Daily Dose Of Jazz…
Warren Smith was born on May 17, 1908 in Middlebourne, West Virginia and and taught by hi s multi-instrumentalist father, he began playing piano from age seven. He learned cornet and saxophone before settling on the trombone.
Starting out in Harrison’s Texans, a territory band in the 1920s, Smith followed with an extended half-dozen year run in Abe Lyman’s employ in the 1930s. He worked with Bob Crosby in Indianapolis, Indiana during late in the 1930s before returning to work with Lyman briefly and closing out the decade.
Moving to Chicago, Illinois in the Forties, he settled in with Bud Jacobson and Bob Scobey, before heading to the West Coast to work with Jess Stacy and Lu Watters. In 1955 he toured with Duke Ellington, then played with Joe Darensbourg from 1957 to 1960. Through the Sixties he performed with Wild Bill Davison and Red Nichols.
On August 28, 1975 in Santa Barbara, California swing and mainstream trombonist Warren Smith, who never led a recording session but was fortunate to be able to make his living performing, passed away of natural causes at age 67.
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Daily Dose Of Jazz…
Wilbur Odell “Dud” Bascomb was born on May 16, 1916 in Birmingham, Alabama, the youngest of a family of ten children, and brother of tenor saxophonist Paul Bascomb. He played piano as a child but settled on trumpet, first playing with Erskine Hawkins at the Alabama State Teachers’ School, now Alabama State University in 1932. It was here that Hawkins led the Bama State Collegians band. Remaining with Hawkins until 1944, he soloed with him on many of his most well-known recordings.
Eventually he moved on to play in his brother’s septet, that became a big band later in the decade. He played briefly with Duke Ellington in 1947. During the 1950s Bascomb played for three years at Tyle’s Chicken Shack in New Jersey, leading a quintet which counted Lou Donaldson among its members.
He toured Japan three times with Sam Taylor and Europe with Buddy Tate in the 1960s, in addition to touring and recording with James Brown. He recorded sparingly as a leader and his Savoy Records sessions in 1959-60 were not issued until 1986.
Trumpeter Dud Bascomb passed away on December 25, 1972 in New York City. He was inducted into the Alabama Jazz Hall of Fame in 1979.
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The Jazz Voyager
With reservations made at 313-882-5299, this Jazz Voyager is all set to head out to Grosse Pointe Farms, Michigan for some dinner and jazz Tuesday night with the Charles Boles Quartet at the The Dirty Dog Jazz Café located at 97 Kercheval Avenue, 48236, just thirteen miles from Detroit.
Seating just 65 diners and jazz enthusiasts each night, one is afforded the opportunity to enjoy legends, icons, and greenhorns of the jazz world. The café is modeled after an English pub, so there are lots of dark wood leather seats and lots of deep reds. The cuisine is upscale and eclectic and the music is live in this intimate space. Be warned music is played through dinner from 6:00pm – 9:00pm, so there just may be some chatter, hopefully not too loud. #jazzvoyager#wannabewhereyouare
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Daily Dose Of Jazz…
Edmond Hall was born on May 15, 1901 in Reserve, Louisiana, into a musical family. His father, Edward, played the clarinet in the Onward Brass Band, joined by Edmond’s maternal uncles, Jules Duhe on trombone, Lawrence Duhe on clarinet, and Edmond Duhe on guitar. The Hall brothers, Robert, Edmond, and Herbert, all became clarinetists, but Edmond was first taught guitar by his uncle Edmond. When Hall finally picked up the clarinet, he played it within a week.
Tired of working as a farm-hand, by 1919 he left for New Orleans where he signed up with the band of Bud Rousell, then with trombonist Jack Cary and blues cornetist Chris Kelley. His first big break came in late 1920, when he went to a dance at Economy Hall, saw Buddy Petit and discovered his clarinet player had left the band and the following Saturday Hall was sitting in with Petit’s band as a replacement until 1922.
Arriving in Pensacola, Florida in 1923, there was a series of band as he joined Lee Collins, then Mack Thomas, the Pensacola Jazzers, where Hall met the young trumpeter Charles “Cootie” Williams, on to “Eagle Eye” Shields, the Alonzo Ross DeLuxe Syncopators, finally in 1928 with pianist Arthur “Happy” Ford.
1929 saw Edmond moving back to New York he joined Charlie Skeet’s band, followed by Claude Hopkins and an invitation to play the Savoy Ballroom. By 1935 he left Hopkins and took residency in Billy Hicks’ Sizzling Six. Hall’s new sound on the clarinet led him to recording with the big stars and in 1937 he had his first recording session with Billie Holiday, sitting alongside tenor saxophonist Lester Young. Leaving Hicks he stepped into Café Society, joining Joe Sullivan’s band in late 1937. In between the regular job at the Cafe Society he recorded with Bud Freeman, Teddy Wilson, Charlie Christian, Henry “Red” Allen, J.C. Higginbotham, Art Tatum, Big Joe Turner, Hot Lips Page, Zutty Singleton, Meade Lux Lewis, Big Sid Catlett, Josh White, Ida Cox, Coleman Hawkins, Helen Ward, Vic Dickenson, Sidney de Paris, Wild Bill Davison, Eddie Heywood, Roy Eldridge and Jack Teagarden among others.
In 1941 Edmond led his first recording session as a leader, joined Teddy Wilson’s outfit, and made recordings as Edmond Hall’s Blue Note Jazzmen, the Edmond Hall Sextet, the Edmond Hall Celeste Quartet, Edmond Hall’s Star Quintet, Ed Hall and the Big City Jazzmen, and Edmond Hall’s Swingtet. Very popular among the musicians and critics and was frequently invited to the New York Town Hall Concerts led by Eddie Condon.
By 1944 Hall began fronting his own band, becoming a draw for Café Society. More recording dates followed for the famous Commodore Records and Blue Note labels. While business at the Café Society was exceedingly good, Hall appeared at Town Hall Concerts in between. Hall relocated successfully with his band to the Café Society Uptown and would also play for World War II servicemen.
Throughout his career he would perform with pianist George Wein, Louis Armstrong’s All Stars, tour Europe, settle in Los Angeles, California to shoot the film High Society with Grace Kelly and Bing Crosby, and appear on the Ed Sullivan Show. In 1952, Hall, Buzzy Drootin and Ralph Sutton appeared as the Ralph Sutton Trio in Saint Louis, where they played the Encore Lounge for several weeks and were the first mixed trio there. He received the Esquire Magazine Silver Award for clarinet, a certificate for nomination as one of the outstanding jazz artists of 1961 from Playboy Magazine and was awarded as the best Clarinetist by the English Melody Maker.
Clarinetist and bandleader Edmond Hall, who also played alto and baritone saxophones and is perhaps best known for the 1941 chamber jazz song Profoundly Blue, which is regarded as a pre-World War II jazz classic, passed away on February 11, 1967 in Boston, Massachusetts.
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Daily Dose Of Jazz…
Clare Teal was born May 14, 1973 in Kildwick, Yorkshire and developed an interest in jazz from an early age, through her father’s collection of 78 rpm records. She became obsessed with big band singers like Ella Fitzgerald and big bands like Joe Loss. Taking music lessons first on the electronic organ, then more formally on clarinet, before studying music at Wolverhampton University. While there she found herself without a clarinet for an unexpected examination.
Deciding to sing, after graduation, she started a career in advertising, singing in her spare time with amateur and semi-professional bands. She recorded her first album Nice Work in 1995 but her big break came when she was asked to stand in for Stacey Kent at a weekend festival in Llandrindod Wells. This led to a three-album contract with the jazz label Candid Records and her popularity soared, with appearances on radio and television bringing her to the attention of a wider public. In 2004 Clare released her debut album Don’t Talk for Sony Jazz in what was the biggest recording deal by any British jazz singer. It topped the jazz charts and entered the UK Top 20 UK Albums Chart.
While the majority of her recordings are cover versions of standards, her albums feature original songs and contemporary cover versions, Teal has toured throughout the UK and the world, with her pianist, trio, mini big band, or Hollywood Orchestra. She has worked with the Hallé Orchestra, BBC Concert Orchestra, RTÉ Concert Orchestra, and the John Wilson Orchestra as well as other top big bands.
Her concerts have been broadcasted across the BBC radio and television network, opened for Liza Minnelli, collaborated with Van Morrison, won British Jazz Vocalist of the Year for three years and BBc Jazz vocalist of the Year among others. Vocalist and songwriter Clare Teal has recorded fifteen albums and continues to perform and record.
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