Daily Dose Of Jazz…

Born Charles Isaacs on March 28, 1923 in Akron, Ohio, he initially played trumpet and tuba as a child before settling on bass. He served in the Army during World War II, where he took lessons from Wendell Marshall. After the war he played with Tiny Grimes from 1948–50, Earl Bostic from 1951 to 1953, Paul Quinichette in 1953, and Bennie Green in 1956.

Ike, as he was affectionately called, led a local band in Ohio in 1956, then played for two years in the trio behind Carmen McRae, whom he married late in the decade. He went on to work with Lambert, Hendricks and Ross, then with Count Basie, Gloria Lynne, and Erroll Garner in the Sixties,

With his own small groups he recorded only once as a leader, At The Pied Piper in 1967 for RGB Records. On this recording he plays in a trio with Jack Wilson on piano and Jimmie Smith on drums. As a coleader he recorded two albums with Maxine Sullivan.

As a sideman he recorded twenty-six albums with Count Basie, Lambert, Hendricks & Ross, Roy Brown, Ray Bryant, Harry Edison, Eddie Lockjaw Davis, Pee Wee Erwin, Ella Fitzgerald, Billie Holiday, Erroll Garner, Bennie Green, Al Grey, Jon Hendricks, Carmen McRae, Big Miller, Esther Phillips, Dan Wall, Jack Wilson, and Joe Williams.

Bassist Ike Isaacs died on February 27, 1981.

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Daily Dose Of Jazz…

Lisa Lindsley was born March 27, 1957 in Ogden, Utah. Growing up she listened to her father’s records of jazz greats like Bill Evans, Dave Brubeck, Ella Fitzgerald and Sarah Vaughan. Her mother, a film actress who had to leave Hollywood in the 1950s because of the McCarthy-era blacklist, imbued in her a love of theater.

While as a young teen attending Wasatch Academy in Mt. Pleasant, Utah Lindsley gravitated to the rock and pop music of the day, she discovered musical theater in high school, a passion that carried through to college. After graduating from the California Institute for the Arts theater program, she spent a decade touring and performing with The Imagination Company. However, raising two daughters put her performing ambitions on hold for years, but she developed a successful career as a voice over artist, cast in national ad campaigns, radio shows and video games.

Comin to jazz singing in mid-life, she earned national attention with her stellar 2010 debut release Everytime We Say Goodbye, featuring bassist Fred Randolph and pianist George Mesterhazy. At the behest of her high school contortionist daughter’s desire to hone her French while studying at the Fratellini Circus School, she moved to Paris, France in 2013. This was the next natural step in her musical evolution. Settling in the 19th arrondissement filled with cultural vitality Lisa quickly developed a network of regular gigs with skilled accompanists. These relationships on her sophomore album, Long After Midnight, with pianist Laurent Marode, drummer Mourad Benhammou, Esaie Cid on flute, clarinet and tenor saxophone, and Bay Area bassist Jeff Chambers.

Back in the States and living in the San Francisco Bay area, Lindsley has been working steadily around the Bay Area over the past decade. She has honed her skills with Roger Letson at Contra Costa College, and studied with Maye Cavallero, Laurie Antonioli and Pamela Rose at the California Jazz Conservatory in Berkeley.

Vocalist Lisa Lindsley, who received essential on the job training from Bay area pianist/drummer Kelly Park,  continues her career of performance and recording.

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Jazz Poems

WHAT I’M WILD FOR I broke when I was ten and forty- year-old Mr. D. was clambering on top of me and it was all I could do to kick him back, keep the red ceiling light in sight, and wait for her to find me. So this is what she’s on her knees for every night, praying for Pops to come on back, rip her skirt off and ride her until it’s only skin she ever wants to feel again. I wanted to fling that in her face the way a slick trumpeter cat from Philly flung any panties at me summer I was fifteen. I’ve seen more love in Alderson, behind the warden’s back, behind Jim Crow’s back on the way home from movies: dykes would touch hands, feed cigarettes to one another like they were kisses, before the cells broke us all up–- forgers, whores, boosters, pushers, users. The soldiers had it, too, begging for pieces of my dress and stockings, tearing them to petals under their noses because they have the smell  of woman on them. I could love a whole army like that. But two husbands later and the hungry I feel is not the 600-miles-a-night on a bus flashing slow silver between gigs while my stomach opens wide. The cure for that is simple as a couple bucks, red beans and rice. What I’m wild for is a few grains of dope and the shakes I get from head to satin feet when it’s “Strange Fruit.” One night, my

body can’t

hold me down, the notes break clean, and no one can see me, but they point to the voice flying over the band and say, Billie, nobody sings  hunger like you do, or love. JANET M. CHOI

from Jazz Poems ~ Selected and Edited by Kevin Young

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Daily Dose Of Jazz…

Hugh Ferguson was born on March 26, 1958 in Boston, Massachusetts and began playing at six years old. Starting on the drums in grade school and taking lessons from his Catholic school nuns, by age eleven he was influenced to play guitar by his two older brothers who played the instrument. Inspired by James Taylor and Simon & Garfunkel he started on the acoustic guitar, then switched to electric when he heard Duane Allman, Jeff Beck and Carlos Santana.

Being self-taught he had very little music knowledge, but listening to records he was able to learn stuff by ear. He developed scale patterns.As a composer he would create a chord melody mostly on his guitar. Playing by intuition he has created his own phrasing and added space to his solos.

In the 70s the fusion wave hit with John McLaughlin, Billy Cobham and Tony Williams and Hugh got into the fusion jazz-rock music. 1978 saw him living and playing in Phoenix, Arizona before moving to Los Angeles, California in 1986.

As a contemporary guitarist he worked on musical projects that incorporated the music of Led Zeppelin, Eminem, Sting, Don Henley along jazz fusion lines. He opened for Larry Carlton, Al Dimeola and Hiroshima.

Guitarist Hugh Ferguson, who led a fusion jazz trio with bassist Brian Wright and drummer Roger Carter,  died on March 21, 2012.

Daily Dose Of Jazz…

Albert Burbank was born March 25, 1902 in New Orleans, Louisiana and was taught clarinet by Lorenzo Tio, one of that city’s most famous clarinet players. Staying in the New Orleans area throughout the 1920s, he played wherever his services were needed. During the 1930s, he worked with Kid Milton’s band but was drafted into the US Navy during World War II.

Upon demobilization, he worked internationally with the bands of Paul Barbarin and Kid Ory. Returning to New Orleans he played with several of the well-known jazz and brass bands in the city. He was regularly seen at Preservation Hall and toured Australia with a band made up of Preservation Hall musicians.

In 1975 Albertsuffered a stroke but continued playing until his death on August 15, 1976. Many of his recordings of broadcast performances with Kid Ory’s band at San Francisco’s Hangover Club, have been issued on the Danish Storyville label, and some with trombonist Bill Matthews appear on Southland.

Burbank would go on to record with Wooden Joe Nicholas, Herb Morand, Kid Clayton, Paul Barbarin, Percy Humphrey, and Jimmy Archey.

Clarinetist Albert Burbank died on August 15, 1976 in his hometown.

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