The Jazz Voyager

Flying the friendly skies the Jazz Voyager is heading for the urban setting of the Far East to experience first hand, the high-end jazz venue, the most expensive in Aoyama, Tokyo, Japan, the Blue Note Tokyo.

Described as city’s best venue for live jazz and seating about 300 people, it is cousin to the famous Blue Note New York club and was established in 1988 by two wealthy New York sisters. It has become a symbol of the globalization of jazz aesthetics, featuring a veritable who’s-who of American jazzmen along with local talent, such as the superb Toshiko Akiyoshi.

Made my reservation for tonight at +81 3-5485-0088 and arriving in Japan, at 〒107-0062 Tokyo, Minato, Minamiaoyama, 6 Chome−3−16, ライカビル for the 2nd set, this Jazz Voyager will be enchanted by the wonderfully talented Patti Austin as she sings Ella Fitzgerald. The price of admission is 9,000 Yen ($80.00) and doors open at 8:20pm with the show at 9:00pm. #wannabewhereyouare

GRIOTS GALLERY

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RonaldRonnieBall was born December 22, 1927 in Birmingham, England. He moved to London in 1948, and in the early Fifties worked both as a bandleader and under Ronnie Scott, Tony Kinsey, Victor Feldman and Harry Klein.

1952 saw a move to New York City where he studied with Lennie Tristano. In the 1950s and in the Sixties he worked extensively around the jazz scene with Chuck Wayne, Dizzy Gillespie, Lee Konitz, Kenny Clarke, Hank Mobley, Art Pepper, J.J. Johnson, Kai Winding, Warne Marsh, Buddy Rich, Gene Krupa, Roy Eldridge and Chris Connor among others.

By the 1960s he relatively disappeared from music. Pianist, composer and arranger Ronnie Ball passed away in October,1984.

FAN MOGULS

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David Nathaniel Baker Jr. was born on December 21, 1931 in Indianapolis, Indiana and took up the trombone attending Crispus Attucks High School. He went on to matriculate through Indiana University, earning his Bachelor and Master degrees in Music, having studied with J. J. Johnson, János Starker, and George Russell.

His first teaching position was at Lincoln University in Jefferson, Missouri in 1955, a historic black institution, but Baker had to resign his position under threats of violence after he had eloped to Chicago, Illinois to marry white opera singer Eugenia (“Jeanne”) Marie Jones. Thriving in the Indianapolis jazz scene of the time, he was as a mentor of sorts to Indianapolis-born trumpeter Freddie Hubbard. Forced to abandon the trombone due to a jaw injury that left him unable to play, he subsequently learned to play cello.

The shift to cello largely ended his performing career but began his life as a  composer and pedagogue. Among the first and most important people to begin to codify the then largely aural tradition of jazz he wrote several seminal books on jazz, including Jazz Improvisation in 1988. Baker taught in the Jazz Studies Department at Indiana University and made the school a highly regarded destination for students of jazz. His students included Michael Brecker, Randy Brecker, Peter Erskine, Jim Beard, Chris Botti, Jeff Hamilton, and Jamey Aebersold.

Baker’s compositions range from Third Stream to traditional to symphonic works. He composed some 2000 compositions, has been commissioned by over 500 individuals and ensembles, nominated for a Pulitzer and a Grammy award, honored three times by Down Beat magazine, and was the third inductee to their jazz Education Hall of Fame, as well as several other jazz awards.

Trombonist, cellist, composer and pedagogue David Baker, who performed with his second wife Lida, a flautist, since the Nineties and has more than 65 recordings, 70 books, and 400 articles to his credit, passed away on March 26, 2016, at age 84 at his Bloomington, Indiana home.

ROBYN B. NASH

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John Hardee was born in Corsicana, Texas on December 20, 1918 and began touring with Don Albert from 1937 to 1938 while still in college. He graduated in 1941 and started directing a local Texas school band, then served in the Army during World War II.

In 1946 he played with Tiny Grimes, then recorded as a bandleader for the Blue Note label between 1946 and 1948, issuing eight releases. Later in the Forties and early 1950s John performed with Clyde Bernhardt, Cousin Joe, Russell Procope, Earl Bostic, Billy Kyle, Helen Humes, Billy Taylor, and Lucky Millinder.

Essentially retiring from music in the Fifties Hardee then became a schoolteacher. In 1959, what may well be known as his last recording dates was with the Dallas R&B group The Nightcaps’ Vandan Records album “Wine,Wine,Wine” where he was credited as “John Hardtimes” but was not actually a member of the group.

Tenor saxophonist John Hardee passed away on May 18, 1984 in Dallas, Texas.

DOUBLE IMPACT FITNESS

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Robert Edward Brookmeyer was born an only child on December 19, 1929 in Kansas City, Missouri and began playing professionally in his teens. Attending though not graduating from the Kansas City Conservatory of Music, he played piano in big bands led by Tex Beneke and Ray McKinley, but concentrated on valve trombone from when he moved to the Claude Thornhill orchestra in the early 1950s.

He was part of small groups led by Stan Getz, Jimmy Giuffre, and Gerry Mulligan in the 1950s and during the Fifties and Sixties he played New York City clubs, television house band, studio recordings, and arranged for Ray Charles and others. In the early 1960s Brookmeyer joined flugelhorn player Clark Terry in a band and they appeared together on BBC2’s Jazz 625.

A move to Los Angeles, California in 1968 saw Bob becoming a full-time studio musician, spending 10 years on the West Coast, and sinking into a serious alcohol problem. After overcoming this debilitation he returned to New York and became musical director for the Thad Jones/Mel Lewis Orchestra in 1979. Writing for and performed with jazz groups in Europe from the early 1980s, he went on to establish and run a music school in the Netherlands, taught at the New England Conservatory of Music in Boston, Massachusetts, as well as  other institutions.

Eight time Grammy nominated trombonist, composer, arranger, bandleader and educator Bob Brookmeyer,  who played n the mainstream, cool, post bop and West Coast jazz genres, passed away on December 15, 2011 in New London, New Hampshire.

BAD APPLES

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