Daily Dose Of Jazz…
Roy Willox was born into a musical family in Welwyn, Hertfordshire, England on August 31,1929. At 16 he had a brief spell with Johnny Claes in 1945 and then with other bands before joining Ted Heath from 1950 to 1955.
About this time he worked in the jazz clubs in a group with Keith Christie, and with Jack Parnell followed with extensive freelance work in television, radio and the theatre. The jazz scene saw Willox in Harry South’s band during the 1960s and 1970s and returned to the Heath band for dates in the 1960s and 1970s.
He was in demand through the 1960s for many jazz big band dates, notably with Harry South and Tubby Hayes. He played throughout the 1990s and 2000s, first with The Ted Heath Band, (then led by Don Lusher), and in Lusher’s own big band until it’s last concert in 2007. He played in the Ted Heath band’s farewell concert at the Royal Festival Hall, London in 2000.
A fluent saxophonist, clarinetist and flutist Roy Willox, whose main instrument is alto saxophone, continues to perform and record.
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Daily Dose Of Jazz…
John Douglas Surman was born August 30, 1944 in Tavistock, Devon, England. He initially gained recognition playing baritone saxophone in the Mike Westbrook Band in the mid-1960s, and was soon heard regularly playing soprano saxophone and bass clarinet as well.
His first playing issued on a record was with the Peter Lemer Quintet in 1966. After further recordings and performances with jazz bandleaders Westbrook and Graham Collier and blues-rock musician Alexis Korner, he made the first record under his own name in 1968.
In 1969, he founded The Trio along with two expatriate American musicians, bassist Barre Phillips and drummer Stu Martin. In the mid-1970s, he founded one of the earliest all-saxophone jazz groups, S.O.S., along with alto saxophonist Mike Osborne and tenor saxophonist Alan Skidmore.
During this early period, he also recorded with (among others) saxophonist Ronnie Scott, guitarist John McLaughlin, bandleader Michael Gibbs, trombonist Albert Mangelsdorff, and pianist Chris McGregor’s Brotherhood of Breath.
In 1972 he had begun experimenting with synthesizers. The musical relationships he established during the Seventies with pianist John Taylor, bassist Chris Laurence, and drummer John Marshall; singer Karin Krog and drummer/pianist Jack DeJohnette continued for decades.
Since the 1990s, he has composed several suites of music that feature his playing in unusual contexts, and has worked with bassist Miroslav Vitouš, bandleader Gil Evans, pianist Paul Bley and Vigleik Storaas, saxophonist and composer John Warren, guitarists Terje Rypdal and John Abercrombie and trumpeter Tomasz Stańko.
Baritone and soprano saxophonist, clarinetist, synthesizer player, and composer of free jazz and modal jazz, who continues to often use themes from folk music has also composed and performed music for dance performances and film soundtracks.
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Daily Dose Of Jazz…
Bobby Carcasses was born on August 29, 1938 in Kingston, Jamaica into a Cuban family. He moved with his family back to Cuba when he was four and was surrounded by the various forms of local music. Starting out as an opera singer, he switched to Cuban music and worked as a vocalist at the famous Tropicana nightclub. It was here that he first began to experiment with incorporating scat and bebop influences into his vocal style.
By 1960 he was known as a dancer and athlete, being Cuba’s Long Jump Champion for that year. Bobby was a multi-instrumentalist having mastered the trumpet, bass, congas and drums. Later in the decade he travelled, including a year in Paris playing with resident jazz greats Bud Powell and Kenny ‘Klook’ Clarke.
Returning to Cuba, Carcassés formed his own jazz group, as well as acting in films and television. The 1980s saw him organize the first Jazz Plaza Festival, bringing to Cuba a host of international artists including Dizzy Gillespie, Charlie Haden and Airto Moreira. The festival became an annual event, with Carcasses and his band performing each year.
He toured extensively throughout Europe and the USA, performing alongside Tito Puente, Eddie Palmieri and many other big names of Latin jazz. Jazz Timbero was recorded in Havana in 1997 with an all-star Cuban big band (including members of Irakere and Los Van Van), playing a funky mix of Latin and jazz.
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Daily Dose Of Jazz…
John Stanley Marshall was born August 28, 1941 in Isleworth, Middlesex , England and worked with various jazz and rock bands and musicians, among them J. J. Jackson, Allan Holdsworth, Barney Kessel, Alexis Korner, Graham Collier, Michael Gibbs, Arthur Brown, Keith Tippett, Centipede, Jack Bruce, John McLaughlin, Dick Morrissey, Hugh Hopper, Elton Dean, John Surman, Charlie Mariano, John Abercrombie, Arild Andersen, and Eberhard Weber’s Colours.
From 1999, he worked with former Soft Machine co-musicians in several Soft Machine-related projects like SoftWare, SoftWorks and Soft Machine Legacy. He toured as a member of the band, which operated under the name Soft Machine again, from 2015 to 2023.
Drummer John Marshall, was a founding member of Ian Carr’s jazz rock band Nucleus, and Eberhard Weber’s Colours, died on September 16, 2023, at the age of 82.
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Daily Dose Of Jazz…
Rudolf Dašek was born on August 27, 1933 in Prague, Czech Republic and studied at the Prague Conservatory from 1962 to 1966 with Milan Zelenka.
He was a member of the band SHQ led by Karel Velebný, then followed with several bands for the rest of the 1960s which included a trio with George Mraz, a trio with Lou Bennett, the quintet Jazz Cellula led by Ladislav Déczi, an orchestra conducted by Gustav Brom, and the Prague Radio Symphony Orchestra.
By the end of the decade Rudolf was working for two years in the house band at the Blue Note Club in Berlin, Germany. In the early 1970s he formed the duo System Tandem with Jiří Stivín. He also worked with guitarists Philip Catherine, Christian Escoudé, and Toto Blanke.
Guitarist Rudolf Dašek, who played solo performances in the decades following the Seventies, died on February 1, 2013.
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