Daily Dose Of Jazz…
Eugene Seldon Gammage was born January 30, 1931 in Atlanta, Georgia and his original influences as Max Roach, Kenny Clarke, Philly Joe Jones, Art Blakey, and Elvin Jones. He began his professional career as a drummer in 1952 after serving four years in the Air Force. In 1953 he moved to Los Angeles, California where he found a steady gig with Teddy Charles with Bill Crow on bass. Following this, in 1955 he played with leaders Buddy Collette, Hampton Hawes, and André Previn. In ‘56 he performed with Barney Kessel, Herb Geller and Jack Sheldon
Tenor saxophonist Jack Laird hired him for an engagement at Club El Sereno in East Los Angeles along with pianist Franck Patchen. That November he was in Las Vegas, Nevada with pianist Oscar Peterson. 1957 saw him joining Beverly Kelly and Pat Moran McCoy for a quartet and trio including Scott LaFaro. They recorded and issued two albums in 1958 under the two leaders’ names. From fall 1958 to Spring 1959, he was hired again by Oscar Peterson. The trio, with Ray Brown on bass, recorded a jazz version of My Fair Lady.
Gammage went to St. Louis, Missouri in 1961 and recorded three live dates with Webster Young, Shirley Horn, and Johnny Hartman. By the late Sixties he was residing in New York City and was part of Roswell Rudd’s Primordial group, with Enrico Rava, however, there is no official recording.
The Seventies had him with Gary McFarland and writer, editor David Burnett at Club 55 in New York City, when they were served drinks filled with liquid methadone, provoking a seizure due to overdose. Gary McFarland was pronounced dead in the bar, David Burnett died just a few days later. Fortunately Gene survived after some time in the hospital.
From the mid-seventies to the early eighties, his last known regular gig was with Bobby Short at the Café Carlyle. Never a leader, drummer Gene Gammage has recorded as a sideman on nine albums, been included on seven reissues and been a part of two documentaries covering Gary McFarland and Bobby Short.
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Daily Dose Of Jazz…
Jeffrey Ovid Clyne was born on January 29, 1937 in London, England and taught himself double bass from the age of 17. He played in the 3rd Hussars military band during his national service from 1955 to 1957, and on demobilisation found himself at the cutting edge of the British modern-jazz and bebop movement.
Clyne worked with Tubby Hayes and Ronnie Scott in their group the Jazz Couriers for a year from 1958, and was part of the group of musicians who opened Ronnie Scott’s Jazz Club in November 1959. He was a regular member of Hayes’ groups from 1961. He accompanied Blossom Dearie, Stan Tracey on his Jazz Suite Inspired by Dylan Thomas’ Under Milk Wood album, Ian Carr, and Gordon Beck on Experiments With Pops, with John McLaughlin.
Jeff would go on to perform with Dudley Moore, Zoot Sims, Norma Winstone, John Burch and Marion Montgomery. He was a member of Nucleus, Isotope, Gilgamesh, Giles Farnaby’s Dream Band and Turning Point during the 1970s. He often worked with drummer Trevor Tomkins.
Bass guitar and double bassist Jeff Clyne died on November 16, 2009 from a heart attack at the age of 72.
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Daily Dose Of Jazz…
Bobby Sands was born January 28, 1907 in Brooklyn, New York. Learning to play the tenor and baritone saxophones he worked with bandleader Charlie Skeets in the late ’20s. By the end of the decqade his eyes were on an outfit known as the Strand Roof Orchestra under the direction of Billy Fowler. His performances during the 1930s solidified the band’s reputation, both live and recorded.
Sands joined pianist and bandleader Claude Hopkins, sharing star soloing duties with the leader as well as clarinetist Edmond Hall in his early years. The band featured a program of both high-spirited novelty songs and a serious jazz repertoire. I Can’t Dance, I’ve Got Ants in My Pants and In the Shade of the Old Apple Tree were the necessary recordings Hopkins made in order to stay attractive to label producers throughout the ’30s.
A superb arrangement of Jelly Roll Morton’s King Porter Stomp joins with Hopkins’ own Minor Mania in which Bobby is in both section and solo capacity. Tenor and baritone saxophonist Bobby Sands retired from music in the 1940s and became a printer. The date and place of his death are unknown.
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Daily Dose Of Jazz…
Richard Anthony Meldonian was born January 27, 1930 in Providence, Rhode Island. He first began playing the clarinet when he was eight years old and by eleven was proficient on the tenor saxophone. In 1944 he led his first band that he formed.
1949 saw Dick working as a professional musician in the bands of Freddie Slack, and into the Fifties with Charlie Barnet and as an alto saxophonist with Stan Kenton alongside Bud Shank and Art Pepper. He also played with Shorty Rogers, Nat Pierce, Elliot Lawrence and Bill Russo.
Moving to New York City in the mid 1950s, Meldonian worked as a studio and session musician, among other things. with Phil Sunkel, Sam Most and Erroll Garner. In 1957 he was a member of Paul Quinichette’s band with Gene Roland and John Carisi. In 1960 he joined the Gerry Mulligan Concert Jazz Band.
He became better known as the leader of his own quartet, The Jersey Swingers , in the late 1970s and through the big band that he led with drummer Sonny Igoe in the early 1980s. During this time, Dick also recorded with the big band and smaller formations under his own name for the Progressive, Circle and Statiras labels. In 1992 he was still working with Harry DiVito and Marty Grosz.
Soprano and tenor saxophonist Dick Meldonian died on January 25, 2017.
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Daily Dose Of Jazz…
Bob Bain was born January 26, 1924 in Chicago, Illinois and began his professional career in the 1940s playing guitar in popular big band outfits led by Tommy Dorsey and Bob Crosby. He is credited with guitar on one of Dorsey’s biggest hits, Opus No. 1.
An unusually early adopter of the electric guitar, Bob started playing an early Gibson Les Paul model before switching to a modified 1953 Fender Telecaster. Like most jazz guitarists, he also favoured semi-acoustic models such as the Gibson L-5 and ES-150.
A long time collaborator with composer Henry Mancini, he is also credited with the guitar introduction to the theme from the popular 1950s television private detective series Peter Gunn. Bain contributed his guitar talents on another of Mancini’s significant soundtrack albums, the musical score to the movie Breakfast at Tiffany’s, as well as playing on the soundtrack to the television Western series Bonanza.
Guitarist Bob Bain, who was mainly known for his film music contributions, including Dr. Zhivago, where he played the balalaika in the score for certain scenes where Lara’s Theme is heard, died on June 21, 2018 in Oxnard, California. He was 94.
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