Daily Dose Of Jazz…

Le Roy Watts Harris Jr. was born on February 12, 1916 in St. Louis, Missouri. He played violin while young, then learned saxophone and clarinet. By age 13 he was playing with pianist Chick Finney.

Relocating to Chicago, Illinois around 1930 he played with Ray Nance from 1931 to 1936. Following this stint he worked with Earl Hines from 1937 to 1943. He joined the United States Navy during World War II and played in a band from 1943 to 1944. After his discharge he played with Bill Doggett, Ben Thigpen, Tadd Dameron, Sarah Vaughan, Singleton Palmer, and Wynonie Harris, then returned to play with Hines once more.

In the early 1950s he led his own band at the Kit Kat club in New York. He resettled in St. Louis again in 1957 and played with Eddie Johnson from 1960 to 1971.

Saxophonist and clarinetist Le Roy Harris Jr., whose father and uncle were both jazz musicians, transitioned on February 16, 2005 in his hometown of St. Louis.

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Alfred “Chico” Alvarez was born in Montreal, Canada February 3, 1920 but grew up in Southern California. Upon graduation from high school, he attended the Los Angeles Conservatory of Music.

He was a soloist with the Stan Kenton Orchestra from 1941 to 1943 and rejoined the band after Army service in World War II. He also played with the Red Norvo and Charlie Barnet bands, and moved to Las Vegas, Nevada in 1958 and worked the hotel circuit in the 1960s and 1970s. It was during this time that he would accompany singers like Ella Fitzgerald and Sarah Vaughan.

He recorded two dozen albums with Kenton as well as a single recording session on the self-titled Nat King Cole, Bob Keene and His Orchestra, Vido Musso’s The Swingin’st, and Patti Page’s In the Land of Hi-Fi.

Trumpeter Chico Alvarez, who was the business agent for the musicians’ union, the president of the Allied Arts Council and a member of the Nevada State Council on the Arts, transitioned on August 1, 1992 in Las Vegas.

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George Handy, born George Joseph Hendleman on January 17, 1920 in New York City, where his musical beginnings were fostered under the tutelage of composer Aaron Copland.

He first worked professionally as a swing pianist for Michael Loring in 1938. Soon afterward George was drafted into the United States Army in 1940. Post WWII, from 1944 to 1946 he became a member of the Boyd Raeburn Orchestra, composing and performing on piano. This was during a time when many big bands were transforming their musical tendencies toward bebop. Leaving the orchestra briefly to work for Paramount Studios, he returned to Raeburn quickly. During this period he entered one of his most creative periods, doing arrangements of older standards with a distinctly bebop quality.

A rift between him and Raeburn, just as he was entering his prime, forced him to depart the group. Handy continued to arrange for other musicians in his later career.

Pianist, arranger and composer George Handy, best remembered in retrospect for his bebop arrangements, transitioned in Harris, New York, on January 8, 1997 at the age of 76, from heart disease.


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Vido William Musso born Vito Gugliermo Musso on January 16, 1913 in Palermo, Sicily. He moved with his family to the U.S. in July 1920, having arrived at the Port of New York on the Italian steamship Patria. They lived in Detroit, where Musso started learning to play clarinet. Ten years later, he went to Los Angeles, California and formed a big band with Stan Kenton in 1935.

Musso dropped out the next year to work with Gus Arnheim, Benny Goodman, and Gene Krupa. He accompanied Billie Holiday and pianist Teddy Wilson on recordings in the late 1930s. He replaced Bunny Berigan as the leader of his band and tried unsuccessfully at other times during the 1930s and 1940s to be a big band leader. However, most of his career was spent as a sideman.

Returning to Goodman, he was a member of big bands led by Harry James, Woody Herman, and Tommy Dorsey. He went back to play with Kenton during the middle 1940s and  having moved to California, he retired around 1975.

Saxophonist Vido Musso, who recorded as a leader in the Forties and Fifties for Savoy, Trilon, Arco, Fantasy, RPM, Crown, and Modern record labels, transitioned on January 9, 1982 in Rancho Mirage, California.

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Arthur Shapiro was born on January 15, 1916 in Denver, Colorado, and began on trumpet at age 13, ultimately picking up bass as his prominent instrument at 18. By the late 1930s he was playing with Wingy Manone, Joe Marsala, Eddie Condon, and Chu Berry. From 1938 to 1940 he played with Paul Whiteman, then returned to play with Marsala in addition to working with Bobby Hackett.

Moving to Hollywood, California in the early 1940s, Artie started playing with Jack Teagarden and Joe Sullivan before serving in the United States Army. In 1947 he returned to music, playing with Benny Goodman.

As an accompanist, he worked with, among others, Billie Holiday, Peggy Lee, Anita O’Day, Doris Day, Bing Crosby and Frank Sinatra. His list of recording credits runs to more than 100 during his period of activity, stretching into the late 1960s. Bassist Artie Shapiro transitioned in Los Angeles, California on March 24, 2003.


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