JOHN BROWN LITTLE BIG BAND FEATURING NNENA FREELON

Six-Time Grammy Award Nominee Nnenna Freelon is known worldwide as a compelling and captivating live performer. The John Brown Big Band is a professional large jazz ensemble made up of top musicians, specializing in performances of traditional compositions from the Great American Songbook and today’s cutting-edge arrangements. Together, these two forces will bring an unforgettable evening of music to the JPAC as they perform all your favorite Holiday favorites such as “Let it Snow, “Jingle Bells” and “Silent Night.” John Brown ~ Bass.

Doors Open: 6:45 PM

John Brown “Little” Big Band Featuring Special Guest Nnenna Freelon Holiday Show – Pre-Concert Hors d’oeuvres Reception** ~ $35.00 | 5:30

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Daily Dose Of Jazz…

Albennie Jones was born on November 29, 1914 in Errata, Mississippi. She grew up in Gulfport, Mississippi where she sang in the Mount Holy Baptist Church, before moving to New York City in 1932. Her first professional engagement was at Elk’s Rendezvous Club, where she was so successful that she was retained for nine months. She also sang in other clubs, including Club Harlem, Village Vanguard and Murrains Café.

She first recorded, as Albinia Jones, for National Records in late 1944, with a band that included electric guitarist Leonard Ware and pianist Cliff Jackson. The following year, her accompanists also included jazz greats, trumpeter Dizzy Gillespie, saxophonist Don Byas and pianist Sammy Price. She was promoted at the time as the “New Queen of the Blues”, and toured widely with Blanche Calloway, Eddie “Cleanhead” Vinson, Tiny Bradshaw and the Erskine Hawkins Orchestra.

As Albennie Jones, she recorded again with Price for Decca Records in 1947 and 1949. One of her last recordings with Price in 1949 was a rocking R&B number, Hole in the Wall, co-written by record producer Milt Gabler and featuring the line “we’re going to rock and roll at the Hole in the Wall tonight”, a notably early use of the phrase.

Following an onstage fall in the early 1950s, she had to use a crutch at her club performances, and shortly afterwards retired from the music business. Albennie Jones, also credited as Albinia, after suffering from leukemia, transitioned on June 24, 1989 in the Bronx at the age of 74.

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TONY HIGHTOWER

Singer/Songwriter Tony Hightower is taking up the mantle to be a bridge that ushers R&B audiences into Jazz…Real Jazz. With years of experience as a musical performer and actor with familiar roots that place him firmly within the music’s firmament, Atlanta-native Hightower is still just getting started on this benevolent turn in his journey. And he is bringing a lot of young people with him.

​His sophomore project, LEGACY, finds Hightower exploring Jazz vocal stylings from a dazzling prism of angles. The 10-song album moves confidently and assuredly from original compositions such as the soulful scat-laced “All to the Good,” the seductive Brazilian bossa nova of “Rendezvous” and the tender carnal Jarreau-esque love beg “I Need You” to swingin’ covers of Earth, Wind & Fire’s classic Skip Scarborough-penned “Can’t Hide Love,” a mean shuffle boogie groove through Al Green’s “Love and Happiness” and a smoldering upright bass accompanied tiptoe through the 1929 Andy Razaf standard “Gee, Baby, Ain’t I Good To You” made further famous in 1944 by one of Hightower’s greatest and earliest Jazz vocal heroes, Nat “King” Cole. That one’ll make the women wiggle.

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DEENE TRIO

The Deene Trio fronted by vocalist Delphine Nérot is accompanied by accordion and double bass.

Reservations: contact@laciotatculture.com

Info: 06 09 49 03 24 | www.facebook.com/laciotatculture

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Daily Dose Of Jazz…

Rosa Henderson was born Rosa Deschamps on November 24, 1896 in Henderson, Kentucky. Her career as an entertainer began in 1913 when she joined her uncle’s circus troupe. She married Douglas “Slim” Henderson in 1918 and began traveling with his Mason-Henderson show. As a musical comedian she started during the early 1920s after moving to New York City, where she performed on Broadway. She would eventually perform in London.

Over the course of nine years she recorded over one hundred songs beginning in 1923. During that time she sometimes used pseudonyms such as Sally Ritz, Flora Dale, Sarah Johnson, Josephine Thomas, Gladys White, and Mamie Harris. She was accompanied by the Virginians, Fletcher Henderson’s Jazz Five, Fletcher Henderson’s Orchestra, Fletcher Henderson’s Club Alabam Orchestra, the Choo Choo Jazzers, the Kansas City Five, the Three Jolly Miners, the Kansas City Four, the Three Hot Eskimos, and the Four Black Diamonds.

She recorded for Ajax Records, Columbia, Paramount, Victor, and Vocalion Records. Her recordings include Afternoon Blues, Doggone Blues, Do Right Blues, He May Be Your Dog But He’s Wearing My Collar, and Papa If You Can’t Do Better (I’ll Let a Better Papa Move In). 

After 1926, due largely in part to the death of her husband her recordings became limited, however, she continued performing until 1932. At that point Rosa took a job in a New York department store, but continued to perform benefit concerts until the Sixties.

Unrelated to Fletcher, Horace, Katherine, or Edmonia Henderson, vocalist Rosa Henderson, who sang jazz, blues and was a vaudeville performer of the Harlem Renaissance era, transitioned from a heart attack in 1968 on April 6, 1968.

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