RUSSELL GUNN & BLACKHAWK

Russell Gunn is a titan of contemporary jazz, takes the stage for a two-night run that promises to be the highlight of your holiday. Whether you are looking to impress out-of-town guests with Atlanta’s world-class music scene or simply need a sophisticated escape from the family chaos, this is the place to be.

The project’s name, Blackhawk, is a nod to the legendary 1961 album Miles Davis In Person Friday and Saturday Nights at the Blackhawk. That record is famous for capturing Miles Davis at his most raw and hard-swinging, performing in a gritty San Francisco club with no rehearsals and no safety net.

Russell Gunn taps directly into that spirit. He isn’t just playing Miles Davis covers; he is channeling the fearless, high-wire energy of that era. Expect a set that swings hard, takes risks, and captures the visceral excitement of 1960s post-bop jazz.

Blackhawk:
Russell Gunn ~ Trumpet
Kevin Smith ~ Bass
Kevin Bales ~ Piano
Jeremy Clemons ~ Drums
Andre Hayward ~ Trombone
Kendrick Smith ~ Saxophone

Tickets: $54.00

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JOE GRANSDEN BIG BAND

Experience the magic of the season with Joe Gransden and His Band for the “Home for the Holidays” concert in the stunning Eagle Theatre in downtown Sugar Hill. From swinging takes on your favorite holiday classics to heartwarming moments that will have you singing along, this show is the perfect way to kick off your holiday celebrations. Every year, audiences rave about this unforgettable concert of music, joy, and festive spirit. Last year’s performance sold out in advance—and tickets are already going fast for this year! Don’t miss your chance to be part of this holiday tradition that’s guaranteed to leave you smiling long after the final note.

The Joe Gransden Big Band has become one of the hottest acts on today’s jazz scene. Since forming in 2009, Joe and his powerhouse ensemble have been winning over audiences nationwide with their electrifying performances and irresistible swing. With fans that include music legends like Smokey Robinson, who raves, “Joe has an innate ability to connect with an audience. His singing and trumpet playing are world-class!” It’s no wonder this band is in such high demand.

A masterful trumpet player with a celebrated hard bop style, Joe is also renowned for his smooth, captivating vocals, often likened to those of Chet Baker and Frank Sinatra. He has performed across the globe, released 14 acclaimed albums, and continues to headline world-class venues, such as The Blue Note in New York City.

Kicking off the evening will be Sugar Hill’s very own Broad St. Jazz Band, bringing high-energy jazz and swing favorites that set the stage for an unforgettable night of music.

Tickets: $38.56 ~ $43.31 including fee

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KIND OF BLUE: CELEBRATING THE MUSIC OF MILES DAVIS

Born in 1926, trumpeter Miles Davis was among the greatest innovators in jazz. This centennial concert celebrates his unparalleled musical legacy, which includes the albums Sketches of Spain, Tutu, Birth of the Cool and Kind of Blue. Trumpeter Ambrose Akinmusire and saxophonist Ravi Coltrane, both Grammy Award nominees, will pay tribute to the magical pairing of Miles Davis and John Coltrane,

Miles was the quintessence of cool. A musical icon as well as a cultural one, Davis took his place in the pantheon by ceaselessly seeking and often ushering in the “next thing” in jazz while steadfastly refusing to be anyone but himself.   

Finding his footing in the bebop world in the late 1940s and early 50s, Davis would go on to reinvent his sound many times—to the consternation of many of his followers and the delight of others. To Davis, what the audience might want never seemed to enter into the equation. Throughout his 65 years on the planet, he would set his course of discovery, a renegade in a restless search for new, uncharted places that the music could take him.  

Featuring:
Ravi Coltrane ~ Tenor, Soprano Saxophone, Clarinet
Ambrose Akinmusire ~ Trumpe
Veronica Swift ~ Vocal
Shelly Berg and the Frost School of Music’s Henry Mancini Institute Orchestra
Conductor ~ Scott Flavin

Tickets: $52.65 – $152.10

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STRAIGHT AHEAD

Out of Detroit’s lively jazz scene, comes the ground breaking, Grammy-nominated jazz group Straight Ahead. A group of strong, inventive instrumentalists and vocalists, they have shown themselves to be powerful and imaginative composers and arrangers. Straight Ahead was the first all-woman group signed to Atlantic Jazz.

Widely recognized for their eclectic and soulful approach to creating music, Straight Ahead is in the Detroit Music Awards Hall of Fame. with a sound that ranges comfortably from mainstream jazz to Latin jazz and jazzy hip-hop.  Their live performances are a dynamic celebration of power and joy!

The Group:
Alina Morr- Piano
Marion Hayden – Bass
Gayelynn McKinney- Drums
Kymberli Wright – Vocals
Ingrid Racine – Trumpet

Cover: $20.00

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Requisites

Quartet ~ Russ Freeman and Chet Baker | By Eddie Carter

It had been some time since I last enjoyed Russ Freeman’s piano work, so this morning I chose an excellent collaboration featuring him and trumpeter Chet Baker from my library. Quartet (World Pacific Records, PJ-1232) hit the stores in 1957 and was the eleventh album Freeman and Baker recorded together. The album showcases six original tunes alongside two standards, and they are supported by the outstanding rhythm section of Leroy Vinnegar on bass and Shelly Manne on drums. The copy of this album that I own is a King Record Company Japanese mono reissue (Pacific Jazz GFX-3104).

The first side opener, Love Nest by Otto Harbach and Louis A. Hirsch begins at a brisk pace, with Chet on muted trumpet during the lively melody, which continues into a spirited opening statement. Russ gets the next nod and delivers an energetic reading. Leroy follows up with a swinging interpretation, then Chet and Shelly engage in a brief exchange before the closing chorus returns. Fan Tan, the first of six originals by Russ Freeman, slows the pace to midtempo for the quartet’s theme. Freeman is afforded plenty of room to shape his phrases in the opening statement. Baker is back on the open horn and maintains a laid-back vibe as he effortlessly swings to the closing chorus and ending.

Summer Sketch begins with a gentle piano introduction. Chet Baker’s trumpet playing throughout the track is both poetic and tender, with each note radiating romantic beauty, softly guiding the group to a smooth, unified finish. An Afternoon At Home ends the first side with the rhythm section’s inviting introduction, allowing Baker to glide through the opening chorus at a leisurely, relaxed pace. Freeman’s lead solo is as enjoyable as spending a leisurely afternoon with friends. Then, Vinnegar takes the spotlight next for a captivating solo. Baker has the last word with a charming presentation, before the quartet brings the tune to a satisfying close.

Say When starts Side Two with the quartet’s spirited melody. Chet leads the way with an exciting opening statement. Russ soars into the following presentation, then Shelly swings with great force in a brief, exhilarating closing reading before the theme’s reappearance and the group’s exit. Lush Life by Billy Strayhorn is one of the enduring favorites among jazz standards. The song begins with Freeman’s sensitive introduction, gently segueing to Baker’s rich tone as he introduces the tender theme. The pianist’s solo possesses a sad, reflective beauty, culminating in the trumpeter’s tender and thoughtful finale.

Amblin is a slow blues, introduced by the trio’s soulful introduction, segueing to the leader’s down-home melody. Chet opens with a solo that’s thoughtfully crafted and effortlessly delivered. Russ continues letting each verse glide effortlessly next. Leroy wraps it up with plenty of heart, ahead of the quartet’s theme reprise and climax. Hugo Hurwhey takes off with a short introduction, preceding the ensemble’s upbeat theme. Baker hits an ideal groove in the opening statement. Freeman takes the reins next with a robust reading, then Vinnegar, Manne, and Freeman culminate the solos in a vigorous exchange with Baker, leading to the melody’s restatement and conclusion.

Richard Bock produced Quartet, but the identity of the recording engineer is unidentified. However, this King Record Company reissue possesses outstanding audio quality, with an excellent soundstage that brings the foursome into your listening room with impressive clarity and presence. Whether you’re a Russ Freeman or Chet Baker fan, or are just discovering the discography of either musician, I emphatically recommend and invite you to pick up Quartet on your next trip to the record store. The album is a stellar showcase for both musicians and would make a welcome addition to any jazz library!

~ Lush Life – Source: JazzStandards.com
© 2025 by Edward Thomas Carter


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