Daily Dose Of Jazz…

Pete Daily was born on May 5, 1911  in Portland, Indiana. He started his career in Chicago, Illinois in 1930 playing with various bands in and around the city. He was the leader of Pete Daily and his Chicagoans in the 1940s and 50s and recorded for Capitol Records as Dixie by Daily and Pete Daily’s Dixieland Band. They also recorded on the Jump and Decca labels in the 1950s.

In 1942, he moved to the West Coast and, after service in World War II, formed the Chicagoans. He played long engagements at several Hollywood night clubs in the 1950s such as Sardis, The Royal Room, and the Astors in Studio City. He continued to play during the 1970s until a stroke in 1979 forced him to retire.

During the filming of Pete Kelly’s Blues, actor Jack Webb, the cornet-playing star of the film, repeatedly went to the nightclub where Daily performed to study his mannerisms for his role in the film. The band which recorded the soundtrack appeared at Dixieland festivals supported by Pete Daily’s band.

His driving style on the cornet endeared him to generations of Dixieland Jazz enthusiasts. Cornetist and valve trombonist Pete Daily, who played swing and dixieland,  passed away on  August 23, 1981.

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Daily Dose Of Jazz…

Charles Owens, was born Charles M. Brown on May 4, 1939 in Phoenix, Arizona and began playing music while attending the University of San Diego. Following a stint in the United States Armed Forces, he studied at Berklee College of Music.

Working in the bands of Buddy Rich and Mongo Santamaria as an alto saxophonist in the late 1960s. In the 1970s played mostly tenor and soprano saxophone. He played in that decade with Bobby Bryant, Paul Humphrey, Diana Ross, John Mayall, Frank Zappa, Lorez Alexandria, Henry Franklin, Patrice Rushen, Gerald Wilson, and James Newton among others.

He worked with Newton again in the mid-1980s, and also played during the same decade with John Carter, Horace Tapscott, and Mercer Ellington. Later he worked with Carmen Bradford, Jeannie Cheatham and Jimmy Cheatham, and Buddy Childers.

Saxophonist and flautist Charles Owens continues to pursue excellence with his music.

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Daily Dose Of Jazz…

Robert Havens was born May 3, 1930 to a musical family in Quincy, Illinois and began studying violin and trombone at age seven and played both instruments throughout his school years. Landing his first professional job with a local dance band at age 12, by 16 his talent as a trombonist was recognized earning him a scholarship from the Interlochen Music Camp in Michigan and he held the first trombone chair in the school’s 250 piece concert band. He later held the first trombone chair in the Quincy Symphony while also playing in many popular dance groups in Illinois.

Leaving Quincy in 1955 after serving in the Illinois National Guard as a bandsman during the Korean War, Bob toured with the Ralph Flanagan Orchestra. In 1956, he joined George Girard’s Dixieland Band at the Famous Door in New Orleans, Louisiana where he met his idol, Jack Teagarden.

In 1957, Bob joined Al Hirt at Dan’s Pier 600 on Bourbon Street when Hirt formed his very first band. The front line consisted of Hirt, Havens and Pete Fountain. During his time in New Orleans, he recorded albums for Good Times Jazz and Vic labels with the Girard band, and on Verve and Audio Fidelity with Hirt. He also recorded about a dozen albums for the Southland label with many other New Orleans musicians.

Bob stayed with this group until 1960 when he was persuaded to move to the West Coast and join the Lawrence Welk Orchestra as a featured soloist on their weekly TV series. His tenure with this show lasted for 23 years until the show ended in 1982.

Following Welk, he continued as a freelance professional, working often with the Bob Crosby Bob Cats and the Benny Goodman Orchestra, then led by clarinetist Peanuts Hucko. From 1985 to 1995, Havens played with the Great Pacific Jazz Band along with Bob Ringwald (lead vocals/piano), Don Nelson (saxophone), and Zeke Zarchy (trumpet).

In 2005, he performed with the North Carolina Pops Orchestra at Campbell University with fellow Welk star Ava Barber in a benefit concert raising money for victims of Hurricane Katrina. Trombonist Bob Havens returned home to Quincy, and continued to record and appear at jazz festivals and concerts throughout the world.

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Daily Dose Of Jazz…

Eddy Louiss was born on May 2, 1941 in Paris, France. Playing in his father Pierre’s orchestra in the 1950s, his primary instrument became the Hammond organ. The original family name was Louise, which he changed to the current spelling. As a vocalist, he was a member of Les Double Six of Paris from 1961 through 1963.

For 13 years, between 1964 and 1977, Eddy played with leading French musician Claude Nougaro. Leaving Nougard, he ventured out on a solo career. He went on to work with Kenny Clarke, René Thomas, and Jean-Luc Ponty. In 1971 he was a member of the Stan Getz quartet with René Thomas and Bernard Lubat. The quartet recorded the 1971 Getz album Dynasty.

After suffering artery problems, Louiss had his left leg amputated in the early 1990s, following which he made few public appearances.

In duet, he recorded with pianist Michel Petrucciani in 1994, and accordionist Richard Galliano in 2002. His later recordings, such as Sentimental Feeling and Récit proche, combined jazz with rock and world music.

Hammond organist and vocalist Eddy Louiss, who was awarded the Prix Django Reinhardt in 1964, passed away on June 30, 2015 in Poitiers, France.

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Daily Dose Of Jazz…

Floyd “Candy” Johnson was born on May 1, 1922 in Madison, Illinois and started on drums before moving to saxophone, with Ben Webster being his biggest influence. His professional career began in St. Louis, Missouri where he was a member of a group led by Chuck Finney. He attended Wilberforce University until the draft intervened but after his service, he played in bands led by Ernie Fields, Tiny Bradshaw, and Andy Kirk. With the Kirk orchestra he recorded for Decca Records.

Johnson preferred candy to alcohol, so a band member started calling him Candy, and the moniker stuck. In Detroit he started a band called the Peppermint Sticks. One musician recalled that the band dressed in candy-striped suits, and sometimes Johnson tossed peppermint sticks to the crowd.

1951 saw him as a member of the Count Basie Orchestra, recording with Basie for Clef Records before working in more of a rhythm and blues vein with Bill Doggett. The band had hits with Blip Blop, Honky Tonk, and Night Train. Leaving Doggett in the 1960s he went on to study music at Bowling Green State University.

By 1974, Candy was playing with the Duke Ellington Orchestra, the Count Basie Orchestra, and his friend Clark Terry. During a visit to New York City, he recorded with Helen Humes and Roy Eldridge. A year later, he accompanied the New McKinney’s Cotton Pickers at the Bix Beiderbecke Festival in Iowa.

Saxophonist Candy Johnson, who retired from performing, moved to Toledo, Ohio and taught at local schools, passed away on June 28, 1981 in Framingham, Massachusetts.