Daily Dose Of Jazz…
Borah Bergman was born on December 13, 1926 in Brooklyn, New York to Russian-Jewish immigrant parents. He began took piano lessons as a child and then changed to clarinet, before returning to piano after being discharged from the army. As an adult, he developed his left hand playing to the point where he became essentially ambidextrous as a pianist, and could play equally fast in both hands.
Bergman cited Earl Hines, Bud Powell, Lennie Tristano, Ornette Coleman chamber music, Bach and Dixieland as formative influences, due to the contrapuntally and polyphonically play.
Until the 1970s Borah played little in public, concentrating on private practice and his work as a school teacher. He recorded four albums as a soloist, most notably on the European label Soul Note, before embarking on duo and trio albums beginning in the 1990s. A small number of solo and quartet albums were also released from the middle of the decade.
Free jazz pianist Borah Bergman passed away on October 18, 2012.
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Daily Dose Of Jazz…
Dodo Marmarosa was born Michael Marmarosa on December 12, 1925 in Pittsburgh, Pennsylvania and received the uncomplimentary nickname Dodo as a child because of his large head, short body, and bird-like nose. He began taking piano lessons at the age of 9, receiving classical music lessons, but was influenced by the jazz playing of Art Tatum, Teddy Wilson, and others after fellow pianist Erroll Garner, four years his elder, introduced him to their music. Attending Peabody High School, he practiced a lot, until his left and right hands were equally strong.
Beginning his professional career in 1941 by joining the Johnny “Scat” Davis orchestra at the age of 15, he followed this stint with Gene Krupa around the end of 1942. After Krupa’s orchestra broke up he played in Ted Fio Rito’s band then moved to Charlie Barnet’s big band. He recorded debut was with Barnet in 1943 with “The Moose”, on which the 17-year-old pianist played, combining bebop and Count Basie-style minimalism. Marmarosa recorded some trio tracks with Krupa and DeFranco in 1944. He then worked with Tommy Dorsey and appeared in the MGM film Thrill of a Romance. After Dorsey he joined Artie Shaw’s big and small bands.
From the early 1940s Dodo had searched for and experimented with advanced progressive forms of jazz and became attracted to bebop after meeting and jamming with Dizzy Gillespie and Charlie Parker. In 1945 Marmarosa moved to Los Angeles, California and played piano on Parker’s first recordings for Dial Records. For the next two years he recorded extensively as a sideman in both bebop and swing contexts with Wardell Gray, Lionel Hampton, Mel Tormé, Willie Smith, Lester Young, and, became the house pianist for Atomic Records, Slim Gaillard and Barney Kessel.
Making his first recordings as leader in 1946, with trio tracks that included Ray Brown on bass and Jackie Mills on drums, and in a quartet with adding saxophonist Lucky Thompson, he also recorded his only vocal track, I’ve Got News for You, in the same year. He would go on to lead the first pizzicato jazz cello sessions for Dial with Harry Babasin on cello and Jackie Mills on drums.
The Fifties were not particularly productive, suffering from psychological problems and his family getting him no help, his behavior became erratic with him disappearing for weeks at a time. He recorded an Argo Records trio session in 1962 released as Dodo’s Back!, and made his final studio recordings that same year with saxophonist Gene Ammons and another with trumpeter Bill Hardman. His last public performance was contributed to his diabetes somewhere between the late Sixties to early to mid Seventies, leading to his permanent retirement.
Living in obscurity for the rest of his life, pianist, composer and arranger Dodo Marmarosa, who played in the bebop, modern, progressive and swing genres, passed away of a heart attack on September 17, 2002, in a veterans’ hospital in his hometown of Pittsburgh.
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Daily Dose Of Jazz…
Ernie Carson was born December 4, 1937 in Portland, Oregon. He played trumpet from elementary school, and played with the Castle Jazz Band in the mid-1950s prior to a stint in the U.S. Marines.
Following his discharge Ernie moved to and worked in Los Angeles, California with Dave Wierbach, Jig Adams, Ray Bauduc, Pat Yankee, and Turk Murphy. He led several of his own groups from the 1970s, including the Capital City Jazz Band and a new version of the Castle Jazz Band.
After more than twenty years of playing based in Atlanta, Georgia he moved back to his hometown in 1995. Dixieland jazz revival cornetist, pianist and singer Ernie Carson, who left a small catalogue of music as his legacy, passed away on January 9, 2012 in Portland, Oregon.
Daily Dose Of Jazz…
Heywood Allen was born Allan Stewart Konigsberg on December 1, 1935 in Brooklyn, New York. He began playing the clarinet as a child and took his stage name from clarinetist Woody Herman. He has performed publicly at least since the late 1960s, notably with the Preservation Hall Jazz Band on the soundtrack of Sleeper. One of his earliest televised performances was on The Dick Cavett Show on October 20, 1971.
Woody Allen and his New Orleans Jazz Band have been playing each Monday evening since 2011 at Manhattan’s Carlyle Hotel, specializing in classic New Orleans jazz from the early twentieth century. He plays songs by Sidney Bechet, George Lewis, Johnny Dodds, Jimmie Noone and Louis Armstrong.
The documentary film Wild Man Blues directed by Barbara Kopple documents a 1996 European tour by Allen and his band, as well as his relationship with Previn. The band has released two CDs: The Bunk Project in 1993 and the soundtrack of Wild Man Blues in 1997. Allen and his band played the Montreal International Jazz Festival on two consecutive nights in June 2008. At 81, clarinetist Woody Allen continues to perform with his band when not writing scripts or directing and acting in films.
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Daily Dose Of Jazz…
Colin Ranger Smith was born in London, England on November 20, 1934. Initially joining the Terry Lightfoot band in 1957, he moved on to playing with Cy Laurie, in 1958. He had a long tenure in the Acker Bilk band that began in 1959, taking a break in 1966 to sail across the Atlantic in a 45-foot ketch, rejoining Bilk in 1968. During that period he also worked at the same time in the band with saxophonist Tony Coe and the trombonist John Picard, as well as with Stan Greig’s London Jazz Big Band.
1977 saw Colin together with Picard, Ian “Stu” Stewart, Dick Morrissey and Charlie Watts. He played in the Bob Hall/George Green Boogie Woogie Band, an ad hoc band which would eventually become known as Rocket 88.
Other big bands he played with included those led by the American clarinettist Bob Wilber, and later the one led by Charlie Watts and the revisionist Midnite Follies Orchestra, Stan Greig’s Boogie Band and Brian Leake’s Sweet and Sour. From 1983 he played with the Pizza Express All Stars and, in 1992, returned to playing with Bilk.
Trumpeter Colin Smith was struck with congenital liver problems that sidelined him during the last years of his life, eventually passing away on March 29, 2004 in London.
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