Daily Dose Of Jazz…

Burton Franklin Bales was born on April 20, 1916 in Stevensville, Montana and began to play piano at age twelve. By the 1930s he was in California playing in hotels and nightclubs. He played regularly in San Francisco, California in the 1940s, with Lu Watters’s Yerba Buena Jazz Band until he was drafted in 1943 and only recorded with that group on one brief session with Bunk Johnson.

After he was discharged for myopia he led his own band from 1943 to 1946 before taking an extended residency at San Francisco’s 1018 Club. He played with Turk Murphy (1949–50), Bob Scobey, and Marty Marsala, then played mostly solo between 1954 and 1966 where one of his regular gigs was at Pier 23.

He recorded extensively for Good Time Jazz, Arhoolie, ABC-Paramount, and Euphonic. Stride pianist Burt Bales transitioned on October 26, 1989, in San Francisco.

ROBYN B. NASH

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Daily Dose Of Jazz…

Czesław Kazimierz Bartkowski was born April 19, 1943 in Łódź, Poland and has been dealing with music since the age of 6. A percussion class graduate of the Secondary Music School in Wrocław, he made his official debut in 1960 as a drummer for Jerzy Pakulski ‘s Far Quartet.

In 1963, he met Zbigniew Namysłowski and became a musician in his band Zbigniew Namysłowski Quartet. He also played with other well-known jazz groups, e.g. with Czesław Niemen’s Niemen Enigmatic or Michał Urbaniak’s Group, and in trios with various musicians. He has also collaborated with the Polish Radio Jazz Studio and Sławomir Kulpowicz’s Mainstream and InFormation bands .

In addition, he participated in the recording of such singers as Ewa Bem, Urszula Dudziak and Stanisław Sojka, and such foreign musicians as: Freddie Hubbard, Clark Terry, Joe Newman, Art Farmer, Ben Webster, and the Polish band Novi Singers.

Not only has he performed in Poland, but abroad in India, USA, New Zealand, Australia and numerous European countries. In the winter of 1976, he took part in the jazz workshop Radost ’76 in Mąchocice, Poland near Kielce, which was immortalized in the documentary titled We’re Playing Standard!.

In 1993 he became a lecturer at the Secondary School of Music. Fryderyk Chopin in Warsaw, Poland and the Warsaw Jazz Studio. Drummer and pedagogue Czesław Bartkowski continues his endeavors in music.

ROBYN B. NASH

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Three Wishes

When Nica questioned Bud Powell what his three wishes would be if they could be granted he told her:

  1. “Not to have to go to the doctors and the hospitals.”
  2. “To go to Japan.”
  3. “To make a record.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

SUITE TABU 200

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Daily Dose Of Jazz…

Freddie Hill was born Frederick Roosevelt Hill on April 18, 1932 in Jacksonville, Florida. He studied cello and piano as well as trumpet. After four years at Florida A & M on a music scholarship and then spent two years in the army that brought him into contact with the Adderley brothers, among others. He moved to Los Angeles, California to pursue graduate studies at Los Angeles State College and gigs with many artists, including Gerald Wilson and Earl Bostic, followed.

Steady studio work gave him security thanks to Wilson, Matthews, Nelson and H. B. Barnum. However, his opportunities to record as a jazz soloist were few. Playing on the Gerald Wilson Pacific Jazz sessions put him in the company of many outstanding soloists. Hill is prominently heard on Leroy Vinnegar’s Leroy Walks Again!!! And Buddy DeFranco’s Blues Bag, which included Curtis Fuller and Art Blakey.

Besides working with Wilson and Vinnegar, Freddie recorded with Oliver Nelson’s Big Band, South Central Avenue Municipal Blues Band, and The Monterey Jazz Festival Orchestra.

Leaving the Los Angeles scene in 1971, he married and moved to the desert. By the end of the decade studio work was drying up and trumpeter Freddie Hill transitioned a forgotten man, date unknown.

ROBYN B. NASH

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Daily Dose Of Jazz…

Joseph S. Romano was born in Rochester, New York on April 17, 1932 and learned to play clarinet, alto and tenor saxophone as a child. Enlisting in the United States Air Force in the 1950s, then joined the band of Woody Herman in 1956, playing intermittently with Herman into the 1970s, including at major jazz festivals and on several worldwide tours.

In the 1960s, he played with Chuck Mangione, Sam Noto, and Art Pepper and was a recurring sideman on Buddy Rich’s albums between 1968 and 1974. During the Seventies he played with Les Brown, Louie Bellson, Chuck Israels, Sam Noto again, and with the Thad Jones-Mel Lewis Orchestra.

A move to California led him to session work in the 1980s. In addition, he worked with Frank Capp and Nat Pierce. He would later return to his hometown.

Saxophonist Joe Romano transitioned in Rochester on November 26, 2008, from lung cancer, at the age of 76.

ROBYN B. NASH

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