Daily Dose Of Jazz…
Charles Bullock, known in the industry as Chick, was born on September 16, 1898 in Montana to immigrants from England.. He belonged to a select group of mostly freelance vocalists who sang the vocal refrains on hundreds of New York sessions, which included Smith Ballew, Scrappy Lambert, Irving Kaufman, Arthur Fields, and Dick Robertson. Some of these vocalists were also musicians leading bands, but their singing was more often featured.
Though he began his career in vaudeville and sang in movie palaces, he rarely performed live because his face was disfigured due to an eye disease. His career as a studio musician took off in the late 1920s, and in the 1930s he sang with musicians such as Duke Ellington, Luis Russell, Cab Calloway, Bunny Berigan, Bill Coleman, Jack Teagarden, Tommy Dorsey, Jimmy Dorsey, Joe Venuti, and Eddie Lang.
Bullock’s recordings proved so popular that he used pseudonyms for some recordings, including the name Sleepy Hall. However, in the 1940s the World War II recording ban essentially ended Bullock’s career and he quit the music business in 1942. He moved to California in 1946 and took up real estate, opening his own company.
Chick was mostly associated with the ARC group of labels including Melotone, Perfect, Banner, Oriole, and Romeo. Many of his records were issued under the name Chick Bullock and his Levee Loungers.
Jazz and dance band vocalist Chick Bullock, who recorded some 500 tunes over the course of his career, transitioned on September 15, 1981, in California at the age of 82.
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Daily Dose Of Jazz…
Frank “Big Boy” Goudie was born on September 13, 1899 in Youngsville, Louisiana, 150 miles west of New Orleans, Louisiana in the area of the state known as Cajun country, where he lived until the age of eight. His family then moved to New Orleans, where he began playing cornet, and became proficient enough to find work with local bands such as Papa Celestin’s Original Tuxedo Band and the Magnolia Band, two of the top New Orleans bands at that time. He began studying clarinet and tenor saxophone, which would eventually become his primary instruments.
Arriving in New Orleans around 1907 meant Frank had a front-row seat to the blossoming of early jazz with King Oliver, Kid Ory, Johnny Dodds, Freddie Keppard, Jimmie Noone and a host of others, were in their prime and working at many venues throughout the city.
With the 1918 closure of Storyville and the early 1920s, New Orleans experienced a diaspora of musicians, one of whom was Goudie. In 1921 he joined a band accompanying a traveling minstrel show, and for the next four years he performed in Louisiana, Texas, New Mexico and California. He joined another traveling group, Frank Matthews and the Louisiana High Browns, ending up in Tampico, Mexico in 1925.
That same year he sailed to France, making Paris his home base for the next 14 years. Work was plentiful for expat Black musicians in Paris prior to World War II. He would go on to work with bands led by Benny Peyton, Louis Mitchell, Sam Wooding, Noble Sissle, Freddy Johnson, Bill Coleman, and Willie Lewis during the Thirties. He worked at “Bricktop’s,” owned and operated by Ada “Bricktop” Smith, who was a supporter of American jazz musicians. Frank played often and recorded with Django Reinhardt.
While living in Europe, Goudie carried a wicker suitcase full of upholstery tools with which to augment his income – a trade he learned as a young man in New Orleans. He left Paris in late 1939, moving to South America, where he worked in Brazil and Argentina with guitarist Oscar Aleman, and fronted his own groups.
In 1946, Frank moved back to Paris, playing there with Arthur Briggs, Harry Cooper, and Bill Coleman. In 1951, he moved to Berlin, led his own band and recorded there in 1952 and 1953 and in Yugoslavia in 1955.
Returning to the States in 1957 to run his uncle’s business in San Francisco, California, his presence became known to the close-knit Bay Area jazz community. It didn’t take long before he again was in demand and playing with trumpeter Marty Marsala, pianists Earl Hines, Bill Erickson and Burt Bales, trombonist Bob Mielke and other local groups.
Trumpeter, alto and tenor saxophonist and clarinetist Frank Goudie, who as a young man, his great height earned him the nickname “Tree,” and he became known as “Big Boy” during his years in Paris, transitioned from cancer at age 64, in San Francisco on January 9, 1964.
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Daily Dose Of Jazz…
Elmer Schoebel was born in East St. Louis, Illinois on September 8, 1896. Early in his career he played along to silent films in Champaign, Illinois. After moving on to vaudeville late in the 1910s, he played with the 20th Century Jazz Band in Chicago, Illinois in 1920.
1922-23 saw him as a member of the New Orleans Rhythm Kings, then led his own band, known variously as the Midway Gardens Orchestra, the Original Memphis Melody Boys and the Chicago Blues Dance Orchestra, before joining Isham Jones in 1925. After returning to Chicago, Elmer played with Louis Panico and Art Kassel, and arranged for the Melrose Publishing House.
By the 1930s, Schoebel was writing and arranging, working as the chief arranger for the Warner Brothers publishing division. From the 1940s onward he did some performing with Conrad Janis, Blue Steele’s Rhythm Rebels (1958), and with his own ensembles in St. Petersburg, Florida. He continued to play up until his death.
Schoebel wrote a number of standards, including Bugle Call Rag, Stomp Off- Let’s Go, Nobody’s Sweetheart Now, Farewell Blues, and Prince of Wails. While a member of the New Orleans Rhythm Kings he wrote I Never Knew What A Girl Could Do, Oriental, and Discontented Blues.
Pianist, composer and arranger Elmer Schoebel, who as a leader only recorded one of his own compositions in 1929 titled Prince of Wails, transitioned on December 14, 1970.
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Daily Dose Of Jazz…
Johnny Lindsay was born John Lindsay on August 23, 1894 in New Orleans, Louisiana and learned both instruments while young. He played trombone in a military band and in ensembles late in the 1910s. While living in his hometown he played with John Robichaux and Armand J. Piron’s Olympia Orchestra.
Lindsay was Piron’s trombonist on recordings made in New York City in 1923 and 1924 and was a member of Dewey Jackson’s riverboat band. Relocating to Chicago, Illinois he played with Willie Hightower, Carroll Dickerson, Lil Hardin, and Jelly Roll Morton’s Red Hot Peppers. Most of his Chicago playing in Chicago was subsequently on bass rather than trombone.
Later in his career Johnny toured nationally with Louis Armstrong in the early 1930s, and then with Richard M. Jones, Jimmie Noone, Punch Miller, Johnny Dodds, Chippie Hill, Georgia White, Harlem Hamfats, and Baby Dodds.
Double-bassist and trombonist Johnny Lindsey, who was active on the New Orleans and Chicago jazz scenes and was sometimes listed as John Lindsey, transitioned on July 3, 1950.
Daily Dose Of Jazz…
Darnell Howard was born on July 25, 1895 in Chicago, Illinois and began playing violin at age seven, picking up clarinet and saxophone later in his youth. He began playing professionally with John H. Wickcliffe’s Ginger Orchestra from 1913 to 1916.
Moving to New York City in 1917, Darnell played and recorded as a violinist with W. C. Handy, then headed back to Chicago, where he led his own band, played with Charlie Elgar before joining James P. Johnson’s Plantation Days Band, which toured London, England in 1923. The following year he toured Europe again as a member of the Singing Syncopators that also played in Shanghai later in the decade.
His Chicago years saw him playing with Carroll Dickerson, King Oliver, and Erskine Tate, Jerome Carrington, Dave Peyton and Earl Hines. He led a quartet in 1928, but his jazz violin is featured on the Hines band’s February, 1933 recording of the Earl Hines/Jimmy Mundy swing composition Cavernism.
In the late 1930s, Howard was freelancing into the Forties and playing with Fletcher Henderson and Coleman Hawkins, and putting together another band in Chicago from 1943 to 1945. He would go on to play with Kid Ory in California for part of 1945, then returned to Chicago and back again in 1948 with Muggsy Spanier until 1953. His only recordings as a leader were done while he worked with Bob Scobey in 1950, amounting to only four sides.
Through the 1950s he played with Jimmy Archey, rejoined Earl Hines to play Dixieland in San Francisco, California and recorded with Don Ewell on his 1956–1957 albums. Sometime after 1962 Darnell suffered a prolonged illness and after recuperating he played with Elmer Snowden, Burt Bales, and his own groups. His final tour in 1966, was in Europe as a member of the New Orleans All-Stars, then he fell ill again. Clarinetist, violinist and alto saxophonist Darnell Howard transitioned on September 2, 1966 in San Francisco.
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