DAVID SANCHEZ & NAJEE
David Sanchez has emerged as one of the most respected jazz musicians of the 21st century, blending Afro-Caribbean rhythms from his Puerto Rican upbringing with jazz influences. He’s garnered critical acclaim and multiple awards for his diverse and innovative compositions. During Jazz Fest his ensemble will consist of a piano, acoustic bass, drums, percussion, and guitar.
Najee, a two-time Grammy nominated saxophonist and flautist has become an international pioneer in the industry by pushing musical boundaries throughout his career and collaborating with legendary artists such as Prince, Quincy Jones, Stevie Wonder and Chaka Khan. His fusing R&B and jazz into a unique and captivating sound has resulted in six #1 albums on the Billboard charts.
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Requisites
The Rat Race Blues ~ Gigi Gryce | By Eddie Carter
Multi-instrumentalist Gigi Gryce was one of the most exciting jazz musicians during the hard-bop era. In addition to the alto sax, he also played the flute and clarinet. He was also known as a brilliant arranger and composer. This morning’s record from the library, The Rat Race Blues (Prestige New Jazz NJLP 8262), is a splendid 1960 session that was one of the best records he recorded between 1955 and 1960. It’s the quintet’s second appearance together following their previous release, The Hap’nin’s. The ensemble consists of Richard Williams on trumpet, Gigi Gryce on alto sax, Richard Wyands on piano, Julian Euell on bass, and Mickey Roker on drums. My copy is the 1983 U.S. Original Jazz Classics Mono reissue (Prestige New Jazz OJC-081).
Side One opens with The Rat Race Blues by Gigi Gryce. A fiery uptempo smoker that begins with a scintillating introduction by Gigi and Richard soaring over the rhythm section. Wyands begins the first solo with his fingers flying fiercely over the keys. Williams opens the throttle on the muted trumpet next, and Gryce heightens the excitement in the finale. Strange Feelin’ by Sam Finch slows the speed to a medium pace for the ensemble’s relaxing melody. Williams steps up first for a carefree solo. Gryce gets into something good in the following reading. Wyands concludes with a charming interpretation, leading to a perfect climax.
Boxer’s Blues by Gigi Gryce begins with a two-instrument dialogue between Richard and Wyands. Gigi, Julian, and Mickey join them for a mellow theme. Gigi starts the solos with a lovely melodic line. Williams lays down the next elegant groove. Wyands takes over to give a graceful performance ahead of the reprise and slow fade. Blues In Bloom by Norman Mapp begins Side Two with a soft-voiced bass solo by Euell that segues into the quintet’s melody. Gryce goes to work first with an exceptionally tender tone, and then Williams carefully caresses the second reading with sensitivity. Richard delivers the closer with plenty of heart and soul into the theme’s restatement.
Monday Thru Sunday, also by Norman Mapp, is a slow blues that reaches a medium beat for the ensemble’s melody. Gigi solos first with a beautifully conceived interpretation. Williams maintains the therapeutic tempo in the second reading. Wyands is entirely at ease in the third statement, and Euell makes an impeccably polite comment during the ending theme. Esmond Edwards supervised The Rat Race Blues, and Rudy Van Gelder was the recording engineer. Gary Hobish mastered this Original Jazz Classics reissue. The album’s sound quality is excellent, with a superb soundstage placing the listener’s sweet spot in the center, surrounded by the quintet as they’re playing.
The Rat Race Blues is the next to last record Gigi Gryce would make before leaving the music scene to become a beloved music teacher in the Bronx. He continued teaching until just before his death at age fifty-seven on March 14, 1983. Of the eleven albums he recorded in those five years, The Rat Race Blues by Gigi Gryce is one of the gems that hard-bop fans shouldn’t miss on their next record shopping trip. It’s also a superb listening experience I’m sure you won’t be able to listen to just once!
~ The Hap’nin’s (Prestige New Jazz NJLP 8246) – Source: Discogs.com © 2024 by Edward Thomas Carter
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Daily Dose Of Jazz…
David A. Young was born January 14, 1912 in Nashville, Tennessee but was raised in Chicago, Illinois. There he joined a band made up of newsboys from the Chicago Defender.
In the 1930s he worked in the bands of Frankie Half Pint Jaxon, Fletcher Henderson, Carroll Dickerson, and Roy Eldridge. He was with Horace Henderson in 1939-1940.
During World War II worked with Walter Fuller, Lucky Millinder, and Sammy Price. He was drafted into the U.S. Navy in 1944 and played in a military band until the end of the war. After his discharge Dave returned to Chicago and played with Dinah Washington.
The 1950s had Young leaving his career in music and returning to working for the Chicago Defender, this time as an advertising executive.
Tenor saxophonist Dave Young died on December 25, 1992.
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LAKECIA BENJAMIN
KMHD & Soul’d Out proudly present the charismatic and dynamic saxophonist Lakecia Benjamin. She fuses traditional conceptions of jazz, hip~hop, and soul, and who has received 3 Grammy nominations for her latest album Phoenix. The far-reaching new album finds the tour-de-force saxophonist in a poised and profoundly individual position alongside a curated all-star cast of musicians from Wayne Shorter to Dianne Reeves, Georgia Anne Muldrow to Patrice Rushen, and Sonia Sanchez to Angela Davis and is produced by the multi-Grammy winner drummer and activist Terri Lyne Carrington.
She has seen her sharing stages with several legendary artists, including Stevie Wonder, Alicia Keys, and The Roots. Benjamin has also been Voted by 2020 Downbeat Critics Poll Rising star Alto Saxophonist and Up and Coming Artist of the Year by the Jazz Journalists Association.
Notes on Seating: The Jack London provides two options for ticket purchasers. Reserved Seating is purchased on a table-by-table basis in the central part of the venue and is only available for select shows. Seating in the General Admission section is limited, first come first served, and may be standing room only.
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MIGUEL ZENÓN QUARTET
Multiple Grammy Nominee and Guggenheim and MacArthur Fellow represents a select group of musicians who have masterfully balanced and blended the often contradictory poles of innovation and tradition. Widely considered one of the most groundbreaking and influential saxophonists and composers of his generation, he has also developed a unique voice as a conceptualist, concentrating his efforts on perfecting a fine mix between jazz and his many musical influences. He will be joined at the Moss Theater by pianist Luis Perdomo, bassist Hans Glawischnig, and drummer Henry Cole.
Born and raised in San Juan, Puerto Rico, he has released fifteen recordings as a leader, including the Grammy-nominated Música De Las Américas (2022), El Arte Del Bolero (2021) and Sonero: The Music of Ismael Rivera (2019) and Yo Soy La Tradición (2018). He has worked with luminaries such as The SFJAZZ Collective, David Sánchez, Danilo Perez, Kurt Elling, Joey Calderazzo, Steve Coleman, Jerry Gonzalez & The Fort Apache Band, The Mingus Big Band and Bobby Hutcherson.
Free parking onsite. Between Centinela and Stewart St. Enter at New-Roads-School sign. Theater is immediately on right.
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