Daily Dose Of Jazz…
Achille Joseph Baquet was born on November 15, 1885 in New Orleans, Louisiana into a musical family whose patriarch, Théogène, led the Excelsior Brass Band. He learned the clarinet from Luis “Papa” Tio and was thought to have been a member of the Whiteway Jazz Band.
Moving to New York City in 1918, then ragtime pianist, vocalist, and leader Jimmy Durante, the only member not from New Orleans, hired him to play with the Original Dixieland Jazz Band that was founded by Johnny Stein. He would go on to work with Papa Jack Laine’s Reliance Brass Band and was part of the clarinet section of the Happy Schilling Dance Orchestra.
Baquet’s credits as a composer include Why Cry Blues, written with Jimmy Durante. According to Papa Jack Laine, he co-wrote Livery Stable Blues with Acide “Yellow” Nunez.
Clarinetist and saxophonist Achille Baquet, who was a light-skinned black man able to pass for white, passed away on November 20, 1956 in his hometown.
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Daily Dose Of Jazz…
Donald Tyson Ewell was born in Baltimore, Maryland on November 14, 1916. He played with Bill Reinhardt’s Jazz, Ltd. band in Chicago, Illinois in 1947, 1948, and 1949. From 1956 to 1962, he was a member of the Jack Teagarden band and after Teagarden’s death, he went on tour in Europe.
Returning to New Orleans, Louisiana he performed in clubs and hotels. From 1976 to 1978 he performed in concert while battling alcoholism, he lived with his friend King Denton, the manager of a jazz club where Don was Artist in Residence.
He worked with Sidney Bechet, Kid Ory, George Lewis, George Brunis, Muggsy Spanier, and Bunk Johnson. He recorded twenty-one albums as a leader and seven as a sideman with Barbara Dane, Doc Evans, Bunk Johnson, Jack Teagarden. Moving back to Maryland. After his daughter’s death from cancer and after two strokes, stride pianist Don Ewell passed away on August 9, 1983.
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Daily Dose Of Jazz…
Eddie Calhoun was born November 13, 1921 in Clarksdale, Mississippi and raised in Chicago, Illinois. During the late Forties, he worked with Dick Davis and Ahmad Jamal in the early 1950s. Through the decade he played with Horace Henderson, Johnny Griffin, Roy Eldridge, Billie Holiday, and Miles Davis. He joined Erroll Garner in 1955 and played with him through 1966, recording extensively and touring worldwide.
After his time with Garner, Calhoun settled again in Chicago, where he played with vocalist and pianist Norvel Reed from 1967 to 1968. For two years from 1972 to 1974, he ran a nightclub called Cal’s in Chicago and led a sextet at the Fantasy Club from 1975 to 1980.
1980 to 1986 saw him accompanying pianist Lennie Capp before joining the Chicago All-Stars alongside Erwin Helfer for a tour of Europe. Never recorded as a leader, he recorded ten albums as a sideman during his career. Double bassist Eddie Calhoun passed away on January 27, 1993 in Paradise Lake, Mississippi.
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Conversations About Jazz & Other Distractions
Pianist Eric Reed featured guest on Conversations About Jazz on November 12
Hammonds House Digital invites you to join us for Conversations About Jazz & Other Distractions hosted by former jazz radio host and founder of Notorious Jazz, Carl Anthony. On Thursday, November 12 at 7:30 pm (EST), Carl’s special guest will be pianist, composer, and band leader Eric Reed. For the jazz novice and jazz head alike, this program is free and will stream live on Hammonds House Museum’s Facebook and YouTube
Through more than a quarter-century on the jazz scene, Eric Reed has been the leader of numerous ensembles. As a leader he’s recorded 24 albums beginning with Soldier’s Hymn-Dedicated to Art Blakey in 2007 and most recently with Everybody Gets The Blues, released in 2019. Reed is also a solo performer, composer, producer, educator, and sideman with many artists, including extended stints with Joe Henderson, Freddie Hubbard, Buster Williams, and Wynton Marsalis. Whatever the context, whatever the style, he consistently provides fresh ideas, virtuosic chops, intellectual clarity, and an unwavering will to groove. For more information: http://ericreed.net/.
Hammonds House Museum is generously supported by the Fulton County Board of Commissioners, Fulton County Arts and Culture, the City of Atlanta Mayor’s Office of Cultural Affairs, AT&T and WarnerMedia.
Hammonds House Museum’s mission is to celebrate and share the cultural diversity and important legacy of artists of African descent. The museum is the former residence of the late Dr. Otis Thrash Hammonds, a prominent Atlanta physician and a passionate arts patron. A 501(c)3 organization which opened in 1988, Hammonds House Museum boasts a permanent collection of more than 450 works including art by Romare Bearden, Robert S. Duncanson, Benny Andrews, Elizabeth Catlett, Jacob Lawrence, Hale Woodruff, Amalia Amaki, Radcliffe Bailey and Kojo Griffin. In addition to featuring art from their collection, the museum offers new exhibitions, artist talks, workshops, concerts, poetry readings, arts education programs, and other cultural events throughout the year.
Located in a beautiful Victorian home in Atlanta’s historic West End, Hammonds House Museum is a cultural treasure and a unique venue. During the COVID-19 pandemic, they continue to observe CDC guidelines, but look forward to welcoming in-person visitors soon! For more information about upcoming virtual events, and to see how you can support their mission and programming, visit their website: hammondshouse.org.
MEDIA: For more information, contact Karen Hatchett at Hatchett PR, karen@hatchettpr.com.
The Quarantined Jazz Voyager
POWER TO THE PEOPLE 11.12.20
As I sit socially distanced from the rest of the world ever vigilant of this pandemic, the next choice from the library is Power To The People by jazz saxophonist Joe Henderson. The album was recorded on May 23 and May 29, 1969 at Plaza Sound Studios in New York City and released on Milestone Records the same year.
Produced by Orrin Keepnews, all songs are written by Henderson except Opus One-Point-Five and Lazy Afternoon. It was his first to feature an electric instrument with Hancock playing the electric piano. This Quarantined Jazz Voyager is looking forward to listening to this lineup of talented musicians.
Track Listing | 42:27- Black Narcissus ~ 4:50
- Afro-Centric ~ 7:00
- Opus One-Point-Five (Ron Carter) ~ 4:56
- Isotope ~ 4:53
- Power to the People ~ 8:42
- Lazy Afternoon (Moross, Latouche) ~ 4:33
- Foresight and Afterthought (An Impromptu Suite in Three Movements) ~ 7:33
- Joe Henderson — tenor saxophone
- Mike Lawrence — trumpet (2, 5)
- Herbie Hancock — piano (3, 4, 6), electric piano (1, 2, 5)
- Ron Carter — bass
- Jack DeJohnette — drums
As you listen I hope you enjoy this great addition to the jazz catalog. Continue your social distancing, wear your masks and stay healthy. During this sabbatical from flying and investigating jazz around the globe, enjoy the listen and know that the world and I will be back.
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