TIA FULLER
When Grammy-nominated Mack Avenue recording artist, composer, and bandleader Tia Fuller picks up her saxophone, something amazing happens. Blending technical brilliance, melodic creativity, and the performing precision drawn from both her academic and stage experience, Fuller is a force to be reckoned with in the worlds of jazz, pop, R&B, and more. Currently, Fuller balances the worlds of performance and education, fulfilling a demanding schedule as both a busy touring and recording artist and a full-time professor at the Berklee College of Music in Boston.
Fuller’s resume makes her uniquely qualified for these roles. The Denver, Colorado native graduated magna cum laude with a Bachelor of Arts degree in Music from Spelman College in Atlanta, GA, and summa cum laude with a Master’s degree in Jazz Pedagogy and Performance from the University of Colorado at Boulder. Already established as a leading jazz musician, Fuller was selected to be a member of the all-female band touring with Grammy-winning pop star Beyoncé. Performing as part of the I AM … Sasha Fierce and Beyoncé Experience World Tour on stages across the globe, Fuller also became a featured soloist on the Beyoncé Experience DVD (Me, Myself and I), I AM Yours I DVD (Wynn Theatre) and also appeared on number of major television shows, including Today Show, Good Morning America, The Oprah Winfrey Show, BET Awards, American Music Awards, Grammy Awards and as a featured soloist with Beyoncé for President Obama at the White House.
An accomplished solo artist in her own right, Fuller has recorded five full-length projects with her quartet. Her most recent album, Diamond Cut, received a Grammy nomination in the Best Instrumental Jazz category; produced by three-time Grammy Award winner Terri Lyne Carrington, the album also features two superb rhythm sections, both of which contain some of jazz world’s brightest luminaries – bassist Dave Holland and Jack DeJohnette, then bassist James Genus and drummer Bill Stewart. Adding texture and harmonic support of several compositions are guitarist Adam Rogers and organist Sam Yahel. Additionally, Carrington contributes to two tracks with percussion.
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JOSHUA REDMAN GROUP
Joshua Redman Group ft. Gabrielle Cavassa – “where are we” Tour
From its inception, the Blue Note label has stood for “The Finest In Jazz.” The same can be said for Joshua Redman. Over the past three decades, the saxophonist, composer, and bandleader has consistently demonstrated how to honor the music’s verities while expanding its reach in contemporary settings.
6:30 Show ~ Sold Out
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The Jazz Voyager
The Jazz Voyager’s next destination is the Big Easy and a venerable jazz nightclub called Snug Harbor. Located in three rooms of a renovated 1800’s storefront situated in the Faubourg Marigny. The venue offers a dining room, a bar, and a music room.
Tonight I’ll be in the audience to witness once again the genius of New Orleans-bred saxophonist, clarinetist, composer and educator Victor Goines. He’ll be taking the stage as the guest bandleader of Snug’s “E-Day” Series. This is when musicians close to their late great Ellis Marsalis present their tribute concerts to his musical legacy on the night of the week that was Ellis’ Snug residency for over 30 years.
Snug Harbor features music 7 nights a week, primarily New Orleans modern jazz. The venue is located just outside the French Quarter, at 626 Frenchmen Street, New Orleans, LA 70116. For more information visit https://notoriousjazz.com/event/victor-goines.
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Daily Dose Of Jazz…
Al Klink was born on December 28, 1915 in Danbury, Connecticut. He began his professional career playing with Glenn Miller from 1939 to 1942 as a featured soloist, along with Tex Beneke, on the most well-known version of In the Mood. When Miller started playing in the U.S. military, he took a chair in Benny Goodman and Tommy Dorsey orchestras. He appeared in the 1941 film Sun Valley Serenade and 1942’s Orchestra Wives.
From 1952 to 1953 he played with the Sauter-Finegan Orchestra. Two years later he recorded his only session as a bandleader, performing six songs for a Bob Alexander album that won a Grammy Award. In the late 1960s to early Seventies, he was a tenor saxophone doubler on the staff of NBC’s Tonight Show Band under Doc Severinsen, where he was an occasional featured soloist.
He recorded with Mundell Lowe, Gerry Mulligan, Judy Holliday, Nelson Riddle, Phil Silvers, Cootie Williams and Rex Stewart. After a hiatus from recording and performing, he returned in 1974 when he began playing with the World’s Greatest Jazz Band. During the 1970s, he played with Glenn Zottola and George Masso, and continued playing until the mid-1980s, when he retired to Florida.
Swing tenor saxophonist Al Klink, who recorded ten albums as a sideman between 1956 and 1961, transitioned on March 7, 1991 at the age of 75 in Bradenton, Florida.
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Daily Dose Of Jazz…
Rupert Theophilus Nurse was born the only child in Port of Spain, Trinidad on December 26, 1910. He spent some of his childhood in Venezuela before returning to the island to complete his education. He absorbed local calypso music traditions, and started working as a teacher in Tobago.
He taught himself piano, and learned arranging skills from a mail order Glenn Miller book, before returning around 1936 to Trinidad where he worked in an electronics business. He also learned to play the tenor saxophone and with Guyanese saxophonist Wally Stewart, formed the Moderneers or Modernaires, the first American-style big band in Trinidad. During the Second World War he played with visiting Americans on the island, and began writing jazz arrangements of calypsos.
Travelling to London, England in 1945, he began playing double bass with guitarist Fitzroy Coleman and pianist Cyril Jones in the Antilles jazz club near Leicester Square. He joined trumpeter Leslie “Jiver” Hutchinson’s mostly-black band, with whom he played on radio and toured in Europe, before working with entertainer Cab Kaye in the Netherlands. He also increasingly worked with musicians newly arriving in Britain from the West Indies, including popular pianist Winifred Atwell, and Lord Kitchener and his band. He began experimenting with electronic instruments along with Lauderic Caton.
By 1953, Nurse was appointed as musical director of the Melodisc record label, which increasingly sought to release records to appeal to Britain’s growing Afro-Caribbean community. He led the label’s house band, arranged and produced Kitchener’s recordings, and recorded many other musicians of Caribbean origin, including jazz saxophonist Joe Harriott. He continued to perform as a pianist, and became bandleader at the Sunset Club in Carnaby Street and then at the more upscale Sugar Hill club in St James’s, where he met and later recorded with pianist Mary Lou Williams.
He increasingly used an electric piano and organ, and worked widely in clubs and restaurants in London as a solo performer and with other musicians including steel pan player Hugo Gunning, bassist Coleridge Goode, and pianists Iggy Quail and Russ Henderson. He taught, devised arrangements for other musicians, and worked as a library cataloguer in London until 1976.
Retiring to Arima, Trinidad he continued to mentor musicians and write arrangements for them. Pianist, tenor saxophonist and double bassist Rupert Nurse, who was influential in developing jazz and Caribbean music in Britain, particularly in the 1950s, transitioned there on March 18, 2001 at the age of 90.
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