Daily Dose Of Jazz…
George “Geordie” Hormel was born on July 17, 1928 in Austin, Minnesota. He was the grandson of George A. Hormel, the founder of Hormel Foods. He claimed to have invented the corn dog when he was a teenager growing up in Minnesota.
In the 1950s and 1960s, Hormel composed music for numerous television shows including The Fugitive, Lassie, Naked City and The Adventures of Rin Tin Tin. He also sang as part of The Utility Muffin Research Kitchen Chorus on Frank Zappa’s triple album Joe’s Garage in 1979. He’s also done music for Capitol Records, most importantly the Hi-Q production music library.
In 1968 Geordie bought the Masonic Temple for $125,000 and founded a major independent studio, The Village Recording Studio, in Los Angeles, California of which he was proprietor until his death. It was one of, if not the first 24 track studio and Dolby Sound. He owned the Wrigley Mansion in Phoenix, Arizona and the Wrigley Mansion Club housed within it.
Geordie Hormel, who was a pianist, composer, record company owner, equipment dealer and always, ahead of his time,. transitioned on February 12, 2006 in Paradise Valley, Arizona at 77 years old.
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Requisites
Out Of This World ~ Teddy Edwards Quartet | By Eddie Carter
In this morning’s discussion from the library, the Teddy Edwards Quartet comes to play with their delightful 1981 release, Out of This World (SteepleChase Records SCS 1147). Theodore Marcus Edwards was born in Jackson, Mississippi, and comes from a musical family. His father and grandfather were both musicians, and he began playing the alto sax and clarinet at an early age before taking up the tenor sax. He later recorded and played with many great jazz musicians and has an extensive discography as a leader and sideman. He’s joined on this date by an excellent rhythm section, Kenny Drew on piano, Jesper Lundġard on bass, and Billy Hart on drums. My copy is the original U.S. Stereo pressing.
Side One opens with No Name No. 1, the saxophonist’s first of two original tunes. The ensemble starts with a rollicking groove on the opening chorus; then Teddy takes flight with a bright, boppish interpretation. Kenny comes in with a passionate performance; next, Jesper walks his bass briskly. Billy has a short conversation with Teddy leading to the theme’s restatement and abrupt stop. The pace eases the tempo slower for Edwards’ April Love. It’s a pretty song that the trio introduces before the leader steps up to deliver the beautiful theme and opening statement. Drew comes in next with an attractive interpretation complemented by Lundġard and Hart’s foundation preceding the ending theme and summation.
The title tune, Out of This World, by Harold Arlen and Johnny Mercer, debuted in the 1945 romantic comedy of the same name. The quartet swings the melody at a medium beat. Teddy lifts the opening solo to new heights of virtuosity. Kenny follows with a dazzling display of finger dexterity, then Jesper briefly comments ahead of the closing, and the trio dissolves into silence. Summertime by George Gershwin and DuBose Heyward begins Side Two with Teddy’s introduction, which branches into the foursome’s lovely theme. Edwards tells a wonderful story in two gorgeous readings. In between them, Drew presents a statement of great sensitivity. Lundġard matches them in melodic ideas in the closer before Edwards delivers the reprise, and the foursome disappears softly.
The quartet opens another page of The Great American Songbook with That’s All by Alan Brandt and Bob Haymes. It comes to life with Kenny’s deceptively simple introduction and Teddy’s soothing theme. The saxophonist’s opening statement is rendered with incredible beauty and enchantment. Kenny has a brief moment to present an especially warm solo preceding the leader’s return. Cheek To Cheek by Irving Berlin is from the 1935 film Top Hat and concludes the album on an upbeat note. Hart opens with a brisk introduction, setting the stage for Edwards to take off on a spirited melody and opening statement of zestful virtuosity. Drew has the next spot for an equally lively performance, and Hart ends in an enthusiastic whirlwind before Teddy reappears to wrap it up.
Nils Winther produced Out of This World, and Freddy Hansson was the man behind the dials of the recording. The album has a stunning soundstage, and each instrument is captured perfectly. The highs sparkle, the midrange is clean and crisp, and the bass is solid. The record is also incredibly quiet until the music starts. If you’re in the mood for an excellent Hard-Bop album, I invite you to give Out of This World by The Teddy Edwards Quartet a listen at your earliest opportunity. It’s a great album that offers a glimpse into this underrated but talented musician, and I can’t recommend it enough for a spot in your library!
~ Cheek To Cheek, Summertime, That’s All – Source: JazzStandards.com
~ Out of This World – Source: Wikipedia.org
© 2023 by Edward Thomas Carter
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Daily Dose Of Jazz…
Dee Bell was born in Fort Wayne, Indiana on July 16, 1950 and grew up in a musical family and began playing music at home. She played clarinet in the Plainfield High School band and performed in an a cappella trio from age ten through her last year of high school. She went on to enroll and graduate from Indiana University in 1972, lived on the edge of the Hoosier National Forest in a two-room cabin with a wood stove for heat, and was co-founder and head chef of the Earth Kitchen vegetarian restaurant in Bloomington, Indiana.
The late 1970s saw Bell moving to California and working at a restaurant in Sausalito. While singing Happy Birthday to a customer, she was heard by jazz guitarist Eddie Duran who invited her to sing with his band. They made a demo tape which became her first album, Let There Be Love on the Concord Jazz label, that included saxophonist Stan Getz. Their sophomore album for Concord Jazz brought in trumpeter Tom Harrell.
Bell recorded a third album, Sagacious Grace in 1990 with Houston Person and John Stowell, but was never released due to technical problems until 2011 when audio engineers fixed the problem. It reached No. 31 on the JazzWeek radio chart.
Bell left the music business and became a grade school music teacher in Mill Valley. After the death of her musical director, Al Plank, she met Marcos Silva backstage at a tribute to Merrilee Trost. This became a collaboration, merging her swing style with his Brazilian rhythms, resulting in the recording of three CDs by them.
With permission and copyrights Bell has written lyrics to Billy Strayhorn’s Isfahan, Jimmy Rowles The Peacocks, Don Sebesky’s You Can’t Go Home Again, and Ivan Lins’ Acaso (By Chance), Depois dos Temporais (After the Storm), and Choros das Aguas (Crying of the Waters).
Vocalist Dee Bell, who has released six albums and has been nominated for several awards by Down Beat, Billboard and BAM, continues to perform.
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Daily Dose Of Jazz…
Dan Peter Sundland was born in Oslo, Norway on July 15, 1986 and grew up in Børsa, a village outside Trondheim, Norway. He started playing bass at age 14 and studied with bass players Andreas Bergsland and Mattis Kleppen. He was a member of Middle-Norwegian Youth Big Band and went on to become a member of the S. Møller big band.
Attending Sund Folk College from 2005 to 2006 he then attained a bachelor’s degree in jazz performance at NTNU Music Institute in Trondheim in 2010. He went on to get his European Jazz Masters degree (EUJAM) at NTNU Music Institute with exchange to Berlin Jazz Institute in 2012 and Rytmisk Musikkonservatorium in Copenhagen, Denmark in 2013.
Active in the jazz and improvisation scenes in Norway and Berlin, Germany he has set himself apart by his expressive, wide ranging playing techniques, including cello-like bowing and a varied palette of percussive colours. Has been featured with musicians including Jim Black, John Hollenbeck, Axel Dörner, Tobias Delius, Hans Hulbækmo, Hanna Paulsberg, Eirik Hegdal, John Pål Inderberg and Tor Haugerud.
His discography includes compositional work for his own eleven-piece Elevenette, the Berlin based improvising quartet Home Stretch and sideman work and collective groups including Lina Allemano’s Ohrenschmaus, Simon Kanzler’s hardcore opera and singer-songwriter Port Almond.
Electric bassist and composer Dan Peter Sundland, who has led Trondheim Improvisation Orchestra together with Peder Simonsen, continues to compose, perform and record.
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Daily Dose Of Jazz…
Anthony John Archer was born July 14, 1938 in Dulwich, London, England and studied cello as a schoolboy before settling on upright bass.
He joined Don Rendell’s group in 1961, then went with Roy Budd and Eddie Thompson before beginning work with Tony Lee. He collaborated with Lee for many years as part of Lee’s trio, particularly at The Bull’s Head and Ronnie Scott’s Jazz Club.
He later played with Brian Lemon, Sandy Brown, Harold McNair, John Dankworth, and in the Best of British Jazz group with Kenny Baker and Don Lusher.
Double-bassist Tony Archer, who continued to work with Lee nearly until Lee’s death in 2004, is still active in the music scene at 85 years old.
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