Daily Dose Of Jazz…
Frankie Randall was born Franklin Joseph Lisbona on January 11, 1938 in Passaic, New Jersey. In 1964, he kicked off his acting career starring in Wild on the Beach and appeared in The Day of the Wolves in 1971. He appeared numerous times on the Dean Martin TV show, and hosted the summer version of the show when Martin was not available.
He released dozens of RCA singles and albums from the 1960s onwards. After starting out in pop music, Randall, a piano player, began performing material from The Great American Songbook. His version of the song “I Can See for Miles” by The Who is included in Rhino Records’ album Golden Throats: The Great Celebrity Sing Off.
In 2001, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. Frankie was inducted into the Las Vegas Casino Legends Hall of Fame the following year. He was presented the Amadeus Award by the Desert Symphony on January 11, 2013.
On December 28, 2014, pianist and vocalist Frankie Randall died of lung cancer in Indio, California at the age of 76.
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KIMMIE HORNE QUARTET
A Detroit native, Kimmie Horne developed her own unique style of performing and singing. She was inspired by her great-aunt, the legendary songstress and movie icon Lena Horne and her uncle, Cleveland Horne, lead vocalist of Motown’s Fantastic Four.
She is recognized internationally as a Jazz Singer, weaving blends of pop and rhythm and Blues, as well as classic jazz with her rich, alto voice and sultry performances.
Kimmie received the National Honor as Lady of Jazz by Black Women in Jazz and Arts Award in 2017 and was also recognized when she received the prestigious Best Jazz Vocalist for the 2018 Detroit Music Awards.
She has mesmerized audiences across North America, Europe and Asia with her engaging live performances. Her talent transcends beyond impeccable vocals and charisma alone. Most recently, Kimmie received stellar reviews as her portrayal of Sarah Vaughn in the Satin Dolls Revue 2021 and 2022.
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NICOLE HENRY
Nicole Henry has established herself as one of the jazz world’s most acclaimed vocalists and has captivated audiences in over 15 countries. Ms. Henry possesses a potent combination of dynamic vocal abilities, impeccable phrasing, and powerful emotional resonance. Her passionate, soulful voice and heart-felt charisma has earned her a Soul Train Award for “Best Traditional Jazz Performance,” three Top-10 U.S. Billboard and HMV Japan jazz albums. Heralded by The New York Times, Wall Street Journal, The Japan Times, El Pais, Jazz Times, Essence and more, Ms. Henry tells real stories through repertoire from the American Songbook, classic and contemporary jazz, contemporary standards, blues and originals.
Tickets: $7.00 Fee
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Daily Dose Of Jazz…
Cabell Calloway III was born on December 25, 1907 in Rochester, New York, on December 25, 1907 to two college graduates, his mother a teacher and church organist, and his father who worked as a lawyer and in real estate. The family moved to Baltimore, Maryland, in 1919 but soon after, his father died and his mother remarried.
Growing up in West Baltimore’s Druid Hill neighborhood Cab often skipped school to earn money by selling newspapers, shining shoes, and cooling down horses at the Pimlico racetrack where he developed an interest in racing and gambling on horse races. He ended up in Downingtown Industrial and Agricultural School, a Pennsylvania reform school run by his mother’s uncle.
Returning to Baltimore he resumed hustling, worked as a caterer while he improved his studies in school, and his mentors included drummer Chick Webb and pianist Johnny Jones. After graduating high school Calloway joined his older sister Blanche on tour for the popular black musical revue Plantation Days. He spent most of his nights in Chicago, Illinois clubs performing as a singer, drummer, master of ceremonies and as an understudy for singer Adelaide Hall. There he met and performed with Louis Armstrong, who taught him to sing in the scat style.
He established himself as a vocalist singing Ain’t Misbehavin’ by Fats Waller. The Thirties saw Cab’s orchestra permanently at the Cotton Club in Harlem, performed twice a week for radio broadcasts on NBC, and appeared on radio programs with Walter Winchell and Bing Crosby. He was the first Black American to have a nationally syndicated radio show and during the depths of the Great Depression he was earning $50,000 a year at 23 years old.
During the decade he recorded his most famous song, Minnie the Moocher, and became the first single record by a Black American to sell a million copies. He performed the song along with St. James Infirmary Blues and The Old Man of the Mountain, in Betty Boop cartoons of the same name.
His success with Minnie the Moocher and his relationship to the chorus earned him the nickname, The Hi De Ho Man. He performed a gliding backstep dance move called The Buzz, which some observers have described as the precursor to Michael Jackson’s moonwalk. He would go on to be featured in several films, and made his first Hollywood feature film appearance opposite Al Jolson in The Singing Kid in 1936.
His band included Ben Webster, Illinois Jacquet, Milt Hinton, Danny Barker, Doc Cheatham, Ed Swayze, Cozy Cole, Eddie Barefield, and Dizzy Gillespie. He entertained troops during World War II, hosted a weekly radio quiz show called The Cab Calloway Quizzicale and recorded songs full of social commentary. He appeared in the film Stormy Weather, one of the first mainstream Hollywood films with a black cast. Then he played the prominent role of Sportin’ Life in a stage production of Porgy and Bess. He continued to perform in movies and on stage throughout his career.
He published an autobiography and Cab Calloway’s Cat-ologue: A “Hepster’s” Dictionary, the first dictionary published by a Black American. It became the official jive language reference book of the New York Public Library.
Suffering a stroke at his home, vocalist, bandleader and actor Cab Calloway transitioned from pneumonia on November 18, 1994, at the age of 86, at a nursing home in Hockessin, Delaware.
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CARMEN LUNDY
Carmen Lundy’s work as a vocalist and composer has been critically acclaimed by Jazz Times, Downbeat, Jazziz, The New York Times, The Wall Street Journal, The Los Angeles Times, Variety, The Washington Post, and Vanity Fair among numerous other foreign publications. Lundy acted as Resident Clinician at Betty Carter’s Jazz Ahead at The Kennedy Center in Washington, D.C. for 20 years. She has conducted Master Classes around the world, among them the Thelonious Monk Institute of Jazz and The Sibelius Academy in Helsinki.
As a composer, Ms. Lundy’s catalogue numbers over 150 published songs, one of the few jazz vocalists in history to accomplish such a distinction. Her compositions have been recorded by such artists as Kenny Barron, Ernie Watts, Terri Lyne Carrington, Straight Ahead and Regina Carter. Carmen’s far-reaching discography also includes performances and recordings with such musicians as brother and bassist Curtis Lundy, Ray Barretto, Bruce Hornsby, Mulgrew Miller, Kip Hanrahan, Courtney Pine, Roy Hargrove, Jimmy Cobb, Ron Carter, Randy Brecker, Oscar Castro-Neves, Robert Glasper, Jamison Ross, Patrice Rushen, and the late Kenny Kirkland and Geri Allen among others.
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