Daily Dose Of Jazz…
Tom Brown was born in Uptown New Orleans, Louisiana on June 3, 1888. He played trombone with the bands of Papa Jack Laine and Frank Christian, and by 1910 he was usually working with leading bands under his own name. The band played in a style then locally known as “hot ragtime” or “ratty music”. In early 1915, his band was heard by Vaudeville dancer Joe Frisco who then arranged a job for Brown’s band in Chicago, Illinois.
Tom Brown’s Band from Dixieland opened up at Lamb’s Cafe in Chicago, this band seems to be the first to be popularly referred to as playing Jass. The term jass, at that time, had a sexual connotation, which drew more people to come to hear the band out of curiosity. Realizing the publicity potential he started calling his group Brown’s Jass Band.
Heading to Chicago, Illinois he enjoyed over four months of success there before moving to New York City, where they played for an additional four months more prior to returning to New Orleans in 1916. Once home, Tom immediately put together another band with Larry Shields, Alcide Nunez, and Ragbaby Stevens, then went to work for Bert Kelly in New York City, replacing the Original Dixieland Jass Band at Reisenweber in 1918. He started doing freelance recording work with New York dance and novelty bands, then joined the band of Harry Yerkes.
Brown also played the Vaudeville circuit in the acts of Joe Frisco and Ed Wynn. Late 1921 he returned to Chicago and joined Ray Miller’s Black & White Melody Boys, with whom he made more recordings. During this period he also co-lead a dance band with his brother Steve. Back in New Orleans he played with Johnny Bayersdorffer and Norman Brownlee’s bands, making a few excellent recordings.
During the Great Depression he supplemented his income from music by repairing radios. He opened up a music shop and a junk shop on Magazine Street. He played string bass in local swing and dance bands. With the revival of interest in traditional jazz he played in various Dixieland bands in the 1950s. Making his last recording just weeks before his death, his trombone playing apparently did not suffer from the fact that he had neither teeth or dentures at the time. Trombonist Tom Brown, who also played string bass, passed away in New Orleans on March 25, 1958.
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Daily Dose Of Jazz…
Harry Roy was born Harry Lipman on January 12, 1900 in Stamford Hill, London, England, and began to study clarinet and alto saxophone at the age of 16. He and his brother Sidney formed a band which they called the Darnswells, with Harry on saxophone and clarinet and Sidney on piano. During the 1920s they performed in several prestigious venues such as the Alhambra and the London Coliseum, under names such as the Original Lyrical Five and the Original Crichton Lyricals. They spent three years at the Café de Paris, and toured South Africa, Australia, and Germany.
By the early 1930s, Harry was fronting the band under his own name, and broadcasting from the Café Anglais and the Mayfair Hotel. In 1935 he married Elizabeth Brooke, daughter of the white Rajah of Sarawak, with whom he appeared in two musical films, Rhythm Racketeer and Everything Is Rhythm.
During World War II, he toured with his band, Harry Roy’s Tiger Ragamuffins. He was at the Embassy Club in 1942, and a little later, toured the Middle East, entertaining troops. In 1948, Roy traveled to the United States but was refused a work permit, so returning to Britain, he reformed his band and scored a hit with his recording of Leicester Square Rag.
By the early 1950s the big band era had come to an end and his band split up, sending him drifting in and out of the music scene. That decade he ran his own restaurant, the Diners’ Club until it was destroyed by fire. By 1969 Harry returned to music, led a quartet in London’s Lyric Theatre’s show Oh Clarence and his own Dixieland Jazz Band residency during the summer at Sherry’s Dixieland Showbar in Brighton, but by then he was in failing health. Clarinetist and dance band leader Harry Roy passed away in London on February 1, 1971.
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Daily Dose Of Jazz…
Roger Quincey Dickerson was born in 1898 in Paducah, Kentucky and raised in St. Louis, Missouri, where he worked in local theaters in the late 1910s. After touring with Wilson Robinson’s Bostonians in 1923, he then worked in Andrew Preer’s group at the Cotton Club in New York City, remaining in the group after Preer’s death in 1927.
From the mid to late 1920s he recorded in small groups with Harry Cooper and Jasper Taylor, with a latter session also featuring Johnny Dodds. When Cab Calloway took over the Preer band in 1930 Dickerson was still in the group, and he recorded several times under the new leader.
Leaving Calloway’s employ in 1931 he quit music but recorded again in 1949 accompanying a singer named Ray Cully. Trumpeter Roger Dickerson passed away on January 21, 1951 in Glens Falls, New York.
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Daily Dose Of Jazz…
Mike Jackson was born on December 23, 1888 in Louisville, Kentucky. The details of his early life are not known, however, in 1921 he began composing songs for publisher Joe Davis. Soon after he became an accompanist playing piano for a number of early jazz and blues recordings, with Clara Smith, Alberta Hunter, Laura Smith, Thomas Morris, the New Orleans Blue Five, the Dixie Jazzers Washboard Band, Perry Bradford, and Buddy Christian.
He also recorded under his own name as Jackson and His Southern Stompers. With Morris, he worked in the vaudeville show The Wicked Age in 1927. He emigrated to Montreal, Canada in 1928, but returned to New York City in 1930, where he continued working as a composer.
His compositions included The Louisville Blues, written with Bob Ricketts in 1921 and recorded by W.C. Handy in 1923; Scandal Blues and Black Hearse Blues, both written in 1925; and Slender, Tender and Tall and Hey, Knock Me a Kiss, both of which were recorded by Jimmie Lunceford and Louis Jordan among others.
Pianist and composer Mike Jackson passed away on June 21, 1945 in New York City.
Daily Dose Of Jazz…
Achille Joseph Baquet was born on November 15, 1885 in New Orleans, Louisiana into a musical family whose patriarch, Théogène, led the Excelsior Brass Band. He learned the clarinet from Luis “Papa” Tio and was thought to have been a member of the Whiteway Jazz Band.
Moving to New York City in 1918, then ragtime pianist, vocalist, and leader Jimmy Durante, the only member not from New Orleans, hired him to play with the Original Dixieland Jazz Band that was founded by Johnny Stein. He would go on to work with Papa Jack Laine’s Reliance Brass Band and was part of the clarinet section of the Happy Schilling Dance Orchestra.
Baquet’s credits as a composer include Why Cry Blues, written with Jimmy Durante. According to Papa Jack Laine, he co-wrote Livery Stable Blues with Acide “Yellow” Nunez.
Clarinetist and saxophonist Achille Baquet, who was a light-skinned black man able to pass for white, passed away on November 20, 1956 in his hometown.
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