Daily Dose Of Jazz…
John Grant Sangster was born November 17, 1928 in the Melbourne suburb of Sandringham, Victoria, Australia. He was an only child that attended primary schools in Sandringham and Vermont, and then Box Hill High School. While at high school he taught himself to play trombone and with a friend, Sid Bridle, formed a band.
In 1946 he started a civil engineering course at Melbourne Technical School. Two years later Sangster performed at the third annual Australian Jazz Convention, held in Melbourne. By the following year he led his own ensemble, John Sangster’s Jazz Six, which included Ken Evans on trombone. He provided trombone for Graeme Bell and his Australian Jazz Band, later took up the cornet and then the drums. They toured several times from 1950 to 1955, and in the late Fifties he began playing the vibraphone.
He went on to play with Don Burrows in the early 1960s, form his own quartet and experimented with group improvisatory jazz, after becoming interested in the music of Sun Ra and Archie Shepp. By the end of the Sixties his attention turned to rock musicians and he joined the expanded lineup of the Australian progressive rock group Tully, who provided the musical backing for the original Australian production of the rock musical Hair. He performed and recorded with Tully and their successors, Luke’s Walnut, throughout the two years he played in Hair. In 1970 he re-joined the Burrows group for Expo 1970 in Osaka, Japan.
In the 1970s Sangster released a series of popular The Lord of the Rings inspired albums that started with The Hobbit Suite in 1973. He was also the composer of a large number of scores for television shows, documentaries, films, and radio. In 1988, Sangster published his autobiography, Seeing the Rafters.
Trombonist John Sangster, who also plays trumpet, drums, percussion, cornet, vibraphone and is best known as a composer, died in Brisbane, Queensland, Australia on October 26, 1995 at age 66.
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Daily Dose Of Jazz…
Wallace Leon Jones was born on November 16, 1906 in Baltimore, Maryland. He began playing trumpet in local Maryland bands such as Ike Dixon’s Harmony Birds and Percy Glascoe’s Kit Kat Orchestra early in his career.
He moved to New York City around 1935 and went to work with his cousin Chick Webb. He then joined Willie Bryant’s ensemble and recorded with Putney Dandridge and Duke Ellington, the latter where he was credited on clarinet, trombone and trumpet from 1938 to 1944.
He appeared in several sound films with Ellington, including 1943’s Cabin in the Sky. After this association, Wallace recorded with Ellington again in 1947, and also worked with Benny Carter, Snub Mosley, and John Kirby, but left music by the end of the Forties.
Trumpeter Wallace Jones died on March 23, 1983 in New York City.
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Daily Dose Of Jazz…
Ali Haurand was born Alfred Josef Antonius Haurand on November 15, 1943 in Viersen, Germany. After an apprenticeship as a confectioner and a business manager, he studied from 1966 to 1973 at the Folkwang School and the Rhineland Music Academy. He initially played with his own trio and from 1967 in the trio and quintet of pianist George Maycock. In 1968 he also toured with Philly Joe Jones, Jacques Pelzer, René Thomas and Jan Huydts.
He performed with Ben Webster, Don Byas, John Handy, Bobby Jones and Wilton Gaynair. This was followed by his own groups, Third Eye, the European Jazz Quintet with Leszek Zadlo, Gerd Dudek, Alan Skidmore and Pierre Courbois. Together with Alan Skidmore and Tony Oxley, they formed the trio SOH. Haurand played with his long-time companions, the saxophonist Gerd Dudek and the pianist Rob van den Broeck, in the formation The Trio.
Since 1982, the European Jazz Ensemble, which he formed out of the European Jazz Quintet with varying lineups that included Allan Botschinsky, Stan Sulzmann, Joachim Kühn and Daniel Humair. In the 2000s, he took part in several jazz and poetry projects.
For decades he was a presenter and consultant to the WDR television jazz editorial team, and for twelve years he was artistic director of the Düsseldorf Jazz Rally. From 1987 he was the founder, director and organizer of the Viersen Jazz Festival until 2014. For over 20 years he organized the jazz concerts in the Süchtelner Weberhaus.
Double bassist and bandleader Ali Haurand, who was also a television presenter, music producer and festival manager, died on May 28, 2018.
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The Jazz Voyager
Heading west and coming in early to Ann Arbor, Michigan to investigate the African American Culture and History Museum, the Flight Museum and given time the Chelsea Area Historical Society Museum to see what the city and surrounding areas offer. The next leg of our tour stop of jazz clubs for a visit this week is the stylish lounge restaurant, Blue Llama. With Afro-Caribbean cuisine, designed by James Beard Award-winning Chef JJ Johnson paired with jazz, it creates a destination music venue.
On tap for entertainment is South African pianist Nduduzo Makhathini bringing the African warrior code that is deeply reliant on music for motivation and healing to the bandstand. With a deep influence of McCoy Tyner and Coltran’s quartet he allows his vision to be heard.
The Blue Llama is located at 314 S Main Street, 48104. For more information visit https://bluellamaclub.com.
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Daily Dose Of Jazz…
William Henry Bauer was born in New York City on November 14, 1915 and as a child he played ukulele and banjo before switching to guitar. He played with the Jerry Wald band and recorded with Carl Hoff and His Orchestra in 1941, before joining Woody Herman in 1944 as a member of the First Herd. In 1946, he played with Benny Goodman and Jack Teagarden.
Working in small groups led by bassist Chubby Jackson and trombonist Bill Harris, Bauer established himself as a soloist in the bebop movement. In 1946, he began working with Lennie Tristano, enjoying a natural synergy in their style and approach. Their development of intuitive music led to the 1949 session Crosscurrents. He would go on to become a member of the NBC Tonight Show band in New York City and played in the Today Show band at the start of early television.
Continuing his pioneering guitar work in a partnership with Lee Konitz, whose avant-garde saxophone work was a perfect match for Billy’s guitar. The dialogue between the musicians crossed styles from bop and cool to the avant-garde. Their recordings have been described as “some of the most beautiful duet recordings in jazz. Duet For Saxophone and Guitar was an unusual instrument pairing which has been described as redefining the role of jazz guitar.
Bauer made one album under his own name, Plectrist, in 1956. Later, he arranged the song No One that appeared on the album Henry Golis Presents Good Music with Friends in 2007.
Guitarist Billy Bauer died of pneumonia in New York at the age of 89 on June 17, 2005.
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