Hollywood On 52nd Street
My Foolish Heart is the theme song to the 1949 film of the same name adapted from J. D. Salinger’s 1948 short story Uncle Wiggily in Connecticut. Directed by Mark Robson and starred Dana Andrews and Susan Hayward. The film tells the story of a woman’s reflections on the bad turns her life has taken.
Unfortunately for movie fans this remains the only authorized film adaptation of Salinger’s work as the filmmakers’ infidelity to his story famously precluded any possibility of film versions of other Salinger works, including The Catcher in the Rye. Though a lackluster and critical reception met the movie, Hayward was nominated for an Academy Awards for Best Actress in a Leading Role and Victor Young and Ned Washington for Best Music, Song for the title song and which has become a jazz standard.
The film was recognized with a nomination by American Film Institute in 2002 to AFI’s 100 Years…100 Passions, however, it did not make the list.
Sponsored By
www.whatissuitetabu.com
#preserving genius
Daily Dose Of Jazz…
Sing Miller was born James Miller in New Orleans, Louisiana on June 17, 1914. He started out his career singing with the Harmonizing Browns Quartet and playing banjo, but in the late 1920s he switched to piano. He did solo freelance work and as an accompanist in New Orleans in the 1930s, playing with Percy Humphrey for a time.
Serving in the military during World War II, after his discharge he played with Earl Foster’s band from 1945 to 1961. During the 1960s he was a regular at Preservation Hall, working with Kid Thomas Valentine, Kid Sheik Colar, The Humphrey Brothers, Jim Robinson, and Polo Barnes. He did asolo tours of Europe in 1979 and 1981, and recorded two full-length albums under his own name, a 1972 effort for Dixie Records and one in 1978 for Smoky Mary.
Pianist Sing Miller, who was a longtime performer on the New Orleans jazz scene, passed away on May 18, 1990.
Sponsored By
#preserving genius
More Posts: piano
Daily Dose Of Jazz…
Marilyn Moore was born on June 16, 1930 in Chicago, Illinois. She began her singing career during the 1950s and recorded only one solo album as a leader on the Bethlehem label titled Moody Marilyn Moore in 1957.
Her vocal style was similar to Billie Holiday’s, and according to jazz critic Will Friedwald, the two were friends. When Marilyn was an aspiring teenager vocalist in California she wrote her for advice. They wrote some thirty letters to one another during the 1940s. Holiday encouraged her and advised her to look up producer John Hammond when she arrived in New York City.
Vocalist Marilyn Moore, the first wife of saxophonist Al Cohn, who played on her album and the mother of guitarist Joe Cohn, passed away on March 19, 1992 in Ft. Lauderdale, Florida.
Sponsored By
#preserving genius
More Posts: vocal
The Jazz Voyager
The Jazz Voyager has recuperated from the music and fun of the Atlanta Jazz Festival and is heading to Zurich and then on to Ulster, Switzerland to visit the Swiss jazz archive that calls itself SwissJazzOrama. Founded 1989 in Rheinfelden as Pro Jazz Switzerland, it has been located in Uster near Zurich since 1998. The society has members from all over Switzerland.
The repository collects and archives all kind of sound carriers, pictures, literature and other testimonies from the Jazz universe. It registers these documents in databases that are continuously updated and provide quick access. The currently houses more than 6000 Shellac records, 18000 LPs, 7000 CDs, 600 Videos, 3000 Magazines, 1300 Books, 2000 photos and 2400 posters.
SwissJazzOrama develops concepts for theme-centered exhibitions, which are publicly shown at the Jazz Gallery in the Uster “Music Container” and at several events such as jazz festivals. People can access the archives and for scientific purposes, SJO specialists may support search, compilation and evaluation of relevant data.
Maintaining a very good relationship with the Swiss Jazz schools, the SwissJazzOrama can provide contact to related institutions in Switzerland and abroad. Membership is open to all persons interested in culture. To further investigate head to Ackerstrasse 45 CH 8610 in Uster or call +41 (0)44 940 19 82. Opening Hours of the Gallery, the Shop, and the Fonoteca Listening station are Tuesday to Friday 10:00am to 12:00pm and 1:30 pm to 5:00 pm and closed Monday. Free entry! #jazzvoyager#wannabewhereyouare
Sponsored By
Voices From The Community
#preserving genius
More Posts: adventure,club,genius,jazz,music,preserving,restaurant,travel,voyager
Daily Dose Of Jazz…
Melvin Moore was born on June 15, 1923 in Chicago, Illinois. In 1944 the trumpeter began his career playing with Lucky Millinder, then joined Duke Ellington’s Orchestra from 1948 to 1950. This he followed with performance in rhythm and blues bands. By 1951 he was recording with Dizzy Gillespie and singing on such titles as The Champ and Swing Low, Sweet Cadillac.
At the end of 1951 he was recording some vocal titles for King Records with Terry Gibbs, Billy Taylor, Mundell Lowe and Charles Mingus. In 1957 he was a member of Don Redman’s orchestra, the following year he recorded with John Pisano and with Billy Bean. Between 1964 and 1966 he worked with Gerald Wilson and he also accompanied Johnny Hartman. During the Sixties he performed on separate dates at the Monterey Jazz Festival with Mingus, Thelonious Monk and Dizzy Gillespie.
By 1967 he was playing in B.B. Kings band followed by the Seventies bands of Esther Phillips, T – Bone Walker, Don Sugarcane Harris, Johnny Otis, Jerry Garcia and Shuggie Otis and in the early 1980s with Ted Hawkins. Moore is not to be confused with the singer born in 1917, who sang with Jimmie Lunceford and Ernie Fields .
Trumpeter, violinist and singer of swing and bebop Mel Moore passed away on February 26, 1989 in New York City.
Sponsored By
#preserving genius