
Daily Dose Of Jazz…
James Wesley “Bubber” Miley was born April 3, 1903 in Aiken, South Carolina into a musical family. At the age of six, he and his family moved to New York City, New York where, as a child, he occasionally sang for money on the streets, and later, at the age of 14, studied the trombone and cornet.
In 1920, after having served in the Navy for 18 months, he joined a jazz formation named the Carolina Five, and remained a member for the next three years, playing small clubs and boat rides all around New York City. After leaving the band at the age of 19, Miley briefly toured the Southern States with a show titled The Sunny South, and then joined Mamie Smith’s Jazz Hounds, replacing trumpeter Johnny Dunn. They regularly performed in clubs around New York City and Chicago, Illinois. While touring in Chicago, he heard King Oliver’s Creole Jazz Band playing and was captivated by Oliver’s use of mutes. Soon Miley found his own voice by combining the straight and plunger mute with a growling sound.
Miley’s talent and unique style were soon noticed in New York’s jazz scene by Duke Ellington who wanted him to jump in for trumpeter Arthur Whetsel. His collaboration with Ellington has secured his place in jazz history. Early Ellington hits, such as Black and Tan Fantasy, Doin’ the Voom Voom, East St. Louis Toodle-Oo, The Mooche, and Creole Love Call, prominently featured Miley’s solo work.
After leaving Ellington’s orchestra in 1929, Bubber joined Noble Sissle’s Orchestra for a one-month tour to Paris, France. After returning to New York, he recorded with groups led by King Oliver, Jelly Roll Morton, Hoagy Carmichael, Zutty Singleton and with Leo Reisman’s society dance band. In 1930, he recorded six songs for Victor Records under the name Bubber Miley and his Mileage Makers, a formation of thirteen musicians including clarinetist Buster Bailey.
His alcoholism terminally affected his life. Trumpet and cornetist Bubber Miley who specialized in the use of the plunger mute, transitioned from tuberculosis on May 20, 1932 on Welfare Island in New York City.

Daily Dose Of Jazz…
Ladislav Déczi was born on March 29, 1938 in Bernolákovo, Czechoslovakia and showed an interest in the trumpet while in elementary school. He went through several music ensembles in high school and during his military service performed in Prague, Czechoslovakia. After his discharge he remained in Prague and started performing with the Rokoko Theater Sextet and then with the Jazz Outsiders. He then went on to work with Karel Velebny’s S+HQ and as the frontman for the Reduta Quartet.
By the mid-Sixties he founded Jazz Celulla, joined the Czechoslovak All Star Band, the Jazz Orchestra of the Czechoslovak Radio, and the Dance Orchestra of the Czechoslovak Radio. He recorded several solo albums, composed orchestral compositions.
Emigrating to America in 1986 he again took the frontman space for Celula New York. He performed with Elvin Jones, Bill Watrous, Junior Cook, Dave Weckl and Sonny Costanzo. He recorded several duo albums with Sarka Dvorak and composed an abundance of music for film and television productions. He has won several awards during his career and has toured Eastern Europe especially his homeland, Germany and Austria.
Trumpeter, composer, and bandleader Laco Déczi, who also paints, continues to perform, compose and record.
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Daily Dose Of Jazz…
Burton L. Collins was born on March 27, 1931 in New York City but raised in Philadelphia, Pennsylvania. During the 1950s he worked with Dizzy Gillespie, Urbie Green, Neal Hefti, Woody Herman, Elliot Lawrence, Johnny Richards, and Claude Thornhill.
Relocating to New York around 1960 he played in Broadway orchestras and in ensembles with Cannonball Adderley, Albert Ayler, Jimmy McGriff, Blue Mitchell, Duke Pearson, and Stanley Turrentine, among others. With Joe Shepley he formed the group Collins-Shepley Galaxy in 1970, recording two albums, including a Lennon/McCartney tribute. Later in the decade he played flugelhorn with Urbie Green again as well as with Janis Ian, Lee Konitz, David Matthews, and T. Rex’s album Electric Warrior.
Over the course of his career he recorded a hundred albums as a sideman with, among others, Manny Albam, Woody Herman, Duke Pearson, Cy Coleman, Frank Foster, Sal Salvador, Pat Moran, Astrud Gilberto, George Benson, Chris Connor, Manhattan Transfer, Tony Bennett, Luiz Bonfa, Airto Moreira, Paul Desmond, Eumir Deodato and Lalo Schifrin.
He played little after the 1970s, though he appeared on record with Loren Schoenbergin 1987. Trumpeter Burt Collins transitioned on February 23, 2007 in Philadelphia.
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Daily Dose Of Jazz…
Linton Garner was born on March 25, 1915 in Greensboro, North Carolina. As a youngster he wanted to play cornet rather than piano, but due to problems with his teeth, was forced to concentrate on the keyboard. From the age of 8 until 10 he had piano lessons, as did his three sisters, unlike his brother.
He was arranger and pianist with Fletcher Henderson’s band before the Second World War, then spent 1943 to 1946 in the army, where he played both piano and trumpet in different bands. Afterwards he was pianist and arranger for a number of distinguished bands including those of Billy Eckstine and Dizzy Gillespie. He also accompanied Sarah Vaughan, Nat King Cole, Carmen McRae and Della Reese. He also wrote songs, including You’re the One For Me.
Moving to Canada in 1963, by 1974 he was invited by Arni May to Vancouver, British Columbia to accompany him at the opening of the Richmond Inn Hotel. Linton stayed in Vancouver and worked in many venues becoming the resident pianist for seven years at the Four Seasons Hotel.
The 1990s had him playing at the Three Greenhorns in Vancouver. He also sang and played the piano in Rossini’s restaurant in Kitsilano. The Linton Garner Legacy Quartet, featuring drummer Don Fraser, bassist Russ Botten, pianist Ron Johnston, and pianist Miles Black continues to play Garner’s music.
Pianist, trumpet and vocalist Linton Garner, who was Erroll’s older brother, transitioned from kidney failure in Vancouver, at the age of 87 on March 6, 2003.
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MARK RUSSO
Join us, as trumpeter, educator, and composer, Mark Russo, takes us on a musical journey throughout the “The Blue Note Era”, with his jazz quartet.
Line-up: Mark Russo: Trumpet, A.J. Kluth – Tenor Sax, Ian Kinnaman – Bass, Jonathan Hooper – Piano, Ricky Exton – Drums
A freelance jazz trumpet player and educator in the greater Cleveland area. He holds degrees in Music Performance In Jazz Studies From Bowling Green State University and a Music Education from Kent State University (Magna Cum Laude) and is currently the director of bands at Constellation Schools: Parma Community High School.
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