxophone Journal and other jazz education periodicals and won several awards including a DB award from DownBeat Magazine.

Moving to Washington, D.C. he attended Howard University and contributed to the Jazz Ensemble’s yearly recordings both as a performer and composer/producer. 1992 saw David meeting internationally renowned film maker Haile Gerima and composed, produced and performed the soundtrack for the critically acclaimed film Sankofa.

He went on to score other films and released his sophomore album on his own label titled Where I Left Off. This project represents a more aggressive style of composition and performance than his first release. He has performed with Rich Matheson, Billy Harper, Randy Brecker & Eliane Elias, and Lou Marini.

Tenor saxophonist David White continues to compose, perform, tour, produce and record.

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