Daily Dose Of Jazz…
Jack Payne was born John Wesley Vivian Payne on August 22, 1899 in Leamington Spa, Warwickshire, England. He is the only son of a music publisher’s warehouse manager and it wasn’t until he was serving in the Royal Flying Corps that he played the piano in amateur dance bands. Towards the end of World War I, he led dance bands for the troops and was part of a voluntary group The Allies Concert Party that performed to wounded soldiers convalescing around Birmingham.
He played with visiting American jazz bands at the Birmingham Palais during the early 1920s, including the Southern Rag-a-Jazz Orchestra in 1922, before moving to London in 1925. He played in a ten-piece band which became the house band at London’s Hotel Cecil. Three years later Payne became the BBC Director of Dance Music and the leader of the BBC’s first official dance band.
After leaving the BBC in 1932 he returned to playing hotel venues and switched labels to Imperial, followed by Rex from 1934. Payne took his band on nationwide tours and made a couple of films, composed and published waltzes, and recorded jazz working with Garland Wilson.
>Returning to the post of Director of Dance Music at the BBC until 1946. Bandleader and composer Jack Payne, who authored two autobiographies, died in Tonbridge, Kent, England on December 4,1969, aged 70.
More Posts: author,bandleader,composer,history,instrumental,jazz,music
Jazz Poems
suddenly in the midst of a game of lotto with his sisters
Armstrong let a roar out of him that he had the raw meat
Red wet flesh for Louis
and he up and sliced him two rumplings
since when his trumpet bubbles
their fust buss
poppies burn on the black earth
he weds the flood he lulls her
some of these days muffled in ooze
down down down down
pang of white in my hair
after you’re gone
Narcissus lean and slippered
you’re driving me crazy and the trumpet
In Ole Bull it chassés aghast
out of the throes of morning
down the giddy catgut
and confessing and my woe slavers
the black music it can’t be easy
it threshes the old heart into a spin
into a blaze
Louis lil’ ole fader Mississippi
his voice gushes into the lake
the rain spouts back into heaven
his arrows from afar they fizz through the wild horses
they fang you and me
then they fly home
flurry of lightning in the earth
sockets for his rootbound song
nights of Harlem scored with his nails
snow black slush when his heart rises
his she-notes they have more tentacles than the sea
they woo me they close my eyes
they suck me out of the world
ERNST MOERMAN Translated by Samuel Beckett
from Jazz Poems ~ Selected and Edited by Kevin Young
More Posts: book,classic,collectible,history,jazz,library,poet
Daily Dose Of Jazz…
Richard M. Jones, born Richard Marigny Jones on June 13, 1892 in Donaldsonville, Louisiana and grew up in New Orleans, Louisiana. Suffering from a stiff leg he walked with a limp, causing fellow musicians to give him the nickname “Richard My Knee Jones” as a pun on his middle name. In his youth he played alto horn in brass bands. His main instrument, however, became the piano and by 1908 he was playing in Storyville, the red-light district of New Orleans. A few years later, he often led a small band which sometimes included Joe Oliver and also worked in the bands of John Robichaux, Armand J. Piron, and Papa Celestin.
In 1918, Jones moved to Chicago, Illinois where he worked as Chicago manager for publisher and pianist Clarence Williams. Jones began recording in 1923, making gramophone records as a piano soloist, accompanist to vocalists, and with his bands The Jazz Wizards and The Chicago Cosmopolitans. He recorded for Gennett, OKeh, Victor, and Paramount record labels in the 1920s.
He also worked for OKeh Records as supervisor of the company’s “Race” Records for most of the decade, separately the Caucasian artists from the Black. During this period he was the producer of Louis Armstrong’s influential Hot Five and Hot Seven recordings. In the 1930s, Jones performed a similar management role for Decca.
Pianist, composer, band leader, and record producer Richard M. Jones, sometimes written Richard Mariney Jones and who had numerous songs bearing his name as author, including Trouble in Mind and worked for Mercury Records until his death on December 8, 1945 in Chicago, at the age of 53.
Daily Dose Of Jazz…
Chester Zardis was born on May 27, 1900, in New Orleans, Louisiana and played bass from a young age, studying without his disapproving mother’s knowledge under Billy Marrero of the Superior Orchestra. In his teens he was sent to the Jones Waif Home where he began playing with another of the Home’s residents, Louis Armstrong.
He joined Buddy Petit’s orchestra at age 16, and worked as a bassist in nightclubs and a tubist in brass bands in 1920s New Orleans. There he played with Kid Rena, A.J. Piron, Punch Miller, Kid Howard, Jack Carey, Fate Marable, and Duke Dejan’s Dixie Rhythm Band.
He was given the nickname “Little Bear” by riverboat bandleader Fats Pichon, a bandleader with whom Zardis played in the 1930s. During that decade he also played with Count Basie in New York City, and recorded with George Lewis and Bunk Johnson. During World War II he served in the Army, then worked briefly as a sheriff. Upon his return to New Orleans, he played with Andy Anderson, but quit music between 1954 and 1964.
When he returned to active performance, Chester played often at Preservation Hall with Lewis and Percy Humphrey among many others. He continued to be a fixture of the New Orleans jazz scene up until his death in 1990, including several international tours.
Double bassist Chester Zardis, who was regularly featured in documentaries including Liberty Street Blues, Chester Zardis: Spirit of New Orleans, and Three Men of Jazz, died on August 14, 1990 in New Orleans.
More Posts: bass,history,instrumental,music
Daily Dose Of Jazz…
Vic Berton was born Victor Cohen on May 7, 1896 in Chicago, Illinois. His father was a violinist who began his son on string instruments around age five. He was hired as a percussionist at the Alhambra Theater in Milwaukee, Wisconsin in 1903 when he was only seven years old. By 16, he was playing with the Milwaukee Symphony Orchestra and the Chicago Symphony Orchestra. While serving in World War I he played drums for John Philip Sousa’s Navy band.
In the early 1920s, Berton played in the Chicago bands of Art Kahn, Paul Beise, and Arnold Johnson. He led his own ensemble which played at the Merry Gardens club. 1924 saw him become the manager of The Wolverines, and occasionally played alongside Bix Beiderbecke in the ensemble. Later in the decade, he played with Roger Wolfe Kahn, Don Voorhees, Red Nichols and Paul Whiteman. He worked extensively as a session musicianbefore moving to Los Angeles, California in 1927.
During his time in Los Angeles he played with Abe Lyman and recorded in studios for film soundtracks. Vic served as director of Paramount Films’s music division for a period and worked in the Los Angeles Philharmonic Orchestra. In the 1940s, he worked as a percussionist in the studios for 20th Century Fox.
Drummer Vic Berton died on December 26, 1951 in Hollywood, California from lung cancer.
More Posts: bandleader,drums,history,instrumental,jazz,music