Requisites

Generation ~ Dexter Gordon | By Eddie Carter

Dexter Gordon, a tenor saxophonist who has always held a special place in my heart growing up, is the focus of this morning’s spotlight with his album Generation (Prestige P-10069). As a teenager, I was fortunate to witness his live performance at the 1972 Newport Jazz Festival in a fantastic jam session. This 1973 release, his eleventh with Prestige, is a reunion with Freddie Hubbard, who previously collaborated with Dexter on Doin’ Allright and Clubhouse. Freddie plays flugelhorn (tracks: A2, B1) and trumpet (A1, B2) on the album. The rhythm section, consisting of Cedar Walton on piano, Buster Williams on bass, and Billy Higgins on drums, is equally impressive. My copy is the original U.S. Stereo release.

The album opens with the first version of Milestones by Miles Davis, setting the tone with a slightly slower groove for the theme. Dexter’s opening solo is immediately captivating, and then Freddie takes over the spotlight for an inspired improvisation. Cedar follows with a well-crafted statement, and Buster contributes a final shining moment before the theme’s reprise and climax. Scared To Be Alone by André Previn is up next. Dexter and the trio initiate the first chorus of the melody, then are accompanied by Freddie to complete the theme. Dexter’s tender and gentle solo paves the way, and Freddie’s luxuriously elegant flugelhorn conveys deep emotion. Buster’s brief reading before the theme concludes touchingly provides the perfect ending to this beautiful ballad.

We See by Thelonious Monk changes the pace with a lively start to the second side. Billy’s rhythmic introduction sets the stage for the quintet’s medium-tempo melody. Dexter demonstrates his skill and precision in a delightful opening solo, followed by Freddie, whose performance displays a dazzling tone. Cedar shines in a well-crafted statement next, while Buster comfortably strolls into the ensemble’s ending theme. The Group by Dexter Gordon wraps up the session with a lively melody led by the front line. Dexter opens the solos buoyantly; then Freddie takes over with a marvelously executed statement. Cedar moves efficiently and effectively next, with Billy adding a final comment during the closing chorus.

Generation was produced by Ozzie Cadena and recorded by Rudy Van Gelder, whose expertise behind the dials ensures an exceptional soundstage. The record’s sound quality is superb; the instruments are incredibly clear, emerging from your speakers with remarkable fidelity. For tenor sax enthusiasts, this hard-bop album certainly deserves a spot in any jazz library. The next time you’re at your favorite record store, be sure to check out Generation by Dexter Gordon. It’s a hidden gem from one of jazz’s most significant musicians, and despite being lesser known in his discography, acquiring it won’t break the bank!

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Daily Dose Of Jazz…

Andy Sheppard was born on January 20, 1957 in Warminster, Wiltshire, England. In the late Seventies at the age of 19 he emerged as a musician in the Salisbury-based contemporary quartet Sphere, gigging only three weeks after picking up the saxophone. He honed his skills in the wine bars and jazz clubs of the United Kingdom (UK) and Europe in the early 1980s.

He also played with world music groups and with more established improvisers such as Keith Tippett. While still with Sphere, he moved to Paris, France working with French bands Lumière and Urban Sax. The mid-1980s saw Sheppard returning to the UK, playing often on Ki Longfellow-Stanshall and Vivian Stanshall’s Bristol, England-based Old Profanity Showboat. He released his self-titled debut solo album, featuring trumpeter Randy Brecker and bassist/producer Steve Swallow in 1987 and was awarded the Best Newcomer prize at the 1987 British Jazz Awards, followed by the Best Instrumentalist Award in 1988.

Andy would go on to join George Russell’s Living Time Orchestra and tour with Gil Evans. His sophomore solo album, Introductions in the Dark, also received Best Album and Best Instrumentalist at the 1989 British Jazz Awards. He toured the world and became the first to bring a Western jazz group to play in Outer Mongolia.

The Soft on the Inside Band was Sheppard’s first big band in 1990 for an album of the same name. This band turned into In Co-Motion, and after this he signed a deal with Blue Note Records, who issued Rhythm Method in 1993. That band expanded to Big Co-Motion and recorded a live album Delivery Suite at London jazz club Ronnie Scott’s which was released by Blue Note in 1994.

Saxophonist and composer Andy Sheppard, who has had the television movie The Music Practice, based on his music, continues to perform and compose.

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Daily Dose Of Jazz…

Raymond Michael Pizzi was born January 19, 1943 in Everett, Massachusetts. His first instrument was clarinet and he attended the Boston Conservatory and Berklee College of Music in the 1960s.

Pizzi taught in Randolph, Massachusetts public schools from 1964 to 1969 before relocating to California. In the 1970s he worked with Thad Jones and Mel Lewis, Frank Zappa, Shelly Manne, Willie Bobo, Moacir Santos, Mark Levine, and Dizzy Gillespie.

The Eighties saw him accompanying Nancy Wilson and was a sideman for Milcho Leviev and Bob Florence. He worked with the American Jazz Orchestra into the early-1990s. Ray recorded as a leader, including in a quartet called Windrider.

As an educator he joined the faculty at the Henry Mancini Institute at the University of Miami in 1997.

Saxophonist, bassoonist, and flautist Ray Pizzi, nicknamed Pizza Man, died on September 2, 2021.

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Daily Dose Of Jazz..

Bernard Cash was born in Scarborough, North Yorkshire, England on January 18, 1935. Music became his religion and he began his musical career as a trumpet player, gaining a reputation playing with different bands around the United Kingdom. At 25 he took up the double bass under the tutelage of Peter Ind. To earn a living he moved to London, England in 1961 with his wife, where he became involved in the jazz scene, and played with many musicians of note.

Returning to Yorkshire he founded the Light Music Course at Leeds College of Music. Recruiting his friend and mentor Ind, the two went about establishing the first real jazz course in the UK of which jazz guitarist Dave Cliff was an alumni. Leaving the academia of college he moved his family to Bridlington, on the East Yorkshire Coast, and worked as a peripatetic instrumental teacher. He continued to make regular trips to London to play jazz and organized jazz gigs in the North of England with many of the great players he had met.

He studied music at Hull University from 1974 to 1977 and while there Bernie organized numerous jazz gigs that included Lee Konitz and Warne Marsh. He continued to work in music education and maintained his own career. He held the position of Deputy Music Advisor for the Hull area, created the big band Great Jazz Solos Revisited, and scored some of his favourite artists’ solos, including Lester Young, Charlie Parker and Charlie Christian.

The big band enlisted the heavyweights of British jazz, Peter Ind, Peter King, Bob Burns, Art Morgan, Jim Livesey, Kathy Stobart, John Holbrooke, and Dave Cliff. He went on to create in conjunction with English playwright Alan Plater the jazz opera “Prez” based on the life of Lester Young. With the education system losing its luster he returned to London in 1986, playing jazz and being a traveling instrumental teacher.

He joined the BBC Northern Symphony Orchestra, Yorkshire Opera and the Royal Philharmonic Orchestra and toured with them. While on tour with the Royal Philharmonic in Germany, bassist Bernie Cash, who was an accomplished flautist, saxophonist and trumpeter, collapsed and died of a heart attack on October 7th, 1988.

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The Jazz Voyager

The Jazz Voyager is flying east for another visit to the Motor City and some atmosphere and jazz at Cliff Bell’s. Starting out as a pub, turned speakeasy during Prohibition, it has become one of the premier jazz venues in the Midwest. I’m going to stop by Hitsville U.S.A. and take a nostalgic walk down the soul music memory lane before hitting the club.

I will be checking out a musician I have never heard before but is one who is keeping the tradition alive. He is a Grammy nominated saxophonist who goes by the name of De’Sean Jones and he brings his trio with him for the night. I’ll be catching the second set, as usual, just in case he decides to give anything extra.

The cover charge is $25.00 and Cliff Bell’s is located at 2030 Park Avenue, Detroit, Michigan 48226. For more information visit cliffbells.com.

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