Daily Dose Of Jazz…
The Orphan Who Became Malta’s Jazz Star
Some jazz stories follow a straight line from struggle to success. Juice Wilson’s story? It’s a globe-spanning odyssey that most musicians couldn’t dream up if they tried.
A Child Finding His Voice Through Music
Born January 21, 1904, Wilson was orphaned young and raised by his uncle in Chicago from age three. In a city that could be brutally indifferent to a child without parents, music became his lifeline, his identity, his way forward.
He started on drums with the Chicago Militia Boys Band, then switched to violin at eight—an instrument that would eventually carry him around the world. By twelve, he was already gigging professionally with bandleader Jimmy Wade. At fourteen, he was playing alongside the legendary cornetist Freddie Keppard, one of New Orleans’ pioneering jazz voices.
This wasn’t just prodigious talent—this was a kid who had to grow up fast, and music was both his emotional escape and his economic future.
Building His Reputation, City by City
The 1920s found Wilson working Great Lakes steamboats (those floating conservatories where so many musicians learned their craft), doing residencies with trombonist Jimmy Harrison in Ohio, playing in Erie with pianist Hersal Brassfield, then moving to Buffalo to work with bandleader Eugene Primus and even the Buffalo Junior Symphony Orchestra.
He was building his chops, city by city, gig by gig, learning to navigate both the world of jazz and the world of classical music—a versatility that would serve him well in the years ahead.
New York, Then the World
In 1928, Wilson made the inevitable move to New York City, where he played the legendary Savoy Ballroom with Lloyd Scott’s orchestra—the big time, the room where reputations were made and broken nightly.
But then something remarkable happened: at decade’s end, Wilson toured Europe with Noble Sissle’s celebrated orchestra and made a decision that would define the rest of his life—he decided to stay abroad.
A European Adventure
What followed reads like an adventure novel. Wilson worked in Holland with bandleaders Ed Swayzee and Leon Abbey, performed with the Utica Jubilee Singers, joined the Louis Douglass Revue, played with Little Mike McKendrick’s International Band, and worked with Tom Chase’s ensemble. He traveled to Spain and North Africa, soaking up sounds, languages, and cultures that most American jazz musicians would never experience firsthand.
He was bringing American jazz to audiences who’d only heard it on scratchy recordings, if at all. And he was absorbing Mediterranean and North African musical traditions in return, creating his own unique fusion.
Finding Home in Malta
perhaps Malta discovered him. Wilson became a beloved figure on the sun-drenched Mediterranean island, working throughout the 1940s and 1950s as a multi-instrumentalist and entertainer. He made the island his home base while continuing to tour the region, becoming a bridge between American jazz and European audiences.
Full Circle
Wilson finally returned to the United States in the 1960s, bringing with him decades of stories, experiences, and musical adventures that few of his American contemporaries could match.
A Life Well Traveled
Think about that journey: from an orphaned child in Chicago to a beloved musician on a Mediterranean island halfway around the world, carrying American jazz to corners of the globe that rarely heard it performed live. When Juice Wilson died peacefully on May 22, 1993, he left behind a life that proves jazz was always meant to be a universal language—you just had to be brave enough to speak it anywhere, to anyone who would listen.
Some musicians stay in one city their whole lives, perfecting their craft in familiar surroundings. Juice Wilson chose the harder path—and became living proof that home isn’t where you’re born, but where your music is welcomed and celebrated.
More Posts: violin
Daily Dose Of Jazz…
Walter Bishop Sr. was born on January 9, 1905 in Jamaica but emigrated to the United States prior to beginning his professional career. He settled with his family in the Sugar Hill district of the Harlem neighborhood of Upper Manhattan.
He played drums on recordings by pianist Alex Hill and trumpeter Jabbo Smith during the 1920s and 1930s. His song Swing, Brother, Swing was recorded by Billie Holiday with Count Basie, among other performers.
Other songs written by Bishop include Jack, You’re Dead, which was a #1 R&B hit in 1947 as recorded by Louis Jordan, The Stuff is Here (and It’s Mellow), and Bop! Goes My Heart, which was recorded by Frank Sinatra.
His song My Baby Likes to Bebop was recorded by Ella Fitzgerald, and by Nat “King” Cole with Johnny Mercer, and his calypso “Sex is a Misdemeanor” was recorded by Vanessa Rubin.
Drummer, composer and songwriter Walter Bishop Sr., the father of jazz pianist Walter Bishop Jr., transitioned one day before his 80th birthday on January 8, 1984.
More Posts: composer,drums,history,instrumental,jazz,music,songwriter
Daily Dose Of Jazz…
Frederick James Gardner was born on December 23, 1910 in London, England and took up the saxophone at 15 to help alleviate asthma. After minimal coaching he formed the semi-professional New Colorado Band in 1928, and a year later, while working as an office clerk, entered the band in a contest at Chelsea Town Hall and won. He was spotted by the founding editor of Melody Maker magazine who was distributing the prizes, and a year later secured his first professional position.
In 1933, Gardner was taken under the wing of Ray Noble and recorded with the New Mayfair Orchestra. He played in London clubs when working with Sidney Lipton’s Orchestra and at the Mayfair Hotel with Bert Firman’s band and with Billy Bissett. He became a prolific session musician, doubling on all the reeds, although his main instrument was alto saxophone.
He recorded with Benny Carter, Ray Noble, Valaida Snow, Jay Wilbur Buck Washington, and John W. Bubbles. From 1936 to 1937 Freddy arranged and performed on the radio, led small groups and his Swing Orchestra, which included Ted Heath.
During World War II, he was part of the official dance band for the RNPS called the Blue Mariners led by George Crow. He was regularly given special leave to continue his recording and broadcasting. Some recordings were made under the band name Freddie Gardner and his Mess Mates. Folowing the war he continued with extensive freelance work, including as a soloist with the Peter Yorke Concert Orchestra.
Saxophonist Freddy Gardner was taken ill while mending one of his son’s bicycles in the garden of his Brooke Street home in London. An hour later at St. Mary’s Hospital in London he transitioned from a stroke on July 26, 1950 at the age of 39.
More Posts: arranger,bandleader,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Cousin Joe was born Pleasant Joseph on December 20, 1907 in Wallace, Louisiana. He worked at Whitney Plantation throughout his childhood. Until 1945, he toured Louisiana, but that year he was asked to take part in the King Jazz recording sessions organized by Mezz Mezzrow and Sindey Bechet.
In the 1970s, Cousin Joe toured extensively throughout the United Kingdom and Europe, both individually and as part of the American Blues Legends ’74 revue organised by Big Bear Music. He also recorded the album Gospel-Wailing, Jazz-Playing, Rock’n’Rolling, Soul-Shouting, Tap-Dancing Bluesman From New Orleans for Big Bear.
Vocalist and pianist Cousin Joe transitioned in his sleep from natural causes in New Orleans, Louisiana at the age of 81 on October 2, 1989.
More Posts: bandleader,history,instrumental,jazz,music,piano,vocal
Daily Dose Of Jazz…
Bernard Flood was born on December 16, 1907 in Montgomery, Alabama and graduated from Alabama’s Tuskegee Institute in the Twenties. The following decade he went to New York City and became associated with a series of bandleaders in a slow and careful fashion. For the first two years he worked with Bob Neal, moved over to Fess Williams for about an equal length of time, before becoming involved with Teddy Hill in 1933 on through the middle of the decade.
He was quickly in and out of the Luis Russell and Chick Webb outfits before joining up with Charlie Johnson. By 1937 the trumpeter was hitting high notes with Edgar Hayes as well as with Johnson, the former leader launching a terrific European tour. In 1939 Bernard became part of the Louis Armstrong big-band project, dropping out for a spring 1941 James Reynolds gig before rejoining Armstrong and remaining until 1943.
Military service called in 1943 and three years later he was discharged and began working with Luis Russell and Duke Ellington. Flood went on to start his own combo, and collaborated with Happy Caldwell in both the late Forties and early 1950s.
Retiring from full-time music in the early ’70s, Flood was available for gigs, but made no new recordings during this period. Suffering from diabetes Bernard lost both of his legs due to the disease. Trumpeter Bernard Flood, who was featured in the HBO documentary Curtain Call performing Wonderful World, transitioned on June 9, 2000 in Englewood, New Jersey.
More Posts: bandleader,history,instrumental,jazz,music,trumpet