Daily Dose Of Jazz…
Alphonse “Al” Goyens was born October 1, 1920 in Wetteren, Belgium. He took piano lessons as a child but abandoned them at the age of twelve. In 1936, he bought a trumpet and began playing music again, teaching himself and playing with amateur bands. Completing a degree in industrial engineering, he was interned in Germany at the outbreak of the war and had to stop playing. Starting again he played too intensely, which paralyzed his lips, but overcame this situation through careful practice.
His return from captivity saw him a member of orchestras led by Henri Van Bemst and Jean Omer, making his first recordings with the latter. He then joined the orchestra of Léo Souris who played for the American army in Germany. Returning to Belgium, Al joined other musicians to form the Orchestre régulier du Cosmopolite , which gave him the opportunity to perform with major names of the jazz scene who were guests in Brussels.
In 1949 he and his orchestra again toured for the US Army, performing in Germany, the Azores, and the USA. Goyens led his orchestra for nearly a decade from 1949 featuring Jacques Pelzer, Bobby Jaspar, Francy Boland, Jean Warland, Freddy Rottier, and occasionally Don Byas and Kenny Clarke.
Once again he went on to work for the US Armed Forces and later with an international orchestra in Spain and the United States. Al later arranged and played in the Brussels Big Band. His favorite trumpeters were Clifford Brown, Dizzy Gillespie, and Clark Terry but his playing was more reminiscent of Harry Edison.
Trumpeter, arranger and orchestra leader Al Goyen played flugelhorn, and bugle, who never recorded as a leader, appreciated the sound of the muted trumpet, died on January 30/31, 2008 in Forest/Vorst, Belgium.
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Daily Dose Of Jazz…
Joseph C Mudele was born on September 30, 1920 and grew up in Downham, South East London. He left school at the age of 14 and began singing and playing in local bands. He began playing double bass at the age of 17 after buying an upright bass in a junk shop. After having served in the war in the Royal Air Force, he studied for a while with principal double bassist James Merritt with the Philharmonia Orchestra.
His professional playing career took off in 1947 with clarinetist Carl Barriteau, accordionist Tito Burns and the Jimmy Macaffer Band. He toured with Hoagy Carmichael during the autumn of 1948, and played with Charlie Parker and drummer Max Roach at the 1949 International Jazz Festival in Paris.
In 1948 Mudele became a founder member of Club Eleven, a Soho nightclub open between 1948 and 1950 which played a significant role in the emergence of the bebop jazz movement in Britain. After the club was closed he became a founder member of the John Dankworth Seven, while also continuing to play with others during the Fifties. During this period Mudele also played for Sophie Tucker, Judy Garland and Billy Eckstine.
Joe supplemented his club performances with extensive radio, television and recording studio work outside of jazz from the 1960s onwards. In later life Mudele lived in Bromley, played weekly at the Bexley Jazz Club in Kent, and took over management duties after owner Les Simons died in 2004. In 2010 he recorded For All We Know with pianist Robin Aspland and drummer Geoff Gascoyne.
Double bassist Joe Mudele, who was sometimes known as Joe Muddel or Muddell and was one of the Club Eleven Collective, died at age 93 on March 7, 2014.
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Daily Dose Of Jazz…
Chris Bauer was born on September 29, 1960 and raised in Long Island, New York and was surrounded by his father’s harmonica trio. He started playing at age nine and began appearing with his father’s trio by thirteen. At sixteen he placed third in a worldwide harmonica competition and in 1987 placed fourth in a field of 27 at the International Harmonica Federation competition, both times finishing as the highest placed American harmonica player.
Chris has gone on to perform at many New York City and New Jersey venues and was the harmonica in the play Big River. He was a regular contributing writer to The Harmonica Educator magazine on jazz topics and continues to work on recording projects that exemplify jazz harmonica. He also performs both in jazz trio or quartet settings, as a soloist utilizing custom backgrounds that provide the sound of a jazz ensemble, or can sit in with rock, blues, or jazz bands.
Playing harmonica for over fourty years, his performance and recording experiences are diverse including jazz gigs, harmonica trios, church worship bands, and production library tracks. He performs and gives harmonica technique seminars at numerous festivals around the country. His album In A Yuletide Groove has been featured on jazz radio station playlists.
Residing in Weatogue Connecticut, harmonica player Chris Bauer continues to perform popular jazz standards with a repertoire from upbeat bop tunes and cool Latin numbers to soulful ballads.
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Daily Dose Of Jazz…
Peter Ecklund was born on September 27, 1945 in Woodbridge, Connecticut. In 1967 he received a degree from Yale University.
He went on tour with singer Paula Lockheart and started a jazz band. Additionally, he worked with many pop and rock bands in the 1970s and 1980s. He became a substitute for the Nighthawks Orchestra led by Vince Giordano and a member of the Orphan Newboys led by Marty Grosz.
He recorded six albums as a leader and another forty-five with David Bromberg, Marty Grosz, Geoff Muldaur, Leon Redbone, Paul Butterfield, Doveman, Bob Dylan, Howard Fishman, Steve Forbert, Gloria Gaynor, Steve Goodman, Hello People, Ian & Sylvia & the Great Speckled Bird, Keith Ingham, Michael Jerling, George McCrae, Martin Mull, Alex Pangman, Bonnie Raitt, Tom Sancton, Cynthia Sayer, Johnny Shines, Paul Siebel, Siegel–Schwall Band, Eric Von Schmidt, Andrea True Connection, Terry Waldo, Loudon Wainwright III, and Mitch Woods.
Cornetist Peter Ecklund died on April 8, 2020 from Parkinson’s disease.
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Daily Dose Of Jazz…
Mark Simon was born in Chicago, Illinois on September 26, 1959 and by age 13 he was listening to Lester Young, Charlie Parker, Roy Eldridge and other jazz legends, and playing along with old Jazz At The Philharmonic records from his father’s massive and eclectic record collection, which ran the gamut from early jazz master Louis Armstrong to avant-garde Cecil Taylor.
His high school jazz band director Don Owens was an important part of his jazz education. Mark soon graduated to jazz sessions, further honing his keyboard skills while beginning to play occasional jazz gigs. From sitting in with the JATP, he enrolled in a youth summer jazz camp at the University of Illinois, where he was exposed to the live side of jazz. Mark would sneak out of the dorm at night to sit in with the faculty on jam sessions,
Simon’s influences were grounded by jazz artists such as pianists Bill Evans, Keith Jarrett, McCoy Tyner, Charles Mingus, Gary Burton and Sonny Rollins. Growing up in jazz, He gained experience playing extensively with Leroy Vinnegar, Hadley Caliman, Bud Shank, Jeff Clayton, Joshua Breakstone, Julie Kelly, Teddy Edwards, Red Holloway and Herb Ellis.
Bassist Mark Simon continues to compose and perform solo piano gigs, accompanying vocalists, playing with jazz groups including his self-named trio, as well as teaching piano.