Daily Dose Of Jazz…
Clyde Lanham Hurley, Jr. was born on September 3, 1916 in Fort Worth, Texas. Self-taught, he learned to play the trumpet by playing along with Louis Armstrong records. He studied music at the Texas Christian University in Fort Worth from 1932 to 1936 where he participated in the school’s jazz band. He began his career working with territory bands.
In 1937, while drummer/band-leader Ben Pollack was touring through Texas he heard Hurley and invited him to join his orchestra where he soloed on So Unexpectedly. While on a touring stop with the band in Los Angeles, California he left to become a studio musician. He played with Paul Whiteman then with Glenn Miller. While with Miller he was one of the key soloists appearing on the band’s studio recordings and live performances throughout America.
Hurley played the trumpet solo on Miller’s In The Mood, Slip Horn Jive and Tuxedo Junction. Leaving Miller in 1940 he went on to work with Tommy Dorsey before joining Artie Shaw in 1941.After his stint with Shaw, he freelanced for the movie studios. In 1941, he played the trumpet track for the classic Walter Lantz cartoon Boogie Woogie Bugle Boy of Company B.
He worked for MGM from the mid-Forties to the end of the decade and for NBC from 1950 to 1955. During the late 1950s, Hurley played in Dixieland groups, recording with Matty Matlock’s Rampart Street Paraders. In 1954, he recorded live with Ralph Sutton and Edmond Hall at the Club Hangover. His studio work in the 1950s included sessions with Paul Weston. He soloed on Memories of You on Weston’s Solo Flight album.
Trumpeter Clyde Hurley, who was prominent during the big band era, transitioned on August 14, 1963 from coronary occlusion in Fort Worth.
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Daily Dose Of Jazz…
Hal Russell was born Harold Russell Luttenbacher on August 28, 1926 in Detroit, Michigan. Raised in Chicago, Illinois from the eighth grade, he began playing drums at age four, but majored in trumpet at college. He subsequently drummed in several big bands, including those of Woody Herman and Boyd Raeburn.
As with many young players in the mid-1940s, Russell’s life was irreversibly changed by bebop. In the 1950s he worked with Miles Davis, Billie Holiday, Sonny Rollins, John Coltrane, and Duke Ellington. During this period he succumbed to drugs and was a heroin addict for ten years. In 1959, he joined the Joe Daley Trio, whose Newport’ 1963, which was mostly studio material, was reputedly one of the earliest free jazz records.
The early 1970s saw Hal as the regular percussionist for the band at the suburban Chicago Candlelight Dinner Playhouse. He played mostly drums, but occasionally vibes and keyboards. By the end of the decade he formed the NRG Ensemble, which featured saxophonist Mars Williams, multi-instrumentalist Brian Sandstrom, and percussionist Steve Hunt, among others. During this period he started playing tenor and soprano saxophone and trumpet, in addition to drums and vibes.
Issuing his first album in 1981 for the Nessa label, in the late Eighties the group began playing frequently in Europe, and began recording for ECM with The Finnish/Swiss Tour. In addition to the NRG Ensemble, Russell always maintained several bands, the rock-oriented trio NRG 3 and The Flying Luttenbachers.
Tenor and soprano saxophonist, trumpeter, vibraphonist and drummer Hal Russell, shortly after completing the semi-autobiographical album The Hal Russell Story, transitioned from a heart attack on September 5,1992 in La Grange, Illinois.
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Daily Dose Of Jazz…
Lou Colombo was born on August 22, 1927 and raised in Brockton, Massachusetts. He began playing trumpet in the 1940s, at age 12. Aftere serving in the Army band in World War II he had hopes of playing professional baseball, saw him signed to the Brooklyn Dodgers, but a broken ankle forced him to curtail that dream. He then formed his own band in the 1950s and toured with Buddy Morrow, Perez Prado, Dick Johnson and the Artie Shaw Orchestra. He also played with Dizzy Gillespie and Louis Armstrong during his career.
So he dove into music and his trumpet. His career included stints with the Charlie Spivak and Perez Prado bands and the Artie Shaw Orchestra. On Cape Cod, Lou’s gigs with Dick Johnson and Dave McKenna were legendary, as is their superb Concord album, I Remember Bobby, a tribute to Bobby Hackett.
Known for his one-handed trumpet style, he was a mainstay in the Cape Cod, Massachusetts jazz scene for more than six decades and maintained a home in Fort Myers, Florida. Trumpeter Lou Columbo, who also played flugelhorn, baritone horn and pocket trumpet, transitioned unexpectedly at 84 on March 4, 2019 in a car crash in Fort Myers after making a turn and his vehicle was struck by another.
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Requisites
Groovin’ ~ Idrees Sulieman, Per Goldschmidt, Horace Parlan, Mads Vinding, Billy Hart | By Eddie Carter
It happened like this; I’d recently been revisiting several SteepleChase albums in my library. One of those titles led me to this morning’s discussion. Groovin’ (SteepleChase Records SCS 1218) is a 1985 straight-ahead-blowing session. It was the third album Idrees Sulieman recorded for the Danish label and was made five days before his sixty-second birthday. I’ve enjoyed the trumpeter’s playing since hearing him on Tenor and Flute, The Cats, and The Hawk Flies High. Here, he’s working with Per Goldschmidt on baritone sax (tracks: A1, A3, B1, B3) and tenor sax (A2, B2), Horace Parlan on piano, Mads Vinding on bass, and Billy Hart on drums. My copy is the original 1986 Danish Stereo album.
Groovin’ High by Dizzy Gillespie starts the first side with the quintet’s collective melody at a relaxing beat. Idrees gets things going with a delightful solo. Per comes next with an effectively carefree reading. Horace’s following statement is as refreshing as a cool drink on a muggy day. Mads delivers an inspired interpretation next; Billy closes with an interesting exchange with the front line into the ending theme. Tell Me What’s Your Name is a pretty tune by Kathe Laursen that begins with a delicate melody by Sulieman, who Goldschmidt joins as it unfolds. The two horns work together to give warmth and tenderness in the song’s only solo, which draws to a conclusion in a gentle climax.
If I Only Knew, the first of two tunes by Idrees Sulieman, closes Side One. Billy’s brief introduction brings the song to life, segueing into the medium melody. Mads goes to work first, then Idrees shows off his gentle side. Horace states his case with graceful lines next; then Per delivers a warm, friendly and intimate finale leading to the theme’s restatement. Lipstick by Kathe Laursen continues the ensemble’s medium groove with a collective melody. Sulieman sets the stage on the first statement, then Parlan offers an equally significant reading. Sulieman shares a few thoughts with Hart in the finale preceding the closing chorus.
The ensemble takes a stroll to The Center of Copenhagen next. Idrees Sulieman’s second original begins with the group’s theme in unison. Idrees and Per provide the spotlight in an entertaining exchange, then Horace delivers a captivating closer ahead of the quintet’s reprise and exit. Per Goldschmidt’s Happy Ending finishes the album on a lively note with the group’s spirited melody. Sulieman takes off first with a lightning-fast interpretation, followed by Goldschmidt, who’s equally quick in the second reading. Hart has a vigorous conversation with the front line ahead of the reprise and the song’s climax.
Nils Winther produced Groovin’, and Ole Hansen was the recording engineer of this digital recording. The album has an excellent soundstage with exceptionally clear fidelity that brings the musicians to your listening room. The record is also incredibly quiet until the music starts. I happily recommend Groovin’ on your next record hunt if you’re in the mood for jazz to help you unwind after a busy day or week. It’s a hidden treasure with a stellar lineup; Idrees Sulieman, Per Goldschmidt, Horace Parlan, Mads Vinding and Billy Hart. Every tune is a pleasure to hear, and it’s a very enjoyable album I’m sure you’ll be glad to have in your library!
~ Tenor and Flute (Riverside RLP 12-240), The Cats (New Jazz NJLP 8217), The Hawk Flies High (Riverside RLP 12-233) – Source: Discogs.com ~ Groovin’ High – Source: JazzStandards.com ~ © 2023 by Edward Thomas Carter
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Daily Dose Of Jazz…
Ernie Hammes was born on August 18, 1968 in Esch-sur-Alzette, Luxembourg and studied at the Conservatories of Esch-sur-Alzette and Metz, France. He would later study at the Manhattan School of Music and the Berklee College of Music in Boston, Massachusetts.
Since 1997, Hammes has performed in New York City, traveled widely to jazz venues and festivals across Europe and North America. The Duke Ellington Orchestra has flourished for over forty-eight years since the death of the Duke, himself. As of 2013, Hammes is the only European known to have been a member of the Duke Ellington Orchestra from any era.
In his native Luxembourg, Ernie is the founder, director and lead trumpet in the Luxembourg Jazz Orchestra and since 1987 he has been a member of the Musique Militaire Grand-Ducale (the Luxembourg Army Band) where he is lead trumpet and, since 1994, leader of the big band.
Trumpeter Ernie Hammes continues to perform, compose and lead orchestras.
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