Daily Dose Of Jazz…
William Christopher Handy was born on November 16, 1873 in a log cabin built by his grandfather in Florence, Alabama. Because his father believed musical instruments were tools of the devil, he purchased his first guitar without his parents’ permission, that he secretly saved for by picking berries and nuts and making lye soap. Upon seeing the guitar his father ordered him to return it, but also arranged short-lived organ lessons, moving on to learn to play the cornet. Secretly he joined a local band, purchased a cornet from a fellow band member and spent every free minute practicing it.
After working for a time on a “shovel brigade” at the McNabb furnace, in 1892 Handy travelled to Birmingham, Alabama, passed a teaching exam and began teaching. Finding the compensation too little, he quit, got a job in a pipe plant, put together a small string orchestra and taught musicians how to read music. He later organized the Lauzetta Quartet, ventured to St. Louis, Missouri and founding working conditions deplorable, so they disbanded.
Handy would go on to Evansville, Indiana, play the cornet in the Chicago World’s Fair in 1893, join a successful band that performed throughout the neighboring cities and states and worked as a first tenor vocalist in a minstrel show, a band director, choral director, cornetist and trumpeter.
At the age of 23, he was the bandmaster of Mahara’s Colored Minstrels and over a three-year tour, they toured to Chicago, throughout Texas, Oklahoma, Tennessee, Georgia, Florida, Cuba and Alabama at the end. Weary of life on the road, he and his wife, Elizabeth, settled in his nearby hometown of Florence and he became a faculty member at Alabama and Mechanical University from 1900 to 1902.
W.C. traveled throughout Mississippi, listening to various styles of black popular music, and with his remarkable memory would recall and transcribe the music later. He rejoined the Mahara Minstrels, toured the Midwest and Pacific Northwest, and became the director of a black band in Clarksdale, Mississippi. By 1909 he and his band moved to Memphis, Tennessee, where the publication of his Memphis Blues sheet music introduced his style of 12-bar blues, credited as the inspiration for the foxtrot dance step. By the time he was 40, he had established his musical style, his popularity had greatly increased, he was a prolific composer and a successfully profitable music publisher.
He founded the Handy Record Company, gained widespread popularity with the Bessie Smith recording of his Saint Louis Blues with Louis Armstrong, published several books including an autobiography and went blind after a fall from a subway platform. He later suffered a stroke and on March 28, 1958, W. C. Handy, The Father of the Blues, passed away from bronchial pneumonia at Sydenham Hospital in New York City.
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Daily Dose Of Jazz…
Ted Rosenthal was born on November 15, 1959 and raised in Great Neck, Long Island, New York. He began playing by ear at a young age, and started studying at 12 with Tony Aless, a sideman with Charlie Parker and Stan Getz. In high school, he studied briefly with Jaki Byard and Lennie Tristano, and attended workshops with Billy Taylor, Woody Shaw and others.
Finding limited opportunities to study jazz at the conservatory level, Ted found joy in in studying classical piano at the Manhattan School of Music. He received bachelor’s and master’s degrees in piano performance while continuing to pursue his love of jazz outside the classroom. After college, he continued his classical piano studies with Phillip Kawin while playing jazz in and around New York.
Rosenthal won the Thelonious Monk International Jazz Competition in 1988, launched his solo career, released his first CD as a leader New Tunes, New Traditions, with Ron Carter, Billy Higgins and Tom Harrell. The album interweaves Thelonious Monk songs with his original compositions. In the early 1990s with the last Gerry Mulligan Quartet, recording three CDs with Mulligan and performed in major jazz festivals throughout the world. After Mulligan’s death, Rosenthal became musical director of The Gerry Mulligan All Star Tribute Band, featuring Lee Konitz, Bob Brookmeyer and Randy Brecker. The group’s CD, Thank You, Gerry!, was nominated for a Grammy award in 1998.
As a sideman Ted has performed in small groups led by Art Farmer, Jon Faddis, Phil Woods, Jay Leonhart, Wynton Marsalis and the Lincoln Center Jazz Orchestra, the Carnegie Hall Jazz Band, the Westchester Jazz Orchestra, the Vanguard Jazz Orchestra, Lewis Nash, George Mraz, Bill Charlap, Dick Hyman, Helen Merrill, Mark Murphy and Ann Hampton Callaway, to name a few.
Pianist Ted Rosenthal, a recipient of 3 NEA grants, currently holds faculty positions at the Juilliard School and Manhattan School of Music in New York City, is a member of the Juilliard Jazz Quintet and continues to perform, record, compose and tour as a leader and sideman.
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Daily Dose Of Jazz…
Kim Rene Nalley was born November 14, 1971 in San Francisco, California but was raised in New Haven, Connecticut in a musical family that includes jazz drummer and photographer Reggie Jackson and R&B guitarist-vocalist Earl Whitaker. She received piano lessons from her great-grandmother and originally pursued classical voice, studying drama and opera at the Educational Center for the Arts in New Haven. She went on to study classical music at Holy Cross in Worcester, Massachusetts.
At Holy Cross, Nalley sang with the power rock combo The Limit, which featured Crusader musicians Garrett Scott Flynn, Steve Guerette, Jim Januzzi, Allan Harper and Anthony O’Donnell. Switching to jazz shortly after moving to San Francisco, while attended UC Berkeley, she sang in the Cal Big Band, as well as receiving a See’s Candy’ Scholarship for Outstanding Musicianship.
Kim performed weekly at the Alta Plaza and director Michael Tilson Thomas discovered and recorded her in concert and hired her to sing a program of Gershwin tunes with the San Francisco Symphony. She began performing with the Johnny Nocturne Band for the Rounder/ Bullseye label, went on national and international tours, relocate to Switzerland, but returned to save the club Jazz at Pearl’s from going out of business.
Citing the Little Rascals and Bug Bunny cartoons as her seminal jazz influences, jazz and blues singer, actress, historian and former Jazz at Pearl’s club owner Kim Nalley, known for her powerful 3½ octave range, scatting, r&b, spirituals and folk guitar, continues to perform and record.
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Daily Dose Of Jazz…
Ernie Farrow was born on November 13, 1928 in Huntington, West Virginia and is the half-brother to Alice Coltrane. It is said that he was responsible for introducing her to jazz. He had his own bands throughout high school and emerged in the professional jazz scene in the first half of the ’50s, working with a series of demanding bandleaders including Terry Gibbs and Stan Getz.
Farrow’s relationship with Yusef Lateef began around 1956, performing alongside Hugh Lawson and drummer Louis Hayes and recording a dozen albums with him from 1957 to 1964. Over the course of his short career he also worked with Barry Harris and John Williams among others.
A few years later he began leading his own group, based out of Detroit and was a strong influence on his younger piano-playing sister. In the ’60s he was featured on bass in a terrific classic jazz piano trio fronted by Red Garland.
Best known as a bassist, he however, started on piano before adding bass and drums. Multi-instrumentalist Ernie Farrow, who played piano, double bass, and drums, passed away on July 14, 1969.
Requisites
Soaring is an album recorded in 1973 by trumpeter Don Ellis and released on the MPS label. The album features Hank Levy’s composition which provided the title for, and was the title song for the 2014 film Whiplash. The film stars Miles Teller, J. K. Simmons, Paul Reiser, and Melissa Benoist and depicts the relationship between an ambitious jazz student (Teller) and an aggressive, abusive instructor (Simmons).
Four of the eight tracks are composed by Ellis and include Whiplash, Sladka Pitka by Milcho Leviev, The Devil Made Me Write This Piece, Go Back Home composed by Sam Falzone, Invincible, Image of Maria, Sidonie by Alexej Fried and closes out with Nicole.
Twenty multi-instrumentalists and four arrangers comprised the orchestra that brought this session to life playing a myriad of instruments, making it one for the collection. They are Don Ellis, Fred Seldon, Vince Denham, Sam Falzone, Gary Herbig, Jack Caudill, Bruce Mackay, Gil Rathel, Sidney Muldrow, Mike Jamieson, Ken Sawhill, Doug Bixby, Jay Graydon, Milcho Leviev, Dave McDaniel, Ralph Humphrey, Ron Dunn, Lee Pastora, Earle Corry, Joel Quivey, Renita Koven, Pat Kudzia, Alexej Fried and Hank Levy.
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