Daily Dose Of Jazz…

Jackie Williams was born on January 02, 1933 in Harlem, New York City, New York. Growing up in the fertile jazz atmosphere of the city, he also absorbed the dance grooves of rhythm and blues. Citing Papa Joe Jones as one of his greatest influences, by the mid 1950s he was playing for dancers and soon became a first call musician for recording sessions. He is a recipient of Yale University’s Duke Ellington Fellowship Medal

For 18 years Jackie played with Doc Cheatham at Greenwich Village’s Sweet Basil and performed and recorded with Buck Clayton on a U.S. State Department tour of the Middle East and Africa. He has also been a sideman with Bobby Hackett, Illinois Jacquet, Earl Hines, Duke Ellington, Alberta Hunter, Buddy Tate, Billy Butler, Al Casey, Stéphane Grappelli, Johnny Guarnieri, Jimmy Shirley, Buddy Tate, Slam Stewart, Barbara Morrison, Milt Hinton, Dizzy Gillespie, Maxine Sullivan, Vic Dickenson, Jay McShann, Bobby Short, Teddy Wilson and Errol Garner to name a few.

At one time or another during his career Williams was a member of The Cliff Smalls Septet, The Dan Barrett Octet, The Howard Alden / Dan Barrett Quintet, Warren Vaché Quartet, Warren Vaché, Jr. And His All-Stars, Statesmen of Jazz, The Floating Jazz Festival Trio and many others.

Drummer Jackie Williams is currently a member of the Junior Mance Trio. 

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The Jazz Voyager

The Commander’s Palace is the destination at the end of this jazz voyager’s road trip and navigating through the Garden District in New Orleans, Louisiana for the jazz brunch fit for royalty. The restaurant is  located at 1403 Washington Ave, 70130 / 504-899-8221 / $$$ / Brunch: 10:30am – 1:30pm

This former 1920s bordello turned restaurant is run by the Brennan family and housed in a bright blue Victorian mansion, built in 1880. They have been serving up refined Creole fare in a chandelier-hung space, and it is an elegant way to leisurely spend a late morning-early afternoon listening to jazz while dining.

Insider Tip: In the summer, the restaurant sells off inventory from their wine cellar at half price. There’s one catch: You have to mention the phrase “GrapeNutes” when making a reservation, then you’ll receive the discounted wine list.

Reservations are recommended and no shorts or t-shirts are allowed. Jackets are required on Sundays. To discover menu offerings visit commanderspalace.com #preserving genius

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Atlanta Jazz Festival… 1988

The year is 1988 and the name of the festival was shortened to be billed as the Atlanta Jazz Series. The city was set for a summer of weekend performances beginning June 2nd and running through September 4th. On those weekends, the free concerts were held in Grant and Piedmont Parks, while the paid concerts were held at Chastain Park Amphitheatre. the concerts at Chastain served a dual purpose of raising funds so that the Bureau of Cultural Affairs could continue to operate at its high level of achievement and provide an elegant setting for some of the more venerable talent and their enthusiastic audiences.
In addition, the series of jazz concerts were made possible with sponsorship from the Wyndham Hotel/Midtown Atlanta, AT&T, WVEE/V103 FM, Southline, Bud Light, Phoenix Arts Society and WCLK 91.9 FM. The Atlanta Jazz Series and the Montreux Atlanta Jazz Festival were hosted by the city of Atlanta during the same time and cross-featured artists.
The performance lineup was a virtual who’s who featuring the Arthur Blythe Quintet, Art Blakey & the Jazz Messengers, Benny Golson Quartet, Michelle Hendricks, Monroe Hatcher Quartet, Music South Orchestra with Tommy Stewart and John Peek, Joe Sudler’s Swing Machine, the Phil Woods Quintet, Azanyah, Duo Exchange, David “fathead” Newman Quintet, Henry Threadgill Sextet, Ojeda Penn Experience, Ellis Marsalis Trio, Cassandra Wilson Quintet with Steve Coleman, Sonny Fortune All-Stars, Joe Jennings & Life Force, Lester Bowie’s Brass Fantasy, George Adams/Don Pullen Quartet, Sonny Rollins Quintet, Out of Hear, The Real Band, Michael Pedicin, Jr., McCoy Tyner Trio, Michel Petrucciani Trio, The Bazooka Ants, Nancy Kahler, Flora Purim & Group, John Cloy Quartet, 29th Street Saxophone Quartet, Clark College Jazz Orchestra and the Dizzy Gillespie Quintet with Sam Rivers. #preserving genius

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Daily Dose Of Jazz…

Oscar “Papa” Celestin was born on January 1, 1884 in Napoleonville, Louisiana to a Creole family. As a youth he worked on rural Louisiana plantations but eager for a better life, he worked as a cook for the Texas & Pacific Railroad, saved up money and bought used musical instruments. He played guitar and trombone before deciding on cornet as his main instrument. He took music lessons from Claiborne Williams, who traveled down the Bayou Lafourche from Donaldsonville.

Celestin played with the Algiers Brass Band by the early 1900s, and with various small town bands before moving to New Orleans in 1904, at age 20. There he played with the Imperial, Indiana, Henry Allen senior’s Olympia Brass Band, and Jack Carey’s dance band. Early in his career he was sometimes known as Sonny Celestin. Around 1910 he landed a job as leader of the house band at the Tuxedo Dance Hall on North Franklin St. at the edge of Storyville.

Keeping the name Tuxedo as the band’s name after the Dance Hall closed,  they dressed in tuxedos and became one of the most popular bands hired for society functions, both black and white. He co-led the Tuxedo Band with trombonist William Ridgely and made their first recordings during the Okeh Records field trip to New Orleans in 1925. Following a fallout with Ridgely, the two led competing Tuxedo bands for about five years. Celestin’s Original Tuxedo Orchestra had Louis Armstrong, Bill Mathews, Octave Crosby, Christopher Goldston, Joe Oliver, Mutt Carey, Alphonse Picou and Ricard Alexis as a members over the years and made an additional series of recordings for Columbia Records through the 1920s. He also led the Tuxedo Brass Band, one of the top brass bands in the city.

Forced out of the business by depression economics, Papa worked in a shipyard until putting together another band after the World War II. The new Tuxedo Brass Band was tremendously popular and became a New Orleans tourist attraction. By 1953 he appeared in the travelogue Cinerama Holiday, became a regular feature at the Paddock Lounge on Bourbon Street and gave a command performance for President Eisenhower at the White House. He made regular radio broadcasts, television appearance, and more recordings with his last recording was singing on Marie LaVeau in 1954.

Bandleader, trumpeter, cornetist and vocalist Papa Celestin passed away in New Orleans, Louisiana on December 15, 1954, amassing 4000 people who marched in his funeral parade. The Jazz Foundation of New Orleans had a bust made and donated to the Delgado Museum in New Orleans, in honor of his contributions to the genre. #preserving genius


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Daily Dose Of Jazz…

James Robert Haslip was born in the Bronx, New York on December 31, 1951 to Puerto Rican immigrants, Spanish being his first language and learned to speak English in kindergarten. His family moved to Huntington, New York when he was four years old. At age seven, he began playing drums and then moved onto other instruments such as trumpet and tuba until at age 15 when he started playing bass.

Considering himself self-taught though he took music lessons and went to a private music school, he originally went to a local music shop with his father and purchased a right-handed bass and learned to play it upside down, as he is left-handed. Surrounded by music as a young boy, from visiting nightclubs and concert venues, there was always music in the house as well. His older brother listened to classic jazz, his father to Latin and orchestra jazz and his aunt listening to sappy stuff like Jerry Vale and Johnny Mathis. In high school, Jimmy created his first band called Soul Mine with his high school classmates, playing soul music at school dances and parties.

By the early 1970s he toured alongside musicians, and moved to Los Angeles, California in 1976, playing with guitarists Tommy Bolin and Harvey Mandel. A founding member of the jazz fusion group the Yellowjackets, in 2012 he took a year hiatus that turned permanent and has gone on to produce independent projects as well as being involved with the charitable organization Union Station Foundation that serves the needs of the homeless. He has worked with Jeff Lorber, Eric Marienthal, Bruce Hornsby, Rita Coolidge, Gino Vannelli, Kiss, Tommy Bolin, Allan Holdsworth, Marilyn Scott, Chaka Khan, Al Jarreau, Donald Fagen, and Anita Baker.

A part of a combo with Allan Holdsworth, Alan Pasqua, and Chad Wackerman, he has also collaborated with Jing Chi with Robben Ford and Vinnie Colaiuta, and Modereko. Bass player and record producer Jimmy Haslip, who is an early user of the five-string electric bass, continues to produce and perform.


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