Daily Dose Of Jazz…

Buddy Petit was born Joseph Crawford on May 25, 1897 in White Castle, Louisiana. His early life is somewhat mysterious but he was adopted by trombonist Joseph Petit, whose name he took.

Taking Freddie Keppard’s place in the Eagle Band, a place earlier held by Buddy Bolden, when Keppard left town. Briefly lured to Los Angeles, California by Jelly Roll Morton and Bill Johnson in 1917, but objecting to being told how to dress and behave differently from what he was accustomed to he returned to New Orleans, Louisiana.

Buddy spent the rest of his career in the area around greater New Orleans and the towns north of Lake Pontchartrain, not venturing further from home than Baton Rouge and the Mississippi Gulf Coast.

Okeh Records offered him a chance to record on their 1925 field trip to New Orleans, but Petit held out for more money and was never recorded. Danny Barker and Louis Armstrong said that it was a great loss to jazz history that there are no recordings of Petit.

After over-indulging in food and drink, cornetist Buddy Petit, which was sometimes spelled Buddie, transitioned on July 4, 1931.

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Leon Alexander Anthony Abbey was born in Minneapolis, Minnesota on May 7, 1900 to Luther James Robert Abbey and Eva Lee Alexander. He started his career in 1920 as a classical violinist with the orchestra of J. Rosamond Johnson. Five years later, he recorded with Clara Smith on If You Only Knowed and You Better Keep The Home Fires Burning.

By 1926, Leon was leading the Savoy Bearcats and toured with the band the next year in Argentina, Brazil, and Uruguay. For a decade, he toured throughout Europe and performed in India two times.

Abbey led a band with blues singer Ethel Waters. In Chicago, Illinois he led a trio until 1964. His sideman during his career included Fletcher Allen, Emile Christian, Bill Coleman, Peter DuConge, and Crickett Smith. He recorded Jazz and Hot Dance in Denmark as a leader in 1938 on Harmony Records in Copenhagen, Denmark. It was also issued under the name Whoa Babe.

Violinist and bandleader Leon Abbey transitioned in September 1975.

BRONZE LENS

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Léon Clément Doucet was born on April 9, 1895 in Brussels, Belgium. For  a time he studied at the city’s Conservatoire under Arthur De Greef, who had been a pupil of Franz Liszt.

His formal training was classical, though as he traveled to the United States where he gained some influence from jazz. Some of his arrangements are still played today, including Chopinata, a jazz tribute to several works by Frédéric Chopin.

After returning to Europe, Clément became the house pianist at the Parisian cabaret Le Boeuf sur le Toit, succeeding Jean Wiéner. He and Wiéner formed a piano duo that spanned 15 years from 1924 to 1939. They performed over 2000 concerts and made over 100 recordings of jazz, blues, and classical music.

They also made a small number of recordings in which they accompanied French chansonniers. These include ten sides with Maurice Chevalier, Édith Piaf, Yvonne George, Jean Sablon and Germaine Sablon and others.

Pianist Clément Doucet transitioned at the age of 55 on October 15, 1950 in his hometown.

ROBYN B. NASH

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Bob Shoffner was born on April 4, 1900 in St. Louis, Missouri. Growing up he played drums and bugle before settling on trumpet at age eleven. Playing trumpet in a military band, he served in the U.S. Army from 1917-1919, and after his discharge he played with Charlie Creath and Tommy Parker in territory bands.

Relocating to Chicago, Illinois in 1921, Bob played with John H. Wickcliffe, Everett Robbins, and Mae Brady. He returned to St. Louis, served briefly under Creath before heading back to Chicago to play with Honore Dutrey. Then, in 1924,he replaced Louis Armstrong in King Oliver’s Creole Jazzband, playing with Oliver until 1927.  He went on to spend time with Dave Peyton and Lottie Hightower during this time as well, and recorded with Lovie Austin, Jimmy O’Bryant, Ida Cox, and Luis Russell.

Shoffner suffered a lip ailment in 1927, but returned after a few months to hit with Charles Elgar in 1928, Erskine Tate, Jerome Carrington, McKinney’s Cotton Pickers in 1931, and Frankie Jaxon in ‘32. A move to New York City in 1934, had him with Fess Williams, Fletcher Henderson, and Hot Lips Page towards the end of the decade..

Around 1940 he returned once more to Chicago and took a job working for the state but recorded with Richard M. Jones in the middle of the 1940s. Taking a hiatus from music until 1957he came back to play with Franz Jackson’s Original Jazz All-Stars from 1957 to 1963.

Health concerns forced him into semi-retirement after this time. Trumpeter Bob Shoffner transitioned on March 5, 1983.

ROBYN B. NASH

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Louis “Kid Shots” Madison was born on February 19, 1899 in New Orleans, Louisiana. He studied cornet under David Jones, Louis Dumaine, and Joe Howard.

In 1915, he becames the drummer in the Colored Waif’s Home band with Louis Armstrong. By 1923, he was playing second cornet with the Tuxedo Brass Band. During the 1930s, he played with the WPA Brass Band and in the Forties he performed as a member of the New Orleans Eureka Brass Band.

In January 1948, cornetist Kid Shots Madison suffered from a stroke and transitioned eight months later in September in his hometown.

SUITE TABU 200

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