Daily Dose Of Jazz…
Ray Barretto was born on April 29, 1929 in New York City of Puerto Rican descent. Raised in Spanish Harlem he was influenced by his mother’s love of music and the jazz of Duke Ellington and Count Basie. At 17 he was in the Army, met Belgium vibist Fats Sadi and realized his true calling when hearing Chano Pozo and Dizzy Gillespie play Manteca.
After his return in 1949 Barretto started joining in on jam sessions perfecting his conga style, played with Charlie Parker, Jose Curbelo and Tito Puente, with whom he would play for four years. He was soon sought by other jazz bandleaders and as a result of Ray’s musical influence, Latin percussionists started to appear in jazz groups.
By 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. He also recorded on Columbia Records with jazz flautist Herbie Mann. New York had become the center of Latin music in the U.S. from which “pachanga” arose as the Latin music craze of the time. In 1961, Barretto recorded his first hit, “El Watusi” that became the first Latin song to enter the Billboard charts. He would go on to record 41 records as a leader, 11 with the groups Guarare and New World Spirit and seven as a sideman working with Dizzy Gillespie, Yusef Lateef, Herbie Mann, Celia Cruz, Red Garland and Kenny Burrell.
Ray became musical director of Fania All Stars, played with the Rolling Stones, and Bee Gees, was nominated for three Grammys, won one for Ritmo en el Corazon was crowned Conga Player of the Year in 1980 and inducted into the International Music Hall Of Fame. On February 17, 2006 conguero and percussionist Ray Barretto passed away from heart failure.
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Daily Dose Of Jazz…
Steve Khan was born April 28, 1947 in Los Angeles, California to lyricist Sammy Cahn. As a teenager he was a terrible drummer but grew a love for guitar and switched at around age 19. He would go on to matriculate through U.C.L.A. and move to New York, performing one of his first guitar duos with Larry Coryell in 1974.
During the 80s he was a member of the group Elements. Khan has worked with Jack DeJohnette, Maynard Ferguson, Billy Cobham, Hubert Laws, Steely Dan, Billy Joel, Michael Franks and Weather Report on his short list.
He toured with the CBS Jazz All Stars in Japan, led a band called Eyewitness, authored five jazz books, was nominated for a Grammy in the Best Latin Jazz Album category for his album “Borrowed Time” and recorded over thirty albums as a leader and sideman for such labels as Concord, Arista, Columbia, Flying Dutchman and Novus to name a few. He continues to perform, record and tour.
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Daily Dose Of Jazz…
Tommy Smith was born April 27, 1967 in Edinburgh, Scotland and grew up in Wester Hailes. Encouraged to lean the tenor saxophone from age 12, by sixteen he had a scholarship to Berklee College of Music. While at Berklee he formed his first group ”Forward Motion” with Laszlo Gardony, Ian Froman and Tene Gewelt and joined Gary Burton’s group.
During his tenure with Burton at age eighteen he toured and recorded “Whiz Kids”, worked in jazz groups and big bands, and has recorded and toured with world-renowned jazz musicians including Joe Lovano, David Liebman, Benny Golson, Joe Locke, Chick Corea, Tommy Flanagan, John Scofield, Joanne Brackeen, Jack DeJohnette and Kenny Wheeler to name a few.
He has recorded twenty-three albums as a leader Hep, GFM, Linn, Blue Note and his own record label Spartacus and since the late-1980s and the musical director and driving force behind the Scottish National Jazz Orchestra and his own Youth Jazz Orchestra.
He has composed for and performed with classical orchestras and ensembles including the Orchestra of St. John’s Square, the Scottish Ensemble, the Edinburgh Youth Orchestra, BBC Symphony Orchestra and the Scottish National Jazz Orchestra. His work in jazz education has him presenting master classes all over the world, teaching at Broughton High School, Napier University and created the curriculum for the National Jazz institute and is Artistic Director of a new conservatoire-level course in jazz at the Royal Scottish Academy of Music and Drama. He continues to perform, record and tour.
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Daily Dose Of Jazz…
Herman Foster was born on April 26, 1928 in Philadelphia, Pennsylvania and began his musical career before age ten playing the violin, clarinet, saxophone, and piano. A self-taught pianist, Foster created a distinguished earthy sound. When his family moved to New York City in 1947, Herman began to attend jam sessions and then played with Eric Dixon, Dick Carter and the big band of Herb Jones.
His success came when he met Lou Donaldson and the two played together for thirteen years from 1953 to 1966. During the 1950s he worked with King Curtis, Bill English and Seldon Powell, in the 1960s with Al Casey, in addition to playing with his own trio over the next decade. He returned to work in Donaldson’s quartet in the 1980s.
He released four records as a leader for Epic, Argo and Timeless Records and as a sideman recorded nineteen albums with Lou Donaldson, Gloria Lynne, Johnny Hartman, Hisayo Tominaga, George V. Johnson Jr., Joan Shaw, Al Casey and King Curtis.
On April 3, 1999, bebop pianist Herman Foster passed away in New York City.
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Daily Dose Of Jazz…
Harry Miller was born Harold Simon Miller on April 25, 1941 in Cape Town, West Cape, South Africa. He began his career as a bassist with Manfred Mann, and settled in London. He became a central figure in the mixture of South-African township music and free jazz, which became dynamic on the London scene at the end of the Sixties and into the Seventies.
Miller recorded frequently with musicians such as Mike Westbrook, Chris McGregor, John Surnam, Mike Cooper, Louis Moholo, Keith Tippett and Elton Dean. He found work as a session player and appeared on the 1971 album Islands by the progressive rock band, King Crimson. For economic reasons at the end of the 1970s he moved to the Netherlands, working with musicians of Willem Breuker’s circle.
He recorded five albums between 1972 and 1983 for Cuneiform, Reel Recordings, and his Ogun Records that he founded with his wife Hazel Miller. The label was vital for documenting that period, and is still active today.
Bassist Harry Miller passed away on December 16, 1983, in the Netherlands.
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