Daily Dose Of Jazz…

George Benson was born in Philadelphia, Pennsylvania on March 22, 1943 and raised in the Hill District. A child prodigy at the age of 7, he first played the ukulele in a corner drug store and received a few dollars for his efforts. At age 8, he was playing guitar in an unlicensed nightclub on Friday and Saturday nights that was soon closed down by the police. By the time he was 10, George was in New York recording his first single record with RCA-Victor in New York, called “She Makes Me Mad”.

He attended Connelly High School and although he left before graduation, he learned how to play straight-ahead instrumental jazz during a relationship performing for several years with organist Jack McDuff. At the age of 21, he recorded his first album as leader, “The New Boss Guitar” featuring McDuff, followed by “It’s Uptown with the George Benson Quartet” and “The George Benson Cookbook”.

During the ‘60s he was recording with Miles Davis for Columbia’s “Miles In The Sky”, moved on to Verve for a period and then signed with Creed Taylor producing such albums as “White Rabbit” and “The Other Side of Abbey Road” among others.

Benson released “Breezin” in 1976 and it went triple platinum topping Billboard’s 200. Tuning to vocal chops, the guitarist added a crossover audience adding smooth jazz to his repertoire of genres that include R&B, pop and jazz. The multi-Grammy award winner, he has recorded over two hundred albums and singles as a leader, sideman and collaborator; and has performed with the likes of Jaki Byard, Hank Mobley, Jimmy Smith, Lou Donaldson, Hank Crawford, Don Sebesky, Stanley Turrentine, Hubert Laws, Lee Morgan, Red Holloway, J. J. Johnson and Kai Winding, Freddie Hubbard, Deodato, Aretha Franklin, Freddy Cole, and Sadao Watanabe among numerous others.

In 2009 the National Endowment of the Arts honored George Benson with the distinction of being a Jazz Master and he continues to record, perform and tour worldwide.

SUITE TABU 200

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Daily Dose Of Jazz…

Amina Claudine Myers was born March 21, 1942 in Blackwell, Arkansas. The pianist, organist, vocalist, composer and musical arranger began singing and playing the piano and organ as a child in church choirs in the Dallas/Ft. Worth area where she grew up. She directed choirs at an early age and graduated in concert music and music education from Philander Smith College.

In the early sixties Amina moved to Chicago, teaching and attending classes at Roosevelt University. It was in Chicago that she began working with Sonny Stitt and Gene Ammons, joined the AAMC, focused on vocal compositions and recorded her debut album with Kalaparusha Maurice McIntyre in 1969. .

In 1976 Myers relocated to New York City, where she intensified her compositional work and expanded it into the realm of Off-Broadway productions. She also continued performing and recording as a pianist and organist with Lester Bowie and Muhal Richard Abrams into the early eighties. In 1985 she joined Charlie Haden’s Liberation Music Orchestra and had notable collaborations on recordings with artists like Marian McPartland, the Art Ensemble of Chicago, Archie Shepp, David Murray, Arthur Blytheand Ray Anderson to name a few.

Amina Claudine Myers, a virtuoso pianist and organist whose work is presented internationally and appears on scores of recordings, draws upon her backgrounds in classical music and the music of the black church of her native rural South to create a recombinant sensibility within improvisation-imbued extended compositions. Her work is insistently post-genre at a moment when re-inscriptive collage pretends to postmodern transgression.

BRONZE LENS

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Daily Dose Of Jazz…

Bill Henderson was born William Randall Henderson on March 19, 1926 in Chicago, Illinois. He didn’t begin his musical career until 26 years later performing around his home city with Ramsey Lewis before moving to New
York in 1958. A singer of blues, ballads and swing, he follows in the tradition of Joe Williams and Ernie Andrews but clearly brings his own personality to each performance.

His early big hit was Senor Blues, recorded with Horace Silver and worked with the Jimmy Smith trio. During his tenure at Vee-Jay in which he recorded several fine albums he worked with Ramsey Lewis, Yusef Lateef, Booker Little and Eddie Harris. A move to MGM had him working with Oscar Peterson in 1963 and touring with Count Basie from 1965-66.

Settling in Los Angeles, Bill began working as an actor in film and television in the seventies, taking minor or supporting roles and one-time appearances in such movies as Trouble Man, Silver Streak, City Slickers, Hoodlum, and television with Happy Days, Hill Street Blues, The Jeffersons, MacGyver, Cold Case and My Name Is Earl.

The late nineties saw his participation on Charlie Haden’s album “The Art Of The Song” alongside Shirley Horn, followed by a Live at the Kennedy Center and Beautiful Memory: Live at The Vic releases. Still in great form at the age of 86, vocalist and actor Bill Henderson, who amassed some four-dozen albums and 45s over his career, continued to perform around Los Angeles until his death at age 90 on April 3, 2016 from Alzheimer’s Disease.

FAN MOGULS

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Daily Dose Of Jazz…

Robert “Bobby” McFerrin, Jr. was born March 11, 1950 in Manhattan, New York to the late Metropolitan Opera baritone Robert McFerrin and Broadway singer Sara Cooper. He spent his childhood surrounded by jazz, blues, R&B, classical, pop and world music, playing in jazz and cabaret bands until the age of twenty-seven.

Developing a vocal technique that switches rapidly and fluidly between normal and falsetto registers to create polyphonic effects, McFerrin performs both the main melody and the accompanying parts of songs. His use of percussive effects with his voice and tapping on his chest compliments his ability to overtone singing.

In 1984 McFerrin released his first solo album The Voice without accompaniment or overdubbing but he came to worldwide prominence with his 1988 hit “Don’t Worry, Be Happy” that garnered him two Grammys for Song and Record of the Year.

The ten-time Grammy winning vocalist and conductor has collaborated with Chick Corea, Herbie Hancock, Joe Zawinul, Tony Williams and Yo-Yo Ma. In addition he has lent his voice to the Cosby Show, to film and the 1989 Oscar winning documentary Common Threads: Stories from the Quilt in which his ten-person Voicestra was featured.

He is the creative chair of the Saint Paul Chamber Orchestra and has been a guest conductor for symphonies and philharmonics in San Francisco, New York, Chicago, Cleveland, Philadelphia, Los Angeles, Vienna and London. He has performed with comedian Robin Williams, consorted with the Muppets, interpreted Beatles songs and demonstrated with audience participation the power of pentatonic scale that became a viral Internet phenomenon.

Bobby McFerrin defies convention and categorization as he draws from all genres to showcase his matchless improvisational skill with an ability to create new vocabularies on the fly as he continues to explore and discover new territory in music.

FAN MOGULS

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Daily Dose Of Jazz…

Zenzile Miriam Makeba was born on March 4, 1932 in the Prospect Township of Johannesburg, South Africa. Known to her many fans as simply Miriam Makeba or Mama Afrika, her career spanned more than 50 years.

As a child, she sang at the Kilmerton Training Institute in Pretoria, while attending for eight years followed by touring with an amateur group. Her professional career began in the 1950s with the Manhattan Brothers prior to her forming her own group, The Skylarks, singing a blend of jazz and traditional melodies of South Africa.

By 1959 she was performing in the musical King Kong with her future husband Hugh Masekela and though she became a successful recording artist, she received a pittance for her work without residual royalties. However in the same year her big break arrived when she was given a short guest appearance in the indie anti-apartheid documentary “Come Back, Africa” and she made such an impression that the director managed a visa for her to leave the country for the Venice Film Festival.

Traveling to London she met Harry Belafonte who assisted her in gaining entry to and fame in the United States. She released many of her most famous hits there including “Pata Pata”, “The Click Song” and “Malaika”. In 1966, Makeba, in collaboration with Belafonte received a Grammy for Best Folk recording “An Evening With Belafonte/Makeba” that dealt South African apartheid.

Miriam went on to perform at the 1974 Rumble In The Jungle between George Foreman and Muhammad Ali, on Paul Simon’s Graceland, authored an autobiography, starred in Sarafina, guest appeared on the Cosby Show, took part in Amandla: A Revolution in Four Part Harmony and returned to South Africa under the persuasion of Nelson Mandela.

She was awarded the Dag Hammarskjöld Peace Prize, was named Goodwill Ambassador for the UN Food and Agriculture Organization, was awarded the UN Gold Otto Hahn Peace Medal and voted 38th in the top 100 Great South Africans. While on a concert stage taking a stand against injustice against humanity singing her hit song “Pata Pata”, she succumbed to a heart attack on November 9, 2008.

CALIFORNIA JAZZ FOUNDATION

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