The Quarantined Jazz Voyager
Do what you desire to or not protect your health but be responsible for the health of your fellow man. This is my request. The children are spreading this far more than adults as I continue to hear reports from friends that they caught Covid from children who have greater exposure.
The album It’s A Quiet Thing from vocalist Morgana King is taken from the stacks representing the need for silence and reflection during this time of uneasiness. Produced by Jimmy Bowen, the album was recorded and released on the Reprise label in 1965 with arrangements by Torrie Zito brings us music reflective of the title.
Noise is not required to transport us to destinations that conjure memories. It’s class and sophistication that makes this an elegant compendium of songs. The arrangements and orchestration are equally soft and complimentary to her voice. Her incredible vocal range is backed by a menu of textured strings, guitar, French horn and bossa nova.
Artistry is something one has and when two purveyors connect we become privy to an excellent outcome. This happens to fill that order. So sit back, relax and listen.
Tracks | 31:27- It’s a Quiet Thing (Fred Ebb, John Kander) ~ 3:02
- Dindi (Ray Gilbert, Antonio Carlos Jobim, Aloysio de Oliveira) ~ 4:00
- Useless Landscape (Gilbert, Jobim, de Oliveira) ~ 3:12
- Gone with the Wind (Herbert Magidson, Allie Wrubel) ~ 2:58
- Little Girl Blue (Lorenz Hart, Richard Rodgers) ~ 3:35
- Mountain High, Valley Low (Bernie Hanighen, Raymond Scott) ~ 2:09
- How Insensitive (Norman Gimbel, Jobim, Vinícius de Moraes) ~ 3:14
- Here’s That Rainy Day (Johnny Burke, Jimmy Van Heusen) ~ 2:38
- Deep Song (George Cory, Douglass Cross) ~ 3:38
- If You Should Leave Me (E Se Domani) (Arthur Altman, Giorgio Calabrese, Al Stillman) ~ 3:01
- Morgana King ~ vocals
- Torrie Zito ~ arranger
More Posts: adventure,album,club,genius,jazz,museum,music,preserving,restaurant,travel,vocal
Daily Dose Of Jazz…
Alvin “Abe” Aaron was born on January 27, 1910 in Toronto, Canada on January 27, 1910. His father, a bandleader with a theater band in Milwaukee, Wisconsin, had him playing reeds in the band for more than ten years. Early in the 1940s he left this group to play alto saxophone in the big band of Jack Teagarden, with which he recorded in 1942.
Moving to Hollywood, California in 1943, Abe played with Horace Heidt on radio. From 1945 to 1947 he played with Skinnay Ennis, then returned to work under Heidt through 1949. Through the 1950s he played in Les Brown’s Band of Renown, touring Europe and East Asia. He recorded often as a member of Brown’s band for Coral and Capitol record companies. In the band, he played clarinet and alto saxophone in the early 1950s, then switched to tenor and baritone. He also recorded on bass clarinet with Billy Usselton.
Clarinetist and saxophonist Abe Aaron transitioned on January 31, 1970.
More Posts: clarinet,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Aki Takase (高瀬 アキ) was born January 26, 1948 in Osaka, Japan and started to play piano at age 3. Raised in Tokyo, she studied classical piano at Toho Gakuen School of Music. Starting in 1978, he began performing and recording in the United States.
She has collaborated with Lester Bowie, Sheila Jordan, David Liebman, and John Zorn. Her first European appearance was in 1981 at the Berlin Jazz Festival in Germany. For many years, she has worked with her husband Alexander von Schlippenbach, as well as with Eugene Chadbourne, Han Bennink, Evan Parker, Paul Lovens, Fred Frith and many others, and in duets with Maria João, Louis Sclavis, David Murray and Rudi Mahall.
Through her constant touring and appearances at international jazz festivals, Takase quickly became one of the most sought-after musicians for recording and collaboration. In various projects, Takase has dealt with the respective oeuvres of numerous famous jazz musicians, including the works of Duke Ellington, Thelonious Monk, Eric Dolphy, W.C. Handy, Fats Waller, and Ornette Coleman.
Pianist and composer Aki Takase, who lives in Berlin, Germany and fuses rap, jazz and improvisation, landing between contemporary and jazz, continues to push the boundaries of her music.
More Posts: bandleader,composer,history,instrumental,jazz,music,piano
Three Wishes
When the Baroness inquired of Benny Green if given what three things would he wish for he told her:
- “The first thing I would think of would be to have a little money bestowed upon me. Well, really, if that happened, that would be all. The rest I’d be able to bestow upon myself.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
More Posts: baroness,history,instrumental,jazz,music,pannonica,saxophone,three,wishes
Daily Dose Of Jazz…
Charles Valdez “Truck” Parham was born in Chicago, Illinois on January 25, 1911 and was first a professional boxer and football player with the Chicago Negro All Stars. He played drums before settling on bass, and studied under Walter Page. From 1932~34 he was part of Zack Whyte’s band, playing primarily in Cincinnati, Ohio but was mostly a singer and valet for the band, the latter activity giving rise to his nickname.
Returning home he played through the Thirties with Zutty Singleton, Roy Eldridge, Art Tatum, and Bob Shoffner. 1940 saw Truck joining Earl Hines’s orchestra, remaining for two years;then on to be hired by Jimmie Lunceford for five years until 1947.
During the 1950s Parham continued to play revival gigs with Muggsy Spanier,, Herbie Fields, Hines again, and Louie Bellson. He spent much of the 1960s working with Art Hodes, and played in numerous Dixieland jazz groups later in his career. Recording profusely as a sideman, he continued playing into the 2000s, being a member of Franz Jackson’s band in 2000.
Double bassist Truck Parham, who never recorded as a leader transitioned in his hometown of Chicago on June 5, 2002.
More Posts: bass,history,instrumental,jazz,music