The Jazz Voyager
The Jazz Voyager is on his way to his old stomping grounds in the nation’s capital to navigate his way to the cobblestone street where the intimate little club Blues Alley has been a Georgetown landmark for jazz since 1965. Located in the alley below M Street, at 1073 Wisconsin Avenue, NW Washington, DC 2007 it has hosted some of the biggest names in jazz over their half century of existence.
Dinner and jazz is this weekend’s fare as I will be enjoying the talented trumpeter Arturo Sandoval. There’s nothing like an up close and personal experience for jazz. Two shows nightly at 8:00 and 10:00pm and tickets are $60-$65 plus $12 minimum per person. For more information the number is 202-337-4141.
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Daily Dose Of Jazz…
William Frank Reichenbach Jr. was born November 30, 1949 in Takoma Park, Maryland, the son of Bill Reichenbach, drummer for Charlie Byrd. He began playing in high school bands in the Washington, D.C. area, sat in with his father’s group, and played with Milt Jackson, Zoot Sims, and others.
Reichenbach went on to study at the Eastman School of Music and after graduating joined the Buddy Rich band. He would also work in the Toshiko Akiyoshi – Lew Tabackin Big Band in Los Angeles, California during the mid to late Seventies. After that move to the West Coast, he became known for music for television and film.
Not limiting himself to jazz, Bill played trombone on The Wiz and, with the Seawind Horns including Jerry Hey on Michael Jackson’s albums Off the Wall, Thriller, and HIStory. He was also the composer for Cartoon All-Stars to the Rescue.
Trombonist and composer Bill Reichenbach is best known in jazz circles as a session musician for television, films, cartoons, and commercials. He recorded a solo album, Special Edition, where he is featured on tenor as well as bass trombone. He continues to compose, record and perform.
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Daily Dose Of Jazz…
Hal McIntyre was born Harold William McIntyre on November 29, 1914 in Cromwell, Connecticut. McIntyre played extensively as a teenager and led his own octet in 1935. Shortly thereafter, he was offered a temporary slot as an alto saxophonist behind Benny Goodman, but this lasted only ten days. However, Glenn Miller heard of his ability and drafted him as a founding member of the Glenn Miller Orchestra, where he played from 1937 to 1941.
Miller encouraged him to start his own group again, and the McIntyre Orchestra first hit the stage in New Rochelle, New York in 1941. The group included vocalists Gloria Van, Ruth Gaylor, and Al Nobel, bassist Eddie Safranski, and saxophonist Allen Eager. Playing the major ballrooms throughout the United States, they also performed overseas for the troops during World War II.
At the beginning of 1945, Hal and his orchestra had a weekly broadcast on the Blue Network. One feature of the program was that on each program the orchestra would play the theme song of one of America’s college fraternities, saluting some member who had distinguished himself in the war.
Touring extensively with songstress Sunny Gale until the summer of ’51, he maintained the orchestra well into the decade, backing The Mills Brothers for their 1952 smash hit Glow Worm. Hal co-wrote the song Daisy Mae with Billy May which was recorded by Glenn Miller and His Orchestra.
Critically injured in an apartment fire in 1959, saxophonist, clarinetist, and bandleader Hal McIntyre passed away at a hospital a few days later on May 5, 1959 in Los Angeles, California.
Daily Dose Of Jazz…
George Godfrey Wettling was born on November 28, 1907 in Topeka, Kansas. He was one of the young Chicagoans who fell in love with jazz after hearing King Oliver’s band with Louis Armstrong on second cornet at Lincoln Gardens in the early 1920s. Oliver’s drummer, Baby Dodds, made a particular and lasting impression on him.
Wettling went on to work with the big bands of Artie Shaw, Bunny Berigan, Red Norvo, Paul Whiteman, and Harpo Marx, but he was at his best with bands led by Eddie Condon, Muggsy Spanier, and himself. In these small settings he demonstrated the arts of dynamics and responding to a particular soloist that he had learned from Dodds.
A member of some of Condon’s bands, George was in the company of Wild Bill Davison, Billy Butterfield, Edmond Hall, Peanuts Hucko, Pee Wee Russell, Cutty Cutshall, Gene Schroeder, Ralph Sutton, and Walter Page. By 1957 he was touring England with a Condon band that included Davison, Cutshall, and Schroeder.
Toward the end of his life, he, like his friend clarinetist Pee Wee Russell, took up painting and was influenced by the American cubist Stuart Davis. Jazz, swing and Dixieland drummer George Wettling, active from the 1920s to the 1950s, passed away on June 6, 1968 in New York City.
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Daily Dose Of Jazz…
Rebecca Coupe Franks was born on November 27, 1961 in San Jose, California. It was natural that she started playing trumpet when she was ten, as her brother, mother, grandfather, and great uncle all were trumpeters.
A professional by the time she was 15, Rebecca moved to New York City saw her attending New York University from 1990 to 1991 and practicing on the roof of the music building overlooking Lower Manhattan.
In the early 1990’s, she made a strong impression with her two albums for the Justice label. Her 1992 release Suit of Armor included appearances by saxophonist Joe Henderson, pianist Kenny Barron and bassist Buster Williams. During the 2000s she self-released several records, including Exhibition: Tribute to Joe Henderson.
Trumpeter Rebecca Coupe Franks continues to compose, record, perform and tour with her Groovemobile, which is a five piece band playing a mix of r&b, jazz and soul.
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