Daily Dose Of Jazz…
Andy Raphael Thomas Hamilton was born on March 26, 1918 in Port Maria, Jamaica, and learnt to play saxophone on a bamboo instrument. He formed his first band in 1928 with friends who played oil drums and Hamilton a bamboo saxophone. He was influenced by Duke Ellington and Count Basie and by the Kingston-based bands of Redver Cook and Roy Coburn.
Spending some time in the United States Andy worked as a cook and farm labourer, while having short jazz residencies in Buffalo and Syracuse, New York. Returning to Jamaica he worked as musical arranger for Errol Flynn at his hotel The Titchfield, and on his yacht the Zaka.
Emigrated as a stowaway to the United Kingdom in 1949 and eventually lived and worked in Birmingham, England. By day he worked in a factory, by night he played jazz with his own group, the Blue Notes that included fellow Jamaican pianist Sam Brown. Besides playing mainly local gigs, Hamilton booked an early Steel Pulse and numerous Jamaican bands around town before establishing a regular weekly venue in Bearwood. There he invited visiting musicians such as Joe Newman, Al Casey, Teddy Edwards, Art Farmer, Harry Sweets Edison, and David Murray. He fronted weekly gigs on Thursday nights at Bearwood Corks.
Having recovered from a diabetic coma in 1986, he celebrated his 70th birthday in 1988 playing at his regular venue, The Bear. He performed at the Soho Jazz Festival, and in 1991 at the age of 73, Andy made his first ever recording with Nick Gold, Silvershine on World Circuit Records. It became the biggest selling UK Jazz Album of the Year, The Times Jazz Album of the Year, and one of the 50 Sony Recordings of the Year. It was followed two years later by Jamaica at Night.
He continued to play, teach and promote music even as he approached his 94th birthday. Saxophonist Andy Hamilton, who in 2008 was appointed Member of the Order of the British Empire (MBE), transitioned peacefully on June 3, 2012
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Daily Dose Of Jazz…
Pete Johnson was born Kermit H. Johnson on March 25, 1904 in Kansas City, Missouri. Raised by his mother after the father deserted the family, financially distressed, he was placed in an orphanage at three. Homesick, he ran away and returned home. By the age of 12, finding work to ease the financial burden at home, he dropped out of school in the fifth grade as a result of his efforts.
Beginning his musical career in 1922 as a drummer in Kansas City, Missouri. He began piano about the same time he was learning the drums. His early piano practices took place in a church, where he was working as a water boy for a construction company. From 1926 to 1938, he worked as a pianist, often working with Big Joe Turner. with record producer John Hammond that led to an engagement at the Famous Door in New York City, and an in the From Spirituals to Swing concert at Carnegie Hall. Working locally, touring and recording with Turner, Meade Lux Lewis, and Albert Ammons kept him busy during this period. He appeared in the film short Boogie-Woogie Dream in 1941.
The song Roll ‘Em Pete, composed with and featuring Turner on vocals and Johnson on piano, was one of the first rock and roll records. They went on to record Johnson and Turner Blues and Rocket 88 Boogie.
By 1946 Pete recorded a concept album, Pete Johnson’s Housewarmin’, with J. C. Higginbotham, J. C. Heard, Albert Nicholas, Hot Lips Page, Clyde Bernhardt. Budd Johnson, and a young singer, Etta Jones. It was later re-released as Pete’s Blues.
The Fifties saw Johnson moving to Buffalo, New York, where he suffered health and financial difficulties including being partially paralyzed by a stroke. He held a series of jobs over the next few years supplementing them with occasional gigs. He continued to record, and toured Europe in 1958 with the Jazz at the Philharmonic ensemble, despite the fact that wasn’t in thebest of health. Returning to the States, he accompanied Big Joe Turner, Chuck Berry and Big Maybelle at the Newport Jazz Festival.
Diagnosed with a heart condition, diabetes and plagued with several strokes, Pete lost the mobility in both hands. Four years ater he began losing his eyesight. Royalties were dribbling in from Blue Note and Victor until he was finally accepted into ASCAP, which ensured that some of the royalties would be received on a regular basis.
His final live appearance was the Spirituals to Swing concert at Carnegie Hall in January 1967, his eighth and final appearance at this event. Pianist Pete Johnson, who played jazz and boogie~woogie, transitioned two months later in Meyer Hospital in Buffalo, on March 23, 1967, at the age of 62, two days before his 63rd birthday.
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The Quarantined Jazz Voyager
Reading the history of humanity, evidence proves that bad decisions are not relegated to bad people but are also made by good people. If taking off a face mask is your back to normal, in my opinion, you’re not reaching high enough and the brass ring has passed you by. Legislators and the media are confounding the public with different opinions, playing the he said she said game. The collusion is abomidable and most are buying into it. Remain vigilant, protect yourself, remain healthy.
This week I have chosen Total Response (subtitled The United States of Mind Phase 2) for our listening pleasure. It is an album by pianist Horace Silver that was recorded on two separate dates, November 15, 1970 (tracks 1,2,6,9) and January 29, 1971 (tracks 3,4,5,7,8). It was recorded at Van Gelder Studios in Englewood Cliffs, New Jersey, released in April 1972 on Blue Note Records, and produced by Francis Wolff and George Butler.
In 2004, it was included as the second of a trilogy of albums compiled on CD as The United States of Mind. Track List | 45:11 All compositions by Horace Silver
- Acid, Pot or Pills ~ 4:26
- What Kind of Animal Am I ~ 3:38
- Won’t You Open up Your Senses ~ 3:56
- I’ve Had a Little Talk ~ 3:46
- Soul Searching ~ 4:15
- Big Business ~ 5:22
- I’m Aware of the Animals Within Me ~ 3:45
- Old Mother Nature Calls ~ 6:17
- Total Response ~ 5:22
- Horace Silver – electric piano
- Cecil Bridgewater – trumpet, flugelhorn
- Harold Vick – tenor saxophone
- Richie Resnicoff – guitar
- Bob Cranshaw – electric bass
- Mickey Roker – drums
- Salome Bey (1, 2, 5-7, 9), Andy Bey (3, 4, 8) – vocals
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Daily Dose Of Jazz…
Kalaparusha Maurice McIntyre was born on March 24, 1936 in Clarksville, Arkansas but raised in Chicago, Illinois. He studied at the Chicago College of Music, and during the 1960s began playing with musicians such as Malachi Favors, Muhal Richard Abrams, and Roscoe Mitchell. Along with them he became a member of the ensemble Association for the Advancement of Creative Musicians (AACM) in 1965.
He recorded his first solo album in 1969. During this time he recorded as a session musician for Delmark Records, playing with George Freeman, J.B. Hutto, and Little Milton, among others. The same year, Kalaparusha was convicted for drug offences, serving his sentence in Lexington, Kentucky with fellow inmate and friend musician/composer Tadd Dameron.
Moving to New York City in the 1970s, he played at Sam Rivers’s Rivbea Studios and taught at Karl Berger’s Creative Studio. He and Muhal Richard Abrams toured Europe several times. After his 1981 live album, McIntyre recorded very little, playing on the streets and in the subways of New York. His next major appearance on record was not until 1998, with Pheeroan akLaff and Michael Logan. The following year he played with many AACM ensemble members on the album Bright Moments. He continued releasing albums as a leader into the new century.
Free jazz tenor saxophonist Kalaparusha Maurice McIntyre transitioned on November 9, 2013, in The Bronx, New York, at the age of 77.
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Daily Dose Of Jazz…
Gerry Hemingway was born March 23, 1955 in New Haven, Connecticut. He graduated from Foote School in New Haven and studied under Alan Dawson. In 2000 he received a Guggenheim Fellowship for his work in music composition.
He was a member of the Anthony Braxton quartet from 1983 to 1994. He has also performed with Ernst Reijseger, Anthony Davis, Earl Howard, Leo Smith, George E. Lewis, Ray Anderson, Mark Helias, Reggie Workman, Michael Moore, Oliver Lake, Marilyn Crispell, Christy Doran, John Wolf Brennan, Don Byron, Cecil Taylor, and Cuong Vu.
He has recorded on over one hundred albums for the labels Clean Feed, Enja, hatArt, Palmetto, Random Acoustics, and Tzadik. Avant~garde drummer and composer Gerry Hemingway, who owns his own record label Auricle,continues to pursue his musical endeavors.
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