Daily Dose Of Jazz
Betty Roché was born in Wilmington, Delaware on January 9, 1920. She began her career by taking the amateur contest on the famed stages of the Apollo Theatre in Harlem. Famous for her strong, dramatic way of singing the blues, she sang with the Savoy Sultans in 1941 and then joined Duke Ellington two years later replacing Ivie Anderson just days before his Carnegie concert.
Betty rose to the occasion to critical acclaim performing a section of Black, Brown & Beige. But it was her rendition of Take The “A” Train that gained her greatest fame. She performed it in the 1943 film “Reveille With Beverly” but because of WWII it would be nearly a decade later before she would record the tune.
Roché performed and recorded with pianist Earl ‘Fatha’ Hines, trumpet master Clark Terry and pianist/singer Charles Brown. In the late 50’s and early 60’s she recorded for both Bethlehem and Prestige and her contribution to the jazz scene is larger than most think as she is credited with being a major influence on bebop singers and the public’s ability to deal with the musical adventure.
Vocalist Betty Roché, known for her blues and jazz renderings, died on February 16, 1999.
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Chano Pozo was born Luciano Pozo Gonales was born in Havana, Cuba on January 7, 1915 and Chano showed an early interest in drumming, gaining his musical background performing ably in Afro-Cuban religious ceremonies in which drumming was a key element.
Growing up in poverty in the foul and dangerous area of El Africa solar where even the police feared to tread, By 13 he was in reformatory learning to read and write, study auto repair and hone his already exceptional drumming skill. Upon his release and during a series of lackluster jobs he composed music. His reputation grew among the people each year for the compositions he wrote for carnival and he quickly became the most sought after rumbero in Cuba.
At the beginning of 1947 Pozo moved to New York City with the encouragement of Miguelito Valdes with who he recorded along with Arsenio Rodriguez, Carlos Vidal Bolado and Jose Mangual. By September he was a featured performer with Dizzy Gillespie’s Big Band at Carnegie Hall and subsequently on a European tour. Their most notable material was ‘Cubana Be, Cubana Bop, Tin Tin Deo and Manteca, the latter two co-written by Pozo.
A conguero, percussionist, singer, dancer and composer, Chano became one of the founding fathers of Latin jazz, which was essentially a blend of bebop and Cuban folk music. Chano Pozo, a hot-tempered Cuban, was killed in a Harlem bar, a little more than a month shy of his 34th birthday on December 2, 1948.
Chano Pozo: 1915-1948 / Drums, Percussion
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Daily Dose Of Jazz…
Joe Lee Wilson was born to farming parents on December 22, 1935 in Bristow, Oklahoma of African American and Creek Native American heritage. Attending a 1951 performance by Billie Holiday began his interest in a music-industry career. He studied in Los Angeles before touring the West Coast, where he sat in with Sarah Vaughan before heading down to Mexico. In New York in the 1960s, he worked with Sonny Rollins, Lee Morgan, Miles Davis, Pharoah Sanders and Jackie McLean.
Wilson formed his band Joy of Jazz, to personify the life-affirming nature of jazz and blues. During the 1970s, Joe operated a jazz performance loft in New York’s NoHo district known as the Ladies’ Fort at 2 Bond Street. His regular band, Joe Lee Wilson Plus 5, featured alto saxophonist Monty Waters and Japanese guitarist Ryo Kawasaki, and hosted Archie Shepp and Eddie Jefferson as frequent collaborators.
Joe also sang with Eddie Jefferson, Freddie Hubbard and Kenny Dorham, recorded a 1972 live radio program at Columbia University’s WKCR-FM, which was released as an album, Livin’ High Off Nickels & Dimes, on the short-lived Oblivion Records. Wilson’s rendition of “Jazz Ain’t Nothing But Soul” was a radio hit on New York jazz radio in 1975.
While based in Paris, Tokyo, and the United Kingdom, he recorded regularly with the pianist Kirk Lightsey, and one of his last albums was an Italian recording with Riccardo Arrighini and Gianni Basso, Ballads for Trane.
Joe Lee Wilson was inducted into the Oklahoma Jazz Hall of Fame in November 2010, where he gave his last public performance. The baritone gospel-influenced jazz singer, best recognized on several Archie Shepp albums, passed away on July 17, 2011 leaving behind a short but relevant discography.
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Rita Reys was born into an artistic family as Maria Everdina Reijs on December 21, 1924 in Rotterdam, The Netherlands. She grew up listening to classical music and as a teenager entered and won many local talent competitions.
In 1943, Rita met her first husband, jazz drummer Wessel Iicken, who introduced her to the jazz scene. Forming Rita Reys & The Wessel Ilcken Sextet, she regularly performed at the Sheherezade jazz club in Amsterdam and as her reputation grew began to tour and perform around Europe and Africa between 1945 and 1950.
In 1950, the then Rita Reys Sextet celebrated continued success in The Netherlands, played American army bases and dance clubs in England, and settled in Stockholm, the city known as the jazz center of Europe in the early Fifties. She made her first recordings there for the Artist record label, would follow up with a session with Ove Lind, and others such as Quincy Jones, Clifford Brown, Art Farmer. She would go on to meet Ella Fitzgerald, Dizzy Gillespie, Oscar Peterson and Lester Young.
Reys accepted an invitation by Columbia record producer George Avakian to visit the United States and after arrival recorded The Cool Voice of Rita Reys with Art Blakey and the Jazz Messengers featuring Horace Silver, Hank Mobley and Donald Byrd. She had a swinging quality of her phrasing that opened the doors of the Village Vanguard for several performances. She has performed with Oscar Pettiford, Zoot Sims, Clark Terry, Herbie Mann, Milt Hinton, Osie Johnson, Jimmy Smith and Lester Young to name a few luminaries.
Vocalist Rita Reys has won France’s Juan Les Pins Jazz Festival; in 1969 she was the first Dutch jazz singer to perform at the New Orleans Jazz Festival, became a Citizen of Honor of New Orleans in 1980, won the Edison Award, the Bird award and has eight gold records.
Throughout the next three decades she would continue to perform, record and tour, returning to the Great American Songbook, paid tribute to George Gershwin and Antonio Carlos Jobim, has published her life story Rita Reys, Lady Jazz, has recorded nearly four-dozen albums since 1957, perform at festivals around the world and was named Europe’s First Lady of Jazz, a title she carries to this day. Vocalist Rita Reys passed away on July 28, 2013 in Breukelen, Netherlands.
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Bob Dorough, born December 12, 1923 in Cherry Hill, Arkansas, he grew up in Texas. He learned to play piano and would play in an Army band during World War II. After discharge he attended North Texas State University, majoring in composition and minored in piano.
Around 1950 Bob moved to New York City and was playing piano in a Times square tap studio where he was introduced to the boxer sugar Ray Robinson, who was putting together a song and dance revue. He was hired, became the show’s music director and toured the U.S. and Europe. Leaving the revue in Paris in 1954, he recorded with singer Blossom Dearie during that time. Returning to the U.S. and moving to Los Angeles, he played various gigs, including a job between sets by comedian Lenny Bruce. Dorough released his first album, Devil May Care, in 1956 that contained a version of Charlie Parker’s “Yardbird Suite”.
Dorough penned the lyrics for Miles Davis on the Christmas song “Blue Xmas” and a few years later recorded “Nothing Like You” that is on the Sorcerer album. He worked with Allen Ginsberg, and his adventurous style influenced Mose Allison among other singers. He is perhaps best known as a voice and primary composer of many of the songs used in “Schoolhouse Rock!” during the Seventies and Eighties.
The cool jazz pianist and composer he has penned with bassist Ben Tucker the tune “Comin’ Home Baby” that earned Mel Torme two Grammy nominations and a Top 40 hit. A vocalese singer, he has released 28 vocal jazz albums as a leader, four singles and 17 as a sideman and/or guest over the last 50 years. Bob Dorough received an honorary degree from East Stroudsburg University of Pennsylvania with a Doctor of Fine Arts, was named Artist of the Year in 2002 by the Pennsylvania Governor’s Awards for the Arts. He garnered a Grammy nomination for Best Recording for Children and was inducted into the Arkansas Jazz Hall of Fame prior to passing away on April 23, 2018 in Mount Bethel, Pennsylvania at age 94.
