Daily Dose Of Jazz…
Amina Figarova was born on December 2, 1966 in Baku, Azerbaijan and began studying music as a child. She started learning piano and expanded into composition and arrangement. Attending the Baku Conservatory as a youth, her immediate plans were to become a classical concert pianist.
A course in jazz performance at the Rotterdam Conservatory, however, led to Amina matriculating through Berklee College of Music. She recorded the first of her ten CDs in 1995 titled Attraction on the Media Music label then signed with Munich Records and has had a prolific and collaborative relationship releasing nine albums for the label.
Pianist Amina Figarova has toured extensively, developing a tight-knit ensemble that, despite inevitable personnel changes, has attained a distinctive and inimitable voice by concentrating on all-original repertoire for almost 18 years.
With a dozen albums under her belt the pianist continues to perform, record and tour with her husband, flautist Bart Platteau, who is a member of her international sextet.
Give The Gift Of Knowledge
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Daily Dose Of Jazz…
Lou Rawls was born Louis Allen Rawls on December 1, 1933 in Chicago, Illinois. Raised on the South side he began singing in church at age seven, and then started singing with local groups where he met Sam Cooke and Curtis Mayfield.
After graduating from Dunbar Vocational High School he sang briefly with Cooke in the Teenage Kings of Harmony followed by a stint with the Holy Wonders. He replaced Cooke in the Highway QC’s when Cooke went to the Soul Stirrers. He was recruited by the Chosen Gospel Singers, moved to Los Angeles and was subsequently joined the Pilgrim Travelers.
After serving in the Army he returned to the Travelers touring the South with Sam Cooke, was in a serious crash and off the music scene for a year. He returned to perform at the Hollywood Bowl, signed with Capitol Records, released his first jazz album Stormy Monday in 1962 and four years later opened for The Beatles in Cincinnati. His Live album went gold but it wasn’t until Love Is A Hurtin’ Thing winning his first Grammy Award for Dead End Street.
He would go on to co-host the Dean Martin Show, performed at the Monterey Pop Festival, left Capitol for MGM, then Bell and finally settling in at Philadelphia International Records, releasing his gold album All Things In Time that featured “You’ll Never Find Another Love Like Mine”, followed by a string of albums.
Over the course of his career he would act in motion pictures and on television, voiced-over cartoons and animated television series, receive a star on the Hollywood Walk of Fame in 1982, perform the national anthem at the Ernie Shavers-Muhammad Ali fight and several the World Series, and would start the Lou Rawls Parade of Stars Telethon in 1980 raising over $200 million in 27 years for the United Negro College Fund.
Lou Rawls, jazz, soul and blues singer known for his smooth vocal style, once lauded by Frank Sinatra as having “the classiest singing and silkiest chops in the singing game”, passed away from cancer on January 6, 2006.
Take A Dose On The Road
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Review: Tony Hightower | The New Standard
To take upon oneself the task of reviewing music, one must begin with simply listening. Not just for the instrument but every component that makes a recording session into something special. Sometimes it warrants a drive down the highway, accompanying a Saturday morning house cleaning or in some instances, a quiet place. Regardless of the locale, you approach each one with enthusiastic anticipation and pray the experience will be a pleasurable one.
In recent years there has been a cadre of singers who scour the Great American Songbook only to choose everyone’ favorite songs to record, leading the listener down a well-worn and tiresome road. However, there are an extraordinary few who hear something different and blaze new trails with the standards. I seek out those who choose to dip their proverbial ladles into the uncharted waters and successfully contribute impressive versions of great compositions and originals to the pantheon.
So, to step out and name a debut project The New Standard, in such revered footsteps as Herbie Hancock, takes not only faith but also a confidence in one’s ability to create something beyond ordinary. Unequivocally, this is what composer, arranger and vocalist Tony Hightower has accomplished with his penning of six original tunes, while taking out a loan from Burt Bacharach and Hal David, Eden Ahbez, and Thelonious Monk, thus making this an offering worthy of the title.
Throughout my Atlanta residency as a deejay I was privileged and honored to witness the maturation of the musicians and vocalists who keep the city alive with jazz. From this pool of talent Tony selected pianist Kenny Banks Jr., drummer Henry Conerway III and bassist Kevin Smith to be his principle rhythm section, interchanging pianists Phil Davis on “Minor Major”, Nick Rosen on “Close To You” and Mose Davis and Marcus Williams on “I Mean You”. It is evident he possessed clarity to hear the touch that is required to give each song new life.
Foresight is a gift that is given few and Mr. Hightower has blessed the world with an album of such magnitude. Enlisting Atlanta jazz royalty that defines the new face of the modern jazz generation, he brings the maturity of Kebbi Williams, Melvin Jones, Mike Burton, Dorran Thigpen, Frank Houston and Wilbert Williams to bear witness. If this is not enough to satiate your musical palate, he washes the orchestrations with the voices of Theresa Hightower, Natasha Brown, All Us Katz, Keasha Copeland, Sandra Miller, Donna Ector, Kelsie Broughton and Felicia Hardy.
As I listened to this project for the fourth, fifth and sixth time I never tired of hearing the “A” game this talented young man brought into the studio. Relentlessly he engulfs your senses with an accompaniment of strings by David Davidson, David Angell, Elizabeth Lamb and John Catchings. Wrap all this music up in a well-designed liner and you are told an equally compelling story through words and pictures, allowing you to take a peak into the mind of the man behind the music. I surmise, you will agree that this is a testament to his musical acumen and prowess.
The evidence lies before you. You only have to listen to the conversation to understand the brilliance of what you hear. Over a year ago, this young man said he was going to give me something I would enjoy. If this is what lies behind the marquee for the new standard, it was delivered as promised.
carl anthony | notorious jazz | november 30, 2014
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The Jazz Voyager
The Brisbane Jazz Club: 1 Annie Street, Kangaroo Point, Brisbane, Australia / Telephone: 61-7-33912006 / The venue is situated on Brisbane river and is open for live jazz every Thursday, Friday, Saturday and Sunday evenings. Each month we also feature a Sunday riverside brunch show and also regular jam sessions. We present two major weekend festivals each year – our Brisbane Big Band Festival in May, and our Oz Manouche Festival in November with International Gypsy jazz artistes.
Next Stop: Jakarta, Indonesia – Taking off out of Brisbane at 9:45am, I kick back for the six hour 20 minute flight to Denpasar, Indonesia. there I have a two hour before getting on the connecting flight to Jakarta at 4:10pm, crossing another time zone and arriving what seems like an hour at 5:10 in Jakarta. I have a few days to enjoy the city before heading out to hear some great jazz.
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Daily Dose Of Jazz…
Benny Moten was born on November 30, 1916. A solid and supportive bassist, he had a long career as a sideman for decades. He began seriously playing professionally in 1941 and quickly developed relationships with top players of the time.
Over the course of his career Benny played and recorded with such artists as Hot Lips Page, Henry “Red” Allen, Stuff Smith, Arnett Cobb, Ella Fitzgerald, Wilbur DeParis, Roy Eldridge and Dakota Staton, just to name a few. He toured Africa from 1956 – 1957.
Bassist Benny Moten, often confused or mistaken for pianist and bandleader Bennie Moten, was never a leader however he remained musically active as a sideman until the time of his death at the age of 60 on March 27, 1977.
Dose A Day – Blues Away
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