Daily Dose Of Jazz…

Walter Roland Dickerson was born on April 16, 1928 in Philadelphia, Pennsylvania. He graduated from Morgan State University in 1953 and after two years in the Army he settled in California. There the vibraphonist started to gain attention by leading a group with pianist Andrew Hill and drummer Andrew Cyrille.

During the Sixties in New York City was where he gained some further attention. He recorded four albums for Prestige Records and in 1962 Down Beat named him the Best New Artist.

Dickerson recorded his debut album This Is Walt Dickerson in 1961 on the New Jazz label and would go on to record six more before the end of the decade for New Jazz, Audio Fidelity and MGM record labels. He worked with Elmo Hope, arranging his 1963 album Sounds From Rikers Island.

From 1965 to 1975 he took a break from jazz, but later he worked again with Andrew Hill and Sun Ra. Beginning in 1975 after his return to performing he recorded Tell Us Only The Beautiful Things and Walt Dickerson 1976 on the Whynot label. He then began recording ten albums for the Danish Steeplechase label and one for Soul Note in 1978.

Vibraphonist Walt Dickerson, who was most notably associated with the post-bop idiom, passed away on May 15, 2008 from a cardiac arrest in Willow Grove, Pennsylvania.


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Casper Reardon was born on April 15, 1907 in New York City. He studied classical harp at the Curtis Institute of Music before going on to play for the Philadelphia Orchestra and then the Cincinnati Symphony Orchestra.

Before Reardon the harp had been used in dance music for the occasional flourish, but he is considered the first for using harp as a jazz instrument for solos and performances. By 1936 he was hailed as the World’s Hottest Harpist, and the following year he played Cousin Caspar in the film You’re a Sweetheart.

1938 saw him playing harp for the Broadway musical I Married An Angel. As a jazz musician Reardon can be heard performing on albums by Jack Teagarden and Paul Whiteman. As a leader Casper recorded a handful of records for Liberty Music Shops and Schirmer.

Classical and jazz harpist Casper Reardon passed away in New York City on March 9, 1941 at the age of 33.


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Monty Waters was born on April 14, 1938 in Modesto, California. He received his first musical training from his aunt and first played in the church. After college, he was a member of a rhythm & blues band and in the late 1950s he worked with musicians like B.B. King, Lightnin’ Hopkins, Little Richard and James Brown on tour.

In San Francisco Monty played with King Pleasure and initiated in the early 1960s a “Late Night Session” at Club Bop City. There he came into contact with musicians such as Miles Davis, John Coltrane, Art Blakey, Red Garland and Dexter Gordon, who visited this club after their concerts. In addition, he and Pharoah Sanders, Dewey Redman and and Donald Garrett formed a big band.

By 1969 Waters had made a move to New York City and toured with Jon Hendricks. During the 1970s he participated in the Loft Jazz scene and recorded as a sideman with Billy Higgins, Joe Lee Wilson, Sam Rivers, and Ronnie Boykins. Like many other jazz musicians, he eventually left the States in the 1980s for Paris, where he worked with Chet Baker, Johnny Griffin and Sanders again.

Following Mal Waldron and Marty Cook to Munich, he continued to work with musicians such as Embryo, Gotz Tanferding, Hannes Beckmann, Titus Waldenfels, Suchredin Chronov and Joe Malinga. Saxophonist, flautist and singer Monty Waters passed away on December 23, 2008 in Munich, Germany.


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Slick Jones came into the world on April 13, 1907. He was born Wilmore Jones in Roanoke, Virginia and worked with Fletcher Henderson from 1934 to 1936, then recorded and toured with Fats Waller from 1936 to 1941.

Following his time with Waller, he played with Stuff Smith, Eddie South, Claude Hopkins, Hazel Scott, and Don Byas. In the 1950s Jones worked with Sidney Bechet, Wilbur DePris and Doc Cheatham.

He record with Gene Sedric, Don Redman, Lionel Hampton and Una Mae Carlisle. He worked with Eddie Durham and Eddie Barefield in the 1960s. Though he never recorded as a leader, drummer Slick Jones remained active almost up until his death on November 2, 1969.


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Johnny Dodds (pronounced dots) was born April 12,1892 in Waveland, Mississippi and moved to New Orleans in his youth, and studied clarinet with Loranzo Tio. He played with the bands of Frankie Duson, Kid Ory and Joe “King” Oliver.

Dodds went to Chicago, Illinois to play with Oliver’s Creole Jazz Band, with whom he first recorded in 1923. He also worked frequently with his good friend Natty Dominique during this period, a professional relationship that would last a lifetime.

After the breakup of Oliver’s band in 1924, he replaced Alcide Nunez as the house clarinetist and bandleader of Kelly’s Stable. He recorded with numerous small groups in Chicago, most notably Louis Armstrong’s Hot Five and Fot Seven, Jelly Roll Morton’s Red Hot Peppers and Lovie Austin.

Noted for his professionalism and virtuosity as a musician, and his heartfelt, heavily blues-laden style, Dodds was an important influence on later clarinetists, notably Benny Goodman.

Along with his younger brother drummer Warren “Baby” Dodds, they worked together in the New Orleans Bootblacks in 1926. As a leader he recorded prolifically between 1927 and 1929, recording for Paramount, Brunswick/Vocalion, and Victor. Affected by ill he recorded two more sessions in 1938 and 1940 both for Decca before passing away of a heart attack in Chicgo, Illinois on August 8, 1940. In 1987, clarinetist and alto saxophonist Johnny Dodds was inducted into the Down Beat Jazz Hall of Fame.


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