JEN WROBLESKI QUARTET

Having finished her education, Jen Wrobleski honed her vocal talents beginning her singing career with the Walt Disney Company in Orlando, FL portraying Cinderella in Cinderella’s Surprise Celebration and performed the role of Belle in Beauty & The Beast before departing for different pastures.

In early 2005 she formed a jazz quartet and performed throughout Florida and Georgia not limited to Churchill Grounds, Sambuca, House of Blues and Nikki’s Beach. Moving to New York City she performed regularly with Harold Mabern Jr., Joe Farnsworth, Eric Alexander, John Webber, Sharp Radway, and Anthony Wonsey. She has gone on to perform in Greece, Austria, Russia and Italy. She returns to the Velvet Note for another encore performance.

Shows ~ 7:00 & 9:00 pm

 

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Daily Dose Of Jazz…

Litsa Jane Davies was born on June 27, 1963 in Hampshire, England. Growing up in Poole, Dorset, she attended Harry Harbin school where her music teacher recognized her vocal talent. At 14 she was singing with him on jazz gigs and appeared locally on television in 1977. By 1979 she was gigging with pianist Mike Hatchard and the following year began a six-year stint with the National Youth Jazz Orchestra. While with NYJO she sang on three albums, notably Why Don’t They Write Songs Like This Anymore?, which featured her throughout.

She performs with her own quintet and has toured with the European Jazz Orchestra. She has sung on radio with the BBC Big Band, the bands Night Owls and Bone Structure as well as her own group. During the early and mid-80s Litsa played festivals with her quintet, and sang with the Burch Trio and saxophonist Iain Ballamy. The following year she joined the cast of the London West End musical Chess at the Prince Edward Theatre going on to play the lead until the show closed in 1989. She continued to sing on BBC radio.

In 1990 Davies concentrated on raising her children while singing backup for Tom Jones and performing with various bands including the Ian Pearce Big Band, the Ross Mitchell Dance Orchestra and the Mark Graham Dance Band. By 1995 she reappeared with a week-long engagement at Ronnie Scott’s club.

Vocalist Litsa Davies, gifted with fine interpretative skills and intelligent phrasing, continues to deliver ballads and up-tempo songs with swing.

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Daily Dose Of Jazz…

Julia Feldman was born on June 22, 1979 in Samara, Soviet Union to Israeli parents and into a family with a large musical background; her father wa ajeweler who played jazz piano, and a grandfather who was an accomplished conductor and a leader of the city philharmonic orchestra. Classically trained by studying the piano from the age of 5 until the family’s immigration to Israel in 1990 where she continued her piano studies along with jazz improvisation at the High School Of Arts in Jerusalem.

Becoming interested in jazz singing in the last year of her high school studies Feldman began studying voice technique and jazz improvisation along with intensive studies of jazz with the saxophonist Arnie Lawrence at the International Music Center of Jerusalem. While there she studied and performed with known American jazz musicians, such as Evelyn Blakey, Larry Goldings, Armen Donelian, Bob Meyer, Sheila Jordan, Judi Silvano and composer Allen Gershwin, performing the latter’s Walk In The Wilderness.

The late Nineties had her continuing her education and performing with a host of musicians. She has put together her self-titled ensemble and quartet with the former releasing a tribute album in 2006 Words Are Worlds inspired and featuring many standards by Billie Holiday. Other projects she has worked on as a vocalist have delved her into progressive rock Musicca Ficta,  vocalist in Radical Shlomo, as pianist, vocalist, co-composer and co-lyricist in Ayulyul and collaboration with ethno-core Jerusalem band Shoom.

Vocalist, composer and educator Julia Feldman, whose singing combines elements of multiple jazz genres, free improvisation and modern classical music, continues to explore, perform and record.

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Three Wishes

Nica never missed a chance to travel and while in conversation with Jimmy Rushing she asked if he was given three wishes that would be granted what would they be and he said:  

  1. “I’m doing one of my wishes right now! Being in Japan.”
  2. “If I had my life to live over, I wouldn’t mind. I’ve always enjoyed every part of it.”
  3. “One thing I’d like to see is colored shows come back like it used to be in the twenties. Like Cotton Club days ~ entertainers going from table to table! And I’d like to see colored shows on TV, at the right times: not too early or too late. To see a complete show and band, and see the reactions of young people.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

SUITE TABU 200

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Daily Dose Of Jazz…

Tamm E. Hunt was born into a musical family in New York City, New York on June 19, 1954. The niece of jazz and blues singer Hannah Sylvester and record company owner Benny Clark, she is the daughter of K.D. Searcy, a tap dancer who danced at the Apollo Theater with Tip Tap & Toe. Growing up around music when she heard Dakota Staton’s The Late Late Show, she knew early on that she wanted to sing jazz.

Despite that prophetic introduction, Hunt started out singing other styles of music. In her childhood she sang with a variety of R&B girl groups. She had some commercial success in the early ’80s singing disco, but then switched to jazz. Inspired by Betty Carter, Sarah Vaughan and pianist Dorothy Donegan, she has sung with such notables as alto saxophonist Gary Bartz, tenor saxophonist Clifford Jordan, pianists Ronnie Matthews and Larry Willis, bassist Buster Williams, and drummer T.S. Monk among others.

She has performed throughout the U.S. in addition to Europe, Canada, and Japan. Hunt has thus far recorded one CD, Live @ Birdland, for her New Jazz Audience label. She founded the Harlem Jazz Foundation, and has written jazz education programs including Adopt a Kid 4 Jazz and Jazz 4 the Beginner.

She starred in and produced the off-Broadway show Billie Holiday: The Legend, and appeared in a short dramatic film with Bartz called A Jazz Story.  Moving to Baltimore, Maryland she has been an important force in the city’s jazz community, both as a singer and behind the scenes. Vocalist Tamm E. Hunt, who is also the executive/artistic director of the Maryland Center for the Preservation of Jazz & Blues, continues to sing, educate and promote jazz.

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